by Elissa | Jun 2, 2022 | B.A.G. Meetings, bookbinding, Call to artists, Exhibitions, Lecture, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, June 8, 2022, 7:00 p.m. – 8:30 p.m.
This month’s meeting will once again be held via Zoom, an online conference program. If you’ve never attended a Zoom meeting before, check out this video – it will go over the basics of how to join a meeting.
Stay safe!
The B.A.G. Board
In continuing with our tradition of choosing a theme for our meetings every year, the B.A.G. Board has selected the theme of Woven for 2022.
Weaving is one of the oldest surviving crafts in history, and is an integral part of all of our lives. We wear woven clothing, we sit on woven seats, we use and admire woven baskets.
In the paper and book world, there are many examples of paper weaving, woven book covers, and woven structures. Here are a few resources to get your brain churning:
The possibilities are kind of endless!
During the meetings this year, guest presenters will guide you through techniques to get you started on your woven explorations. The simplest methods can produce exciting results and we can’t wait to see what you come up with!
Program: Crossed Structure Binding – Linked Variation with Elissa Campbell
The Crossed Structure binding is intriguing in that the sewing is done directly onto back cover straps that integrate into the front cover. This non-adhesive variation on the long stitch was developed by book artist Carmencho Arregui after studying pre-16th century bindings.
In June’s meeting, Elissa Campbell will teach you a variation of this binding. As time allows, you’ll add stitching to the covers to both reinforce the structure and add a decorative touch.
Supplies:
- 4 pieces of text weight paper: 4.75″ x 6.25″
- 2 pieces cover material (leather, heavy fabric, vinyl): 8″ x 4.75″
- 3 pieces sewing thread in the following lengths: 62″, 6″, 25″
- 1 piece cover weight paper: 4.75″ x 8″
- 1 piece cover weight paper: 1.5″ x 4.75″
- 1 piece cover weight paper: 1″ x 2″
Tools:
- Bone folder
- Scissors
- X-Acto knife
- Metal ruler Awl
- Cutting mat
- Bookbinding or tapestry needle
- Japanese screw punch or other leather punch (optional)
If you plan to attend the meeting, please contact Elissa so she can send you the Zoom meeting details.
May Meeting Reflections

I was very inspired by our meeting’s presenter, paper artist Karen Kreiger. As she pulled out beautiful work to show us, I really got a sense of how she arranged images in and around her weaving. And then, oh my, she added stitching! Could the work speak to me any more personally? A woven, stitched rolling pin! As a former baker, I need one of my own.
Here are my favorite take-aways:
- A dot of red fixes everything
- Dots make me happy
- Insert scraps into cut out windows
- Cut patterns into the ‘weft’
- Stitch on top of weaving
- And finally, organize your scraps (no matter how small) by color in small boxes.
Believe me, I have tried organizing my scraps, but somehow serendipity helps me to find the right one, even if they’re not so organized.
Thanks to all who showed up on screen, and thanks especially to Karen for a totally enjoyable and inspirational evening.
B.A.G. Library Corner

This month we’re taking a step back from how-to’s and looking at the conceptual process involved in bookmaking, or any art. In his introduction to Structure of the Visual Book, the illustrious Keith Smith takes us through his thought process and approach to making artist books.
Written as ponderously as his process, he describes his first foray into bookmaking and how he learned to see his subject matter.
If you have ideas for books to feature or if you have a library book in your possession you’d like to share something from, email Sally at salblanch@gmail.com.
You can check out and download the selection here.
B.A.G. News
*** The Book Arts Guild of Vermont is pleased to announce our annual member show at Grand Isle Art Works! The dates of the exhibit are July 1 – July 30 and our opening reception will be on July 6.
The submission deadline is June 17 and B.A.G. members can submit up to two pieces for the show. We’ll have a space devoted to zines, and you can submit zines in addition to the two pieces, without any limit.
Ann Joppe-Mercure will be doing a workshop at GIAW in conjunction with the show. If you’re interested in doing something similar, please contact Ann at joppemercure@gmail.com.
The submission form can be downloaded here.
We’d love to have your work in the show!
*** On June 10, Writers as Artists will showcase the work of award winning book artists/writers Beth Kephart and B.A.G. member Nina Gaby and award winning writer/sculptor Abigail Thomas.
The event will be held at Nancy’s Artisanal Creamery and Coffee House at 297 Tinker Street in Woodstock, NY.
Book Arts News
*** Artistree Gallery is accepting submissions for their 10th annual juried exhibit, UNBOUND: VOL X. The theme of the show is simple – art using books as a material or a format. Visitors will have an opportunity to examine curious folios, recent grimoires, tomes turned to sculpture and some works having a relation to “books” in concept only.
This exhibition is for artists working in all traditional and non-traditional 2D (wall mounted) and 3D media, who are working in Vermont or New Hampshire and are 18 years of age or older. All artwork must be original in concept, design and execution.
The deadline for submission is June 4, 2022. All submissions must be made through their online entry form.
For more information, please visit the Artistree website. Please contact exhibits@artistreevt.org with any questions.
*** North Country Studio Workshops in Bennington, VT is offering their next five-day intensive from January 24 -29, 2023 for artists and craftspeople in an atmosphere of discovery, energy, collaboration, and inspiration. There are two book artsy workshops that may be of interest to you:
The first is North Country Shifu with Velma Bolyard. Here’s the workshop description:
Experience the Japanese craft tradition of spun and woven paper textile called shifu. Make deep connections to place through text, textile (shifu), book, and paper. Haptic experiences will include experimental mark making, hand spinning, loom building, weaving, book construction, papermaking, dyeing, and stitching. You will leave with a wonderful book and a passel of techniques that you can add to your paper and fiber toolkit.
The next is The Artful Box with Mary Uthuppuru. Here’s the workshop description:
Construct a modified clamshell box. A box can enhance its contents or become an art piece of its own. Learn how to build a specific structure using a variety of decorative and assembly techniques. You will be encouraged to experiment and create components of the project drawing from personal inspiration. No special skills are required, just patience with a few techniques that require accuracy.
Registration opens on June 15 and historically, these workshops fill up fast. If you know that you want to take either of these workshops, don’t wait to enroll. There are a number of scholarships available if you need financial assistance. Applications are being accepted now through June 6.
*** The Are You Book Enough theme for June happens to be Weave, which works out well with our theme for this year. If you’re working on a book that has a woven element, then this is your month to submit to the Instagram challenge.
Use hashtag #areyoubookenough_weave if you participate. It most certainly will be inspirational to look at the work submitted using this theme. You can also check out past work by using the hashtag #areyoubookenough.
Stay-at-Home Fun
*** The Jaffe Center for Book Arts is offering the Dove Dale Limp Case: A Sympathetic Update of an 1884 Binding with Karen Hanmer on June 11.
Edward Marston’s 1884 An Amateur Angler’s Days in Dove Dale: Or, How I Spent My Three Weeks’ Holiday was issued in a simple folded limp vellum case printed in two colors. We will examine two examples from this edition of 100 before creating a low-adhesive, facsimile-ish version in a limp paper case. This case can be made of any decorative text-weight paper.
The resulting book is lightweight, elegant, opens well, and can be made quickly and easily with no specialized tools or materials. This workshop is appropriate for intermediate binders, beginners who are ready for a fast-paced workout, and anyone who wants to add another limp case to their repertoire.
For more information or to register, please email John Cutrone at jcutrone@fau.edu.
*** The Frederick Book Arts Center is offering Islamic Bookbinding with Nic Heersema on June 16, 21, 23, 28, 30, and July 5 & 7.
Islamic bookbinding is one of the styles that developed in the Middle East before the 17th century. Used for everything from richly-decorated Qur’ans to scientific treatises, this style of bookbinding is recognizable by the pentagonal envelope flap.
This style of bookbinding is recommended for advanced beginners or intermediate/advanced bookbinders who have some experience with kettle stitches, endband sewing, and general bookbinding techniques.
This seven-class workshop series walks through all the stages of making a book in the Islamic style. Due to the nature of these classes some are planned to have longer slots of time then others to accommodate drying times and other waiting times.
For more information or to register, please visit the FBAC website.
*** The Minnesota Center for Book Arts is offering Drum Leaf Binding with Karen Hanmer on June 29.
Developed by Tim Ely, the drum leaf binding has features in common with multiple preexisting Eastern and Western book structures. This adhesive binding is a perfect structure for printmakers, photographers, or anyone who desires to present visual narratives with no sewing thread to interrupt the flow of imagery. Because a drum leaf book is not laid out in signatures but made of single-sided folios, the complexities of imposition are not encountered when laying out text.
The binding opens flat and can be dressed up or down with a variety of spine treatments, board-covering materials, and edge decoration techniques. It can be constructed quickly, lends itself to edition work, and can be made in a sparsely equipped home studio.
In this virtual workshop, build skills working with common bookbinding tools, materials, techniques, and principles such as grain direction, folding signatures, tidy application of adhesive, and measuring one component of the book to fit another. This fast-paced workshop is appropriate for intermediate binders and beginners who are ready for their next challenge.
For more information or to register, please visit the MCBA website.
by Elissa | May 10, 2022 | B.A.G. Meetings, bookbinding, Call to artists, Exhibitions, Lecture, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, May 11, 2022, 7:00 p.m. – 8:30 p.m.
This month’s meeting will once again be held via Zoom, an online conference program. If you’ve never attended a Zoom meeting before, check out this video – it will go over the basics of how to join a meeting.
Stay safe!
The B.A.G. Board
In continuing with our tradition of choosing a theme for our meetings every year, the B.A.G. Board has selected the theme of Woven for 2022.
Weaving is one of the oldest surviving crafts in history, and is an integral part of all of our lives. We wear woven clothing, we sit on woven seats, we use and admire woven baskets.
In the paper and book world, there are many examples of paper weaving, woven book covers, and woven structures. Here are a few resources to get your brain churning:
The possibilities are kind of endless!
During the meetings this year, guest presenters will guide you through techniques to get you started on your woven explorations. The simplest methods can produce exciting results and we can’t wait to see what you come up with!
Program: Presentation by Paper Artist Karen Krieger
We are very excited to welcome artist Karen Krieger as a presenter for our May meeting. Karen has been working with paper for over a decade after a previous career as a metalsmith. Paper weaving has become an integral and joyous part of her work since 2019 when she took a month-long class with a daily weaving practice.
She’ll share some of her finished pieces, works in progress, and paper organizing tips. She’ll discuss materials and do a demo to demystify the process so you can begin to make your own weavings.
If you plan to attend the meeting, please contact Elissa so she can send you the Zoom meeting details.
April Meeting Reflections
Woven is shaping up to be one of my favorite themes. I had a great time messing up my cuts for the woven accordion structure, even though the instruction and pdf were as clear as a bell, thanks to our presenter, Dorsey Hogg.
The technique of weaving pages together to create the accordion just opened my eyes to possibilities, and Dorsey’s own interpretations of the combination of weaving and structure were both sophisticated and approachable at the same time.
Thanks, Dorsey, for the inspiration! I am always amazed at how your mind works, and how much you accomplish. Thanks also to all of you who continue to show up and make the positivity gauge go up.
B.A.G. Library Corner
Is everyone else as anxious for spring as I am? After what felt like a very long winter, let’s celebrate the longer, warmer days with a spring-inspired paper-cutting design!
This project from Naomi Shiek’s Fold It & Cut It is meant to be a three-dimensional tea light lantern or party favor box, but you could incorporate the design into any project. If you have any trouble with the template, contact Sally at salblanch@gmail.com for a cleaner copy.
If you have ideas for books to feature or if you have a library book in your possession you’d like to share something from, email Sally at salblanch@gmail.com.
You can check out and download the project here.
B.A.G. News
*** The Book Arts Guild of Vermont is pleased to announce our annual member show at Grand Isle Art Works! The dates of the exhibit are July 1 – July 30 and our opening reception will be on July 6.
The submission deadline is June 17 and B.A.G. members can submit up to two pieces for the show. We’ll have a space devoted to zines, and you can submit zines in addition to the two pieces, without any limit.
Ann Joppe-Mercure will be doing a workshop at GIAW in conjunction with the show. If you’re interested in doing something similar, please contact Ann at joppemercure@gmail.com.
The submission form can be downloaded here.
We’d love to have your work in the show!
*** On June 10, Writers as Artists will showcase the work of award winning book artists/writers Beth Kephart and B.A.G. member Nina Gaby and award winning writer/sculptor Abigail Thomas.
The event will be held at Nancy’s Artisanal Creamery and Coffee House at 297 Tinker Street in Woodstock, NY.
*** Susan Smereka is teaching an Upcycle Journal Workshop on May 15, 2022.
Learn to take something old and make it new again! We will rebuild an old book and give it new life as a unique journal to inspire you to write and capture your precious ideas, collages, and drawings. And they make great gifts too!
You will break down an old book, and rebind it with blank pages interleaved with text from the original. Build your knowledge and skills around bookbinding as you learn the parts of a book and how to do a long stitch binding with waxed linen thread.
Whether you are new to bookbinding or not, this workshop is appropriate for all skill levels and interests. Join us for this opportunity to build your own creative journal or continue feeding your bookbinding passion!
For more information or to register, please visit Susan’s website.
*** Elissa Campbell is teaching Piano Play at Studio Place Arts on June 6 & 7.
The spine of the intriguing Piano Hinge binding is one that is woven instead of glued or sewn – it is held together using dowels or sticks. This structure, invented by Hedi Kyle, was named because of its resemblance to the hinge of a piano lid.
In this class, you’ll learn how to construct both the basic Piano Hinge book and the Piano Hinge Album (it’s got storage pockets!). No previous experience is required, although you’ll feel more comfortable if you’ve used an X-Acto knife before.
For more information or to register, please visit the SPA website.
*** B.A.G. member Laura Lacroix is looking for someone to make a guest presentation at a class on artist books at Hazen Union School in June. If this is up your alley, please contact Laura at lacroix.laura@yahoo.com.
Book Arts News
*** Artistree Gallery is accepting submissions for their 10th annual juried exhibit, UNBOUND: VOL X. The theme of the show is simple – art using books as a material or a format. Visitors will have an opportunity to examine curious folios, recent grimoires, tomes turned to sculpture and some works having a relation to “books” in concept only.
This exhibition is for artists working in all traditional and non-traditional 2D (wall mounted) and 3D media, who are working in Vermont or New Hampshire and are 18 years of age or older. All artwork must be original in concept, design and execution.
The deadline for submission is June 4, 2022. All submissions must be made through their online entry form.
For more information, please visit the Artistree website. Please contact exhibits@artistreevt.org with any questions.
*** Laszlo Bardos‘ website CutOutFoldUp.com is about the fun, interesting, and beautiful side of math. Most projects are easy to make, can be completed in less than an hour, and require only a few common materials. Each project is accompanied by printable patterns, detailed directions, and a difficulty level.
Not sure where to start? Click on the Random link in the navigation bar. Happy cutting and folding!
*** Russell Maret is delivering this year’s Gillett G. Griffin Memorial Lecture at the Princeton University Libraries on May 16. The lecture, The Post-Typographic Private Press?, will be presented in person and online. To attend the lecture, please register here.
If you would like to hear the talk but won’t be able to attend at the time, please register as an online participant – a link to the recorded talk will be sent to you shortly after the 16th.
Stay-at-Home Fun
*** The Center for Book Arts is offering Soft Cover Drum Leaf with Beth Sheehan on May 23.
Created by Tim Ely, drum leaf is a simple but elegant book structure that uses folded “leaves” (pages) that are “drummed” (glued) together rather than being folded into signatures. Drum leaf book pages lay completely flat, making it an ideal book structure for artists, photographers, and printmakers in particular.
In this two-hour workshop, students will learn to fold and adhere pages to create the drum leaf textblock. Sheehan will then go over the steps for scoring and folding the drop-spine softcover. Finally, students will adhere covers to their text blocks, completing their respective books!
For more information or to register, please visit the CBA website.
*** The Minnesota Center for Book Arts is offering Sewn Binding with Guards and Self-Locking Wrapper with Karen Hanmer on May 25.
For centuries, paper has served as a quick, elegant, and economical covering material for books. This versatile material can create structures ranging from pocket notebooks to conservation friendly bindings to a case durable enough for a heavily-used manual.
In this virtual workshop, learn how to sew an exposed binding, a book structure with decorative guards that features colorful link stitch sewing and slivers of decorative paper visible on the spine. The covers are hooked around the first and last signatures before sewing, then sewn normally along with the rest of the text block. A quick-to-construct self-locking flap keeps the text block clean and secure.
This fast-paced workshop is appropriate for intermediate binders, beginners who are ready for their next challenge, and anyone who wants to add more paper cases to their bookbinding repertoire.
For more information or to register, please visit the MCBA website.
*** The Jaffe Center for Book Arts is offering Circular (Toroidal) Accordion with Stephanie Wolff on June 2.
A circle? A donut? A torus! Whatever you think of when you see this accordion, the shape has lots of fun possibilities for content, which we’ll discuss. When open, it’s donut-shaped, when folded up it’s a wedge – like a piece of pie without the tip.
We’ll draw out the form, cut and fold, and make a simple wrapper. Our focus will be on making a model that participants can use as reference for making more after the workshop. No advanced math is required, but a drawing compass is.
For more information or to register, please email John Cutrone at jcutrone@fau.edu.
by Elissa | Mar 3, 2022 | B.A.G. Meetings, bookbinding, Call to artists, Exhibitions, Lecture, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, March 9, 2022, 7:00 p.m. – 8:30 p.m.
This month’s meeting will once again be held via Zoom, an online conference program. If you’ve never attended a Zoom meeting before, check out this video – it will go over the basics of how to join a meeting.
Stay safe!
The B.A.G. Board
In continuing with our tradition of choosing a theme for our meetings every year, the B.A.G. Board has selected the theme of Woven for 2022.
Weaving is one of the oldest surviving crafts in history, and is an integral part of all of our lives. We wear woven clothing, we sit on woven seats, we use and admire woven baskets.
In the paper and book world, there are many examples of paper weaving, woven book covers, and woven structures. Here are a few resources to get your brain churning:
The possibilities are kind of endless!
During the meetings this year, guest presenters will guide you through techniques to get you started on your woven explorations. The simplest methods can produce exciting results and we can’t wait to see what you come up with!
Program: The Woven Accordion with Becky Boardman
At this month’s B.A.G. meeting, our own Becky Boardman will be leading us in a hands-on project that goes perfectly with this year’s theme, The Woven Accordion.
Here’s what you’ll need to join in on the fun:
Materials:
- 1 piece – 11″ x 4.25″ cardstock (grain short if possible)
- 1 piece – 14″ X 3.25″ cardstock (grain short if possible)
- A Strathmore 11″ x 14″ drawing pad has grain short pages and is a good weight.
- 1 piece – 11″ x 2″ cardstock (grain short if possible)
- 2 pieces – 3.25″ x 4.5″ mat board (or something similar for covers)
- 2 pieces – 4.5 x 4 5/8″ heavy text or light cardstock weight
- Drawing paper as mentioned above would work.
- Note: Paper can be any color but you might want to choose different colors that look good together.
Tools:
- X-Acto knife (sharp blade)
- Cutting mat
- Metal straight edge or ruler to cut against
- C-thru ruler (preferably) or other ruler
- Bone folder
- Stylus (or T-pin or fat needle)
- Glue stick and/or 1/4″ double sided tape (can be found at dollar stores)
- Foam or corrugated cardboard to stick stylus into
If you plan to attend the meeting, please contact Elissa so she can send you the Zoom meeting details.
February Meeting Reflections
I have been thinking lately about collaboration in the world today. How could we get along without each other, since our past, present and future are all interwoven? Perhaps it’s been on my mind since the last meeting when University of Vermont librarian Prudence Doherty of the Silver Special Collections Library lead us through a group of books that speak to our woven theme.
Many of the beautiful pieces she showed us had some kind of collaboration, either between people responding to each other’s art, or weaving together text and words to create content. Certainly the most powerful piece to me is Julie Chen‘s Memento, which represents a reaction to the violence of a car bomb in Baghdad in 2007. The response seems equally meaningful to the violence we are witnessing today.
Many thanks to Prudence for giving us a specially curated vision of woven, and thanks to everyone for showing up. I think I counted 50 visitors, a new record! I will continue my thoughts about collaboration and interweaving, and I urge you to do the same
B.A.G. Library Corner
Keith Smith’s Woven Spine Tab tutorial is the perfect way to add a touch of weaving to your book’s exterior. Constructed with the non-adhesive long stitch binding, you have the option of including the woven tab with or without a book jacket. This construction, along with other variations of the long stitch binding, are included in Smith’s Non-Adhesive Binding, Vol. 1: Books without Paste or Glue.
If you have ideas for books to feature or if you have a library book in your possession you’d like to share something from, email Sally at salblanch@gmail.com.
You can check out and download the project here.
B.A.G. News
*** The Book Arts Guild of Vermont is pleased to announce our annual member show at Grand Isle Art Works! The tentative dates of the exhibit are June 15 – August 1.
We are currently working on the submission form and will include it in the next newsletter. In the meantime, keep June 6th in mind, as that’s when submissions will be due. No exceptions!
Members can submit up to three pieces for the show. We’ll have a space devoted to zines, and you can submit zines in addition to the three pieces, without any limit.
Ann Joppe-Mercure will be doing a workshop at GIAW in conjunction with the show. If you’re interested in doing something similar, please contact Ann at joppemercure@gmail.com.
Stay tuned for more details in the next newsletter and we’d love to have your work in the show!
*** B.A.G. member, illustrator, and cartoonist Amy Burns will have her work on display from February 16 – March 31 at Espresso Bueno in Barre, VT. Alongside Amy’s framed works, originals, prints, cards and comics will be work by mixed media painter Keilani Lime.
Work is available for viewing and purchase during the following hours:
- Monday – Friday: 7:30 a.m. – 2:30 p.m.
- Saturday – Sunday: 8:00 a.m. – 2:00 p.m.
Espresso Bueno is located at 248 N Main Street.
*** Elissa Campbell is teaching The Block Printed Journal at CraftStudies on March 12 & 13. The class will take place at A Lucky Girl Studio in Norwich, VT.
Block printing is an ancient method of printmaking that can be used to create beautiful, decorated papers. Not only is it fun, but it’s something you can easily do at home. In this two-day class, students will experiment with printing and use personalized papers to cover a handmade journal.
On the first day, learn how to design and carve rubber stamps that will be used to create your own decorated papers. We will focus on basic shapes that can be used for layering and repeating to create rich and complex patterns.
On the second day, select one of your papers as a cover for a hand-made book using a binding that allows the book to remain flat when opened, making it perfect for use as a sketchbook or journal.
For more information or to register, please visit the CraftStudies website.
Book Arts News
*** On March 10, Professor Janice Radway will deliver the 36th annual Louis Faugères Bishop Lecture for the Rutgers University Libraries. Her topic is Girls, Zines, and Their Travels: Imagining Lives, Crafting Archives for a New Century.
Radway is the Walter Dill Scott Professor of Communication Studies and a professor of American studies and gender studies within the Weinberg College of Arts and Sciences at Northwestern University. Radway is widely known for her scholarship on readers, reading, books, and the history of middlebrow culture.
Currently, Radway is working on an oral history of girls, their underground publishing efforts during the 1990s, and their subsequent lives.
For more information or to register for the lecture, please visit the Rutgers University Libraries website.
*** On March 15, the Puget Sound Book Artists will start accepting submissions for their 2022 PSBA Annual Exhibition. You have to be a member to be able to submit work, but membership is open to everyone.
This year’s suggested theme is Peaks and Valleys. Peaks and Valleys invoke many connotations. You are encouraged to explore your own highs and lows, literal and metaphorical.
For more information, visit the PSBA website.
*** The Jaffe Center for Book Arts is currently holding a zine maker contest, Navigating 2020 – 2021. It’s been a crazy past two years, many of us dealing with illness, isolation, confusion, and turmoil on so many different levels. So, we want to know: How did you Navigate 2020/2021?
Were there changes in your life, your relationships, your health, or habits during the past couple of years? Have your philosophies, feelings, or views of the world changed?
Produce and submit (via email or in person) a zine by March 31, 2022. Your submission and all the others we receive will become part of a boxed set that will become part of the permanent collection at FAU Libraries’ Jaffe Center for Book Arts.
For more information on how to submit your work, please visit the JCBA website.
*** Artistree Gallery is accepting submissions for their 10th annual juried exhibit, UNBOUND: VOL X. The theme of the show is simple – art using books as a material or a format. Visitors will have an opportunity to examine curious folios, recent grimoires, tomes turned to sculpture and some works having a relation to “books” in concept only.
This exhibition is for artists working in all traditional and non-traditional 2D (wall mounted) and 3D media, who are working in Vermont or New Hampshire and are 18 years of age or older. All artwork must be original in concept, design and execution.
The deadline for submission is June 4, 2022. All submissions must be made through their online entry form.
For more information, please visit the Artistree website. Please contact exhibits@artistreevt.org with any questions.
Stay-at-Home Fun
*** The Jaffe Center for Book Arts is offering The Elegant Slim Volume with Stephanie Wolff on March 13.
Simple bindings on small books? An opportunity for creativity! Variations in the sewing, finishing details, or materials can give a binder many options when binding small books. We will examine simple binding methods the instructor has gathered over her many years in bookbinding and conservation.
Using thread, wood, wire, beads, and paper, we will build on the basic pamphlet to expand the options of the humble small binding. By considering all the details and materials the most basic of bindings can be elevated to simple elegance. Rather than focusing solely on structure, this workshop is an exploration of variations and design and material possibilities.
Participants are encouraged to dig into their own art supplies and general household items to use in the workshop. We will make as many models as our time allows, with suggestions for adapting the basic forms to create many more after the workshop. Our models will be softcover bindings and will serve as inspiration for future work. Some bookbinding experience is helpful.
For more information or to register, please email John Cutrone at jcutrone@fau.edu.
*** The Minnesota Center for Book Arts is offering the Storage Book with Rosae Reeder on March 19.
Want a fancy way to keep receipts, keepsake ephemera, and anything else you want to save? Construct a storage book! Using the accordion fold as a spine, this hardcover book structure features handmade envelopes sewn onto the folds of the accordion to create a structure that holds two-dimensional as well as small three-dimensional items.
In this virtual workshop, learn this unique book structure and explore many different ways to keep the book closed, including ribbon, a belly band (a paper strip that slides on and off), Velcro, and more. Use a variety of decorative papers to give this book a vibrant look.
For more information or to register, please visit the MCBA website.
*** The Pocosin Arts School of Fine Craft is offering Variation on a Pamphlet with Laura Gardner on March 27 & April 3.
Artists, writers, and those keeping journals love working in books open flat. This variation on a pamphlet does just that. The pamphlet book is one sheet of paper folded one time to create four sides. It is used to relay information familiar to most of us from concerts, religious services, or advertising.
For our variation, we will gather five sheets of paper into what is called a signature then make five signatures. We finish by using colored threads to weave the signatures together along the spines to create a book that opens flat– ready for writing, drawing, collecting, journaling, or note taking.
For more information or to register, please visit the Pocosin Arts School of Fine Craft website.
*** The San Francisco Center for the Book is offering Pop-Up Native Wildflowers: Go West! with Shawn Sheehy on April 2 & 3.
Celebrate the beauty of the spring bloom by building fantastic pop-up wildflowers. In this workshop you’ll create models of California poppy, California buttercup, miner’s lettuce, Rocky Mountain columbine, prickly pear, and bloodroot. A kit of pre-cut pieces will be provided. You’ll assemble the structures, collect them into a simple, elegant binding, and gain insights into paper engineering and paper sculpture. All are welcome.
For more information or to register, please visit the SFCB website.
by Elissa | Nov 4, 2021 | B.A.G. Book Swap, B.A.G. Meetings, bookbinding, Call to artists, Exhibitions, Lecture, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, November 10, 2021, 7:00 p.m. – 8:30 p.m.
This month’s meeting will once again be held via Zoom, an online conference program. If you’ve never attended a Zoom meeting before, check out this video – it will go over the basics of how to join a meeting.
Stay safe!
The B.A.G. Board
Program: Paper Tricks – Books, Cards, and Garlands
We have rebranded our annual November tradition from Book Blitz and Card Tricks to Paper Tricks! Member-led mini demonstrations can include any paper-centric item, including mini books, holiday cards, ornaments, garlands, or any other form you come up with.
While we are unable to be together IRL, we can still celebrate each others’ creativity. Your task – design an item that has a trick or two; maybe a pop-up, French doors, a window, or unusual material or structure.
Here’s where we need YOU.
We are seeking volunteers to share their paper manipulation during our Zoom meeting. You will simply hold up your creation for us to see and demonstrate how you made your paper item. We can post follow up references on Chat if desired.
Contact Marcia to secure a spot in the spotlight. The more members who participate, the richer our meeting will be.
If you plan to attend the meeting, please contact Elissa so she can send you the Zoom meeting details.
October Meeting Reflections
We are all missing IRL meetings and the socializing that we enjoyed during those times. But I really felt the camaraderie in our group at our meeting in October where artists shared work from the NEKAG show.
There was a lot of giving going on in the form of positive feedback, helpful ideas, and general admiration. And what’s not to admire? We had very positive feedback from the gallery, and succeeded in one of our main missions, to further the public knowledge of book arts.
So thank you to all the artists who participated in the show, and special thanks to those who shared their work more intimately at the meeting. It’s always inspiring to me to know where ideas come from, and how they make it into book form. How does that happen for you? What makes you create a book? Ah, these questions deserve discussion.
B.A.G. Library Corner
We’re entering the holiday season once again and beginning to put our gift lists together. And what could make a gift giving prettier than Naomi Shiek’s leafy gift set?
In her book, Fold It and Cut It, Shiek provides templates and instructions for creating intricate hand-cut leaf designs for gift tags, gift wrap, and ribbon. Together, these designs make any gift something special.
If you have ideas for books to feature or if you have a library book in your possession you’d like to share something from, email Sally at salblanch@gmail.com.
You can check out and download the project here.
B.A.G. News
*** We have over 20 participants in the B.A.G. Zine Swap Challenge!
Remember to mail your 10 zines by November 20th to:
Ann Joppe-Mercure
10 Brookwood Drive
South Burlington, VT 05403
Here’s a recap of the details:
- Create your zine using an 8.5″ x 11″ sheet of paper – it should be an 8 page origami structure (one-sheet book).
- The final zine size should be 4.25″ x 2.75″.
- Make 10 copies of your zine and fold them.
- Optional fun – create a box or wrap to contain your zines.
We will mail packets of 10 assorted zines to you in late November, just in time to share them at our December B.A.G. meeting
*** B.A.G. Co-Founder Nancy Stone will selling her book 251 Vermont Vistas from a booth at the Made in Vermont Marketplace put on by Vermont Business Magazine. The book is a collection of original watercolor ‘postcards’ that she painted over several years as she and her husband visited each of Vermont’s 251 towns and cities. To preview the book or to order on-line, visit Nancy’s website.
The Marketplace will take place on Saturday, November 20th from 9:00 a.m. – 6:00 p.m. and on Sunday, November 21 from 10:00 a.m. – 4:00 p.m. at the Double Tree by Hilton Burlington on Williston Road. It will welcome exhibitors who make unique Vermont products, from food to spirits to woodworking to Vermont clothing and more.
The timing of the event, a week before Thanksgiving, enables people to start shopping for holiday gifts early. With all the talk of supply chain shortages, now is the time to buy local for Christmas.
For more information please visit the Made in Vermont Marketplace website.
*** Emma Percy is teaching Zines & Book Arts at River Arts in Morrisville on December 5.
Zines have a recent but rich history as an underground mode of sharing information, art, and new ideas with other like-minded creative folks. This workshop will explore what zines and artist’s books are and what they can be, introductory layout, printing, and bookbinding techniques to get you started, as well as things to consider when beginning a do-it-yourself publishing or bookmaking project.
A zine can be anything from a folded sheet of paper to a beautifully crafted booklet, and with help and inspiration from Emma’s extensive zine library and scrap paper collection, we will all make a few small zines as well as the foundation for a larger artist’s book where you can let your creativity shine!
For more information or to register, visit the River Arts website.
*** This one comes to us from Nancy Stone:
Gwendolyn Evans is seeking someone to help her with technology for creating pages of her own writing that can be put into a handmade book. Due to vision loss, she is unable to do this herself. She has “always wanted” to make a book using her original content that would be bound within covers created from her work with polymer clay.
She can be reached at (802) 879-2706 or at gwendolynvt@gmail.com.
Book Arts News
*** Now through November 16th, the Baker-Berry Library at Dartmouth College in Hanover, NH is hosting The New England Guild of Book Workers 40th Anniversary Exhibition.
This exhibition highlights the creative range and skills of the current members. The work bridges traditional fine binding to innovative design binding where book forms are re-imagined using unconventional materials in new experimental ways.
If you can’t make it to the exhibit, you can view a catalog of the work online.
For more information, please visit the Baker-Berry website.
*** Now through November 20, 23 Sandy Gallery is presenting UNSEEN, and exhibition of book arts featuring 76 works juried by Fulbright recipient and book arts educator Barb Tetenbaum, Jordan Eddy (director of form & concept), and Erin Mickelson (owner of 23 Sandy).
Artists were asked to consider the invisible forces that can shape our lives and surface in unexpected ways – physically, psychologically and philosophically. Work ranges from traditional codexes and interactive and exquisite corpse-style works to reactive sound art books and sculptures.
You can view all of the included work on the 23 Sandy Gallery website.
*** Now through December 6, Abecedarian Artists’ Books is accepting submissions for its upcoming show, Lettered & Bound. The exhibit will be on view at Dayton Memorial Library, Regis University, in Denver, CO in February 2022 and Tallyn’s Reach Public Library in Aurora, CO in March 2022.
Eligible are book works that include calligraphy (the art of beautiful writing) as a primary element. Book works can be unique, editioned, traditionally bound, created using experimental forms (e.g. folded forms), wall mounted (e.g. scrolls) or loose sheets presented in a portfolio or box. Calligraphy is here defined as human mark making that draws upon traditional forms of calligraphy or modern, gestural, or abstract forms.
For more information or to submit work for consideration, please visit the Abecedarian Artists’ Books website.
*** Now through December 11, the Center for Book Arts is hosting CBA 2021 Faculty Fellow Colette Fu‘s exhibition, What the Butterfly Dragon Taught Me, Dimensional Stories in Paper.
The exhibition showcases Fu’s mastery of complex three-dimensional compositions engineered from paper and her own photographs – a practice she has honed over almost two decades.
CBA recorded an artist talk with Fu, where she both discussed the individual stories of each work and spoke to the overall series they are part of – We Are Tiger Dragon People.
You can watch Fu’s talk on YouTube.
Stay-at-Home Fun
*** The Jaffe Center for Book Arts is offering the Sewn Boards Binding with Karen Hanmer on November 13.
This variation on the Sewn Boards Binding is based on Gary Frost’s first prototype. It is held in University of Iowa Library Historical Bookbinding Model Collection. A quick and utilitarian notebook, the outer card folios are glued shut, the spine lined, and a breakaway spine wrapper is added while covering the book in sturdy bookcloth.
Expect a fast-paced workshop; some binding experience and familiarity with basic concepts like folding and paper grain direction will be helpful.
For more information or to register, please email John Cutrone at jcutrone@fau.edu.
*** The Center for Book Arts is offering Intro to Tunnel Books with Maria G. Pisano on November 17 & 18.
In this workshop, students of all experience levels will learn how to make tunnel books. A tunnel book is a wonderful book structure that creates the optical illusion of perspective through accumulated layers.
Traditionally a tunnel book is accompanied by supporting concertinas sides, which make the work collapsible, portable, and easily viewable. The reader is able to hold a tunnel at eye level and marvel at it!
Students will work with their own images to create the book. The images should all be related in theme and subject matter to facilitate a successful outcome.
For more information or to register, please visit the CBA website.
*** The Austin Book Arts Center is offering the Secret Belgian Binding with Kevin Auer on three Mondays, November 29, December 6, and December 13.
Developed by the Belgian artist Anne Goy in 1986 this binding has a similar appearance to a Japanese stab binding. The structure uses a primary and secondary sewing. The sewing creates a distinct thread pattern on the cover and it is a very sturdy binding that allows the book to open completely flat.
In this class we will create a three-piece cover using book board. This board will be covered in paper. The cover pieces will then be sewn together to create the case and the unique sewing pattern. Once the case is completed the textblock will be sewn directly onto the cover using the existing sewing to anchor it in place. We will explore two different sewing methods for connecting the textblock to the case.
For more information or to register, please visit the ABAC website.
*** The Minnesota Center for Book Arts is offering Fuzzy Books with Joanna Manning on two Tuesdays, November 30 and December 7.
Chase away the cold pricklies with some warm, fuzzy, hand-felted artist’s books! In this interactive workshop, get acquainted with needle felting materials and turn wool into a miniature artist’s book of your design.
Craft your own miniature book creation with simple techniques and minimal materials. Learn basic wool felting techniques including how to create and use stencils, fill in shapes, blend colors, and master fine details like thin lines, sharp edges, and dots.
This beginner-friendly workshop doesn’t require any previous knowledge or skills. A materials list will be provided and you’ll walk away with your own unique finished project, plus techniques to continue making more after the workshop.
For more information or to register, please visit the MCBA website.
by Elissa | Sep 3, 2021 | B.A.G. Meetings, bookbinding, Exhibitions, Lecture, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, September 8, 2021, 7:00 p.m. – 8:30 p.m.
This month’s meeting will once again be held via Zoom, an online conference program. If you’ve never attended a Zoom meeting before, check out this video – it will go over the basics of how to join a meeting.
Stay safe!
The B.A.G. Board
Program: Make a Zine and Prepare to Swap!
September brings a different kind of energy to life, doesn’t it? Let’s get together and make a zine!
In our June meeting, Emma Percy introduced us to zine culture and showed us examples from their collection. Now is our chance to practice the craft.
Our own Amy Burns will share some of her own comic zines and ideas on how to create your own. We will then make a one page fold book together, that can be printed on any home printer, and share a variety of versions to stimulate your creativity.
Ann Joppe-Mercure will introduce a new mail art challenge with a Zine Swap, that will enable us to see each other’s work in real life.
Here’s what you will need:
- A print out of this template at actual size
- 2 – 4 sheets of plain 8.5″ X 11″ paper
- Drawing/writing tools – your favorite pen is good, markers, etc.
- Subject matter – optional, but if you want to start some content, it’s nice to have a subject
B.A.G. Library Corner
Summer is ending, the holidays will be here before we know it, and with another mail art challenge on the horizon it’s a good time to review our envelope making skills. In her book Ultimate Cardmaking, Sarah Beaman shows us three different ways of crafting handmade envelopes.
The tutorials show how to use a template, trace an existing envelope, or create a pillow envelope to house three-dimensional contents. These easy to follow instructions will be sure to inspire the perfect enclosure for any mail art creations.
If you have ideas for books to feature or if you have a library book in your possession you’d like to share something from, email Sally at salblanch@gmail.com.
You can check out and download the selection here.
B.A.G. News
*** Now through September 25th, the Book Arts Guild of Vermont’s group show, THE ART OF THE BOOK: IS IT A BOOK? will be on view at the Northeast Kingdom Artisans Guild in St. Johnsbury, Vermont.
NEKAG is open Tuesday through Saturday from 10:30 a.m. – 5:30 p.m. and is located at 430 Railroad Street.
Our reception is being rescheduled, at which time we hope that participating artists will be able to speak about their work. Stay tuned for more information.
*** Speaking of our exhibit, be sure to check out page 50 in this week’s issue of Seven Days. We received a great review:
A current show at the Northeast Kingdom Artisans Guild in St. Johnsbury, were it an actual book, would have to be called a page-turner. Unputdownable. A best seller.
Our own Ann Joppe-Mercure also got a special mention for her work Written in Stone.
Can’t get your hands on a copy of the paper? Never fear – you can read the issue online.
*** The Rochester Public Library‘s 10th anniversary international exhibit, Art of the Book & Paper, is open now through November 1. The opening reception will be held on September 29 from 5:30 p.m. – 7:00 p.m.
B.A.G. members Carolyn Shattuck, Debra Kraemer, and Dorsey Hogg have work that was juried into the exhibit. Dorsey’s pieces Bound to History won 2nd place and Delicious won Honorable Mention, both in the Altered Books category.
All of the work can be viewed in the online exhibit program.
Book Arts News
*** The Vermont Folklife Center is currently accepting applications for its Vermont Traditional Arts Apprenticeship Program. The program works to sustain and pass down traditional art forms (bookbinding included!) in the state of Vermont .
The purpose of the program is to provide funding to help compensate the master artist for their time and to cover the cost of travel and of materials used during the apprenticeship. Accepted master artist/apprentice pairs are supported with up to $2,000.00 of funding.
Applications for the 2021-2022 cycle are due by September 17, 2021. For more information and to access the application, please visit the VFC website.
*** The Museum of Printing in Haverill, MA is offering free admission on September 18 as part of Smithsonian Magazine’s 17th annual Museum Day.
The museum is dedicated to preserving the rich history of the graphic arts, printing and typesetting technology, and printing craftsmanship. In addition to many special collections and small exhibits, the museum contains hundreds of antique printing, typesetting, and bindery machines, as well as a library of books and printing-related documents.
The on Museum Day, the museum will be hosting the Alphabet Factory, an interactive printing experience for all ages. While admission is free, you will need a Museum Day ticket for admission. Each ticket is valid for two visitors. You can download a ticket here.
September 18th is also the day of the museum’s Garage Sale. There will be lots of letterpress items for sale – printing presses, printing equipment, metal cuts, halftones, books, and other goodies.
*** The third annual Peace Paper Project street intervention will take place at City Hall Park in Burlington on Saturday, September 25 from 2:00 p.m. – 7:00 p.m.
Johnny LaFalce and Drew Matott with their bicycle powered paper pulp beater team up with A Revolutionary Press to pedal-pulp contemporary issues into messages of empowerment, peace, and love.
The public is invited to hand pull a sheet of paper made from a unique blend of pulped material and fibers. The identity of the mystery fiber source in the pulp vat will be revealed that day. A Revolutionary Press will set up its mobile letterpress print station for those wanting a free print on this paper. The selected quote will relate to the mysterious material incorporated in the pulp mixture.
*** The American Precision Museum in Windsor is hosting a temporary exhibit from now until September 13. Letters and Stitches features rarely seen typewriters and sewing machines from the museum collection.
Stay-at-Home Fun
*** The Jaffe Center for Book Arts is offering Moving Circles: Volvelles with Stephanie Wolff on September 18.
Volvelles, sometimes known as wheel charts, have a centuries-long history. They have been used in historic books, in promotional materials, and in devices to aid computation. Two or more circles turn to show information through cut out windows. This workshop covers a basic version of a volvelle and discussion of variations and ideas about incorporating content.
Our focus in this workshop will be on making models and learning how these function in order to create more complex and finished versions after the workshop. Volvelles are fun to make as cards, personalized gifts or to include in artists’ books.
For more information or to register, please email John Cutrone at jcutrone@fau.edu.
*** The Center for Book Arts is offering Suminagashi Marbling with Sheryl Oppenheim on September 21.
Suminagashi is the oldest form of marbling, dating back to at least the 12th century. It is totally distinct, both in material and methods, from the size-based marbling practiced in Turkey, Iran, and Europe.
In this class you will learn about the history of Suminagashi, materials, and techniques, and you will each work at home to make your own Suminagashi marbled paper.
For more information or to register, please visit the CBA website.
*** The Minnesota Center for Book Arts is offering the Slotted Tape Binding with Rachel Schend on September 28.
In this virtual workshop, learn how to construct a Slotted Tape Binding, a multiple-section binding sewn on tapes (thin strips paper) that features a decorative paper cover. Learn how to sew book pages onto paper tapes using a French web-sewing technique. Then, make a paper cover while considering a number of unique design possibilities.
Each technical step in the process will be demonstrated and participants will come away with a completed book. Some historical background and design alternatives will also be presented.
For more information or to register, please visit the MCBA website.
by Elissa | Aug 5, 2021 | B.A.G. Meetings, bookbinding, Exhibitions, Lecture, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, August 14, 2021, 4:00 p.m. – 6:00 p.m.
This month’s meeting will be the opening reception for our members exhibit at the Northeast Kingdom Artisans Guild. The gallery is located at 430 Railroad Street, #2 in St. Johnsbury, VT.
Don’t worry if you can’t make it to the exhibit – all of the work will be photographed and put on our website.
We hope to see you at the gallery!
The B.A.G. Board
Program: B.A.G Exhibit Opening Reception at Northeast Kingdom Artisans Guild
The Book Arts Guild of Vermont is proud to present our group show for 2021, THE ART OF THE BOOK: IS IT A BOOK?
Here are the juicy details:
The members’ show will run from August 6 through September 18, 2021, in the Back Room Gallery at Northeast Kingdom Artisans Guild in St. Johnsbury, Vermont. The opening reception will be on August 14 from 4:00 p.m. – 6:00 p.m. and will take the place of our regular meeting.
At the reception, artists will have the opportunity to speak about their work, so if you would like to share, please be prepared.
July Meeting Reflections
For the wrap up of our Text Me! theme, we asked members and friends to share work they have done based on techniques and ideas we have learned from previous meetings.
It was exciting to see the variety and quality of work produced! We can’t wait to see some of these pieces in person at the show in August.
Thanks to all who shared and listened.
B.A.G. Library Corner
It’s time to wrap up our text theme and what better way than with the Lively Art of Lettering feature from Somerset Studio magazine.
The January/February 2010 issue features the work of three artists: Jane Harrison-Williams turns the English alphabet into a whimsical animal menagerie; Linda Schneider paints figures from words in what she calls “penned personas;” and Joyce Bank pairs art with a love of tea, creating “book ghosts” from tea bag pages. All three have creative ways of utilizing text in their work that showcases their unique expression.
If you have ideas for books to feature or if you have a library book in your possession you’d like to share something from, email Sally at salblanch@gmail.com.
You can check out and download the selection here.
B.A.G. News
*** The exhibit Mixed States, recent work from sisters Nina and Sari Gaby, runs September 2 – 29 with a reception and artist talk Sunday September 26, from 2:00 p.m. – 4:00 p.m. at The Little Theater Café Gallery. The gallery is located at 240 East Avenue in Rochester, New York.
Nina’s collage is based on book imagery, referencing mood, terrain, geography, and the always changing landscape of visual narrative.
For more information, please visit The Little Theater website.
*** Elissa Campbell is teaching the Travel Companion Journal on August 26 at the Swanson Inn in Waitsfield.
In this workshop, participants will create a journal with a double-needle coptic binding, an intricate stitch that will be visible on the spine of the book. Not only is the coptic binding beautiful, but it also allows books to remain flat when opened.
The journal will include pockets both inside the covers and in the text block, allowing you the opportunity to save lots of stuff from your travels – tickets, photos, pressed flowers – you name it!
All materials and tools will be provided. Lunch and snacks are also included in the fee – all you have to do is show up!
For more information, please visit the Swanson Inn website.
To register, please contact the Inn at stay@swansoninn.com.
Book Arts News
*** The Minnesota Center for Book Arts is hosting The Art of Korean Paper, an online artist talk and demonstration with Aimee Lee on Wednesday August 18th. Lee is an artist, papermaker, writer, and the leading hanji (Korean handmade paper) researcher and practitioner in North America.
While studying papermaking in the US, Aimee noticed a gap in paper history and decided to research, learn, and teach Korean papermaking to fill that gap. She will show examples of her artwork featuring hanji in her presentation and demonstrate the ancient papercraft of noyeokgae, known colloquially as jiseung, the process of cording and twining hanji.
For more information or to register, visit the MCBA website.
*** The Newport Paper and Book Arts Festival is being held online this year and registration for the festival itself is free! You will have full access to the NPBAF community, including mini lectures, artist talks, a live Art and Happy Hour Zoom gathering plus a space to chat and share with other festival goers. In addition to the free content, there are lecture and studio workshops available for purchase.
Lecture workshops will be live streamed with students watching the instructor work through a process, technique or structure. The instructor will take you through all the steps, pass along some great tips and tricks, and provide you with a materials and tools list. The lecture will be recorded and you will have access to watch it as many times as you like until February 1, 2022.
Studio workshops will be live streamed and designed for you to work along with the instructor. Your materials fee has two parts: the materials themselves plus the cost to ship them in a USPS flat rate box. There is also a student supply list of materials and tools you will need to gather before the workshop. The lecture will be recorded and you will have access to watch it as many times as you like until February 1, 2022.
To register for the festival, please visit the NPBAF website. To view the festival brochure, please click here.
*** If you missed the virtual Focus on Book Arts conference that was recently held online, you’re in luck – much of the content is now available online through the end of August:
Stay-at-Home Fun
*** The Jaffe Center for Book Arts is offering Magic Box of Mysteries with Keri Miki-Lani Schroeder on August 19 & 26, and September 2.
Mystify and mesmerize with this magic box of mysterious toys and tricks! In this workshop you will learn the secrets of this hidden compartment, magic wallet box. Open the magic box to reveal hypnotizing optical paper toys. Then close the box and open again to unveil an entirely different set of paper toys, including a volvelle, flexagon, and thaumatrope. How does it work, you ask? Through the magic of book arts, all will be revealed.
For more information or to register, please email John Cutrone at jcutrone@fau.edu.
*** The Center for Book Arts is offering How to Conceptualize and Create an Artist Book with Maria Veronica San Martin on August 23 – 25.
During this intensive project-based remote course, students will learn “how to think and create an artist book” by examining their concept, aesthetic, and techniques. The course will be taught from the artist’s studio and will start with a brief exploration of what an artist book is, followed by demonstrations of an accordion book structure (dos-a-dos); the technique of monoprints on plexiglass, zinc or copper (a form of printmaking that produces a unique print) for images and/or text, and the final creation and construction of a flag book.
Students will be able to create their own artist book in four sessions with a final critique. No prerequisites needed, but ideally participants should have some book arts knowledge or experience.
For more information or to register, please visit the CBA website.
*** The Minnesota Center for Book Arts is offering Single-Page Books: The Next Level with Rosae Reeder on August 25th.
Single-page books, also called flutter-fold books, are extremely versatile folded structures that can be used to make books, zines, and unique formats for written greetings. These books are created by folding and cutting paper, incorporating simple elements of origami with principles of bookbinding.
These small wonders can be used as one-of-a-kind works or in multiples to create structures that twist, turn, and further expand this already-interesting construction. In this one-day virtual workshop, learn how to fold a series of ten single-page books, as well as other folded structures as time allows. Some experience folding paper or binding books is helpful but not required.
For more information or to register, please visit the MCBA website.