by Elissa | Oct 4, 2018 | B.A.G. Meetings, bookbinding, Exhibitions, Lecture, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, October 10, 2018, 6:00 p.m. – 8:00 p.m.
The October meeting will be held at UVM’s Special Collections‘ new home in Billings Library at 48 University Place.
Click here for directions to Special Collections’ new location.
Please note that in October we will not be meeting as usual at the Unitarian Church in Burlington. In addition, the meeting will start 1/2 hour earlier than our normal meeting time, at 6:00 p.m.
Program: Field Trip to UVM Special Collections
At this month’s meeting, University of Vermont Librarian Prudence Doherty will guide us through some of the amazing artists’ books held in the Special Collections department.
Not everyone knows that we have one of the finest collections of artists’ books in the nation, right here in Burlington. Join us in a hands-on exploration that will stimulate your imagination and spark your creativity!
* Please bring a pencil, not a pen, if you plan to take notes.
September Meeting Reflections
We had a great time at the September 12th Book Arts Guild meeting. Ann Joppe-Mercure provided us with the materials to construct three hard cover books in the space of less than two hours!
The first book contained a simple accordion signature, the second a single sewn signature book, and the third contained a post-it pad. We covered them with decorative paper or cloth, and made the spines with pre-cut book cloth from Ann. It was so satisfying to leave the meeting with three lovely, 3” x 3” little books.
They felt really good in the hand and everyone could leave feeling confident that they could make more of these books with the skills Ann taught us.
A giant thanks to Ann, and to everyone who participated!
You can view images from the meeting on the B.A.G. blog.
B.A.G. News
*** The Book Arts Guild of Vermont is proud to be participating in this year’s Burlington Book Festival on October 12 – 14, 2018 at the UVM Alumni House Silver Pavilion. This annual event celebrates the written word by offering readings, book signings, panels, workshops, demos, family activities, and special events.
We have been invited to exhibit original works at the festival to introduce the community to the book arts and increase awareness of our organization. We will have an exhibit during the evening opening ceremonies on Friday, October 12 as well as on Saturday, October 13 throughout the day. During the exhibit time, we have also committed to demonstrating various book structures (not hands-on workshops).
Although the deadline for submitting work for sale has passed, the festival is very generously providing us with exhibit space free of charge. We would love to share your beautiful work with literary book lovers who may not have had much exposure to the book arts. Please consider submitting work for display! You can submit new work or something you have previously exhibited.
If you would like to submit work for the exhibit, please download the entry form and bring it, along with your work, to the October meeting at Special Collections. If you cannot attend the meeting but would like to submit work, please email Jill Abilock by Monday, October 8 to make arrangements to get your work to her.
We also need volunteers to “staff” the exhibit table on Saturday, October 13 during the festival. Volunteers at the 2016 festival found the experience fun and rewarding – please join us this year! To sign up to volunteer, simply email Jill!
*** Book Arts Guild of Vermont artists Nina Gaby and Jill Abilock will be presenting Exploring Dimensionality in Narrative at 11:00 a.m. on Saturday October 13th at the Burlington Book Festival with moderator Rachel Moore, director of the Helen Day Art Center.
Artists Josh Turk and Cynthia Close round out the panel. “Words can be presented on the flat page but can the thoughts behind those words find shape in other materials?” This and other questions will be considered in what is sure to be a lively dialogue. B.A.G. will be exhibiting and offering demonstrations in conjunction with this panel.
*** The Book Arts Guild of Vermont has once again reserved table space at the Northampton Book and Book Arts Fair in Northampton, MA. The Fair will take place Friday, November 30th from 5:00 p.m. – 9:00 p.m., and Saturday, December 1st from 9:00 a.m. to 4:00 p.m. at Smith College.
This is an opportunity for the Book Arts Guild to spread the word about book arts, show and sell work, and meet other like minded book people. Last year, a group of members stayed at an Airbnb during the show and had a great time together.
If you are interested in participating by manning the table, helping to set up and break down, and/ or having work shown, please contact Marcia.
*** On October 13 & 14, Elissa Campbell will be participating in the statewide Fall Open Studio Weekend. The event is a great way to combine fall foliage viewing and harvest activities with visits to artists across Vermont.
Come for a tour of the studio, demonstrations, and tantalizing talk about the world of handmade books. Feel free to paw through my paper drawers and peruse my extensive library of bookbinding manuals! There will also be selection of bookbinding supplies available for purchase.
Copies of the the 2018 Fall Event & Resource Guide will be available at the October B.A.G. meeting. You can also download a pdf of the guide from the VT Crafts Council website. Please note that this is a really big file.
County-specific maps and directions to studios are also available on the VT Crafts Council website.
Book Arts News
*** Dartmouth College is presenting two days of programming featuring book artist Daniel E. Kelm – Daniel Kelm and Poetic Science: A Life in Science and Art.
On Thursday, October 4th from 3:30 p.m. – 4:30 p.m., there will be reception for Kelm in the East Reading Room of Baker-Berry Library. This will be followed by a lecture from 4:30 p.m. – 5:30 p.m.
On Friday, October 5th from 12:00 p.m. – 1:00 p.m., there will be a follow up to Thursday’s lecture. Kelm will have books and objects to show in a more intimate setting allowing for more conversation. This event will be held in the Kresge Library Conference Room.
Daniel E. Kelm is a book artist who enjoys expanding the concept of the book. He is known for his innovative structures as well as his traditional work. His expression as an artist emerges from the integration of work in science and the arts. Alchemy is a common theme in his book work. Before Daniel began his career in the book arts he received formal training in chemistry and taught at the University of Minnesota.
For more information, please contact Sarah Smith at book.arts@dartmouth.edu.
*** On Thursday, October 18 at 5:30 p.m., the Silver Special Collections Library at the University of Vermont is presenting The Stewardship of History: Reconfiguring the Markings of Time, a lecture with Michele Burgess.
Burgess will talk about The Stratigraphic Archives, a series of eleven linked artists’ books, all concerned with the archives of both quiet and cataclysmic events – natural and human made. Working in collaboration with poets, Burgess has interwoven remnants of human and natural history, questioning the honesty and inclusivity of our institutionalized “record keeping.”
Michele Burgess works in book arts, printmaking, painting, and sculpture. She is the director of Brighton Press and collaborates with other artists and poets on projects that involve the book as an art medium. Burgess’s books are housed in over seventy-five public collections across the country, including the University of Vermont.
The lecture is free and open to the public and will be held in the Marsh Room at Billings Library.
For more information, contact Silver Special Collections at uvmsc@uvm.edu or (802) 656-2138.
*** On Friday October 12th at 4:00 p.m., the Kate Cheney Chappell 83 Center for Book Arts will host Building A Sustainable Visual Art Practice, a lecture with Andrea Dezsö.
Andrea Dezsö is a visual artist who works across a broad range of media including drawing, painting, artist’s books, embroidery, cut paper, animation, sculpture, site-specific installation and public art. Dezsö’s permanent public art has been installed in two New York City subway stations, at the United States Embassy in Bucharest, Romania and at CUNY BMCC Fiterman Hall in Lower Manhattan. Community Garden, Dezsö’s mosaic in the New York City subway was recognized as Best American Public Art in 2007 by Americans for the Arts.
Dezsö exhibits in museums and galleries around the world. She is Associate Professor of Art at Hampshire College in Amherst, MA and maintains studios in NYC and in Western Massachusetts.
The Kate Cheney Chappell 83 Center for Book Arts is located in Portland, Maine. The lecture will be held in the University Events Room on the 7th floor of the Glickman Family Library.
For more information, please contact Rebecca Goodale at (207) 228-8014 or goodale@maine.edu.
Book Arts Classes
*** On Saturday, October 13, 2018, the Kate Cheney Chappell 83 Center for Book Arts is hosting a Tunnel Book workshop with Andrea Dezsö. The workshop will be held in room 424 in Luther Bonney Hall at the University of Southern Maine in Portland.
When popped open tunnel books reveal miniature, multi-layered worlds viewers can peek into as into dioramas. Structurally, tunnel books belong in the same family as carousel books and toy theaters and were extremely popular during the Victorian era. In this class students will create a fully developed one-of-a-kind artists book of their own design, based on a four-layer, hand-cut and assembled single scene tunnel book developed by Dezsö using either a subtractive (paper cutting), an additive (collage) method or a mix of the two;
Students will learn to rapid prototype by first creating a tunnel book model to understand the form, followed by creating their fully developed books. Students will be encouraged to consider composition, layering, materials and to treat form and content as an interdependent whole as they create their one-of-a-kind tunnel books. All levels welcome.
Register online or call (207) 780-5900.
*** The Eliot School in Jamaica Plain, MA has two book arts classes coming up this fall. Here’s the scoop:
Altered Books Workshop with Cristina Hajosy will take place on Sunday, November 11th from 10:00 a.m. – 4:00 p.m.
Transform books, old or new, into art objects. The book becomes a canvas, a sculpture or a reliquary of personally meaningful content. Draw inspiration from the book’s author or contents, or purely use the book as a structure. Incorporate paper cutting, collage, bookmaking and other processes. The instructor will have books on hand, or bring your own, along with small objects and images to include.
Paste Paper with Cristina Hajosy will take place on Sunday November 25th from 10:00 a.m. – 2:00 p.m.
Paste paper is traditionally used for endpapers and book covers, offering a textural and colorful alternative to marbling. See some historical and contemporary approaches, then create your own. Start with a traditional method, then learn ways to make more creative and painterly versions.
For more information about the classes, please visit the Eliot School’s website or click here to download the complete catalog.
by Elissa | Mar 8, 2018 | B.A.G. Meetings, bookbinding, Call to artists, Exhibitions, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, March 14, 2018, 6:30 p.m. – 8:00 p.m.
We meet at the Unitarian Universalist Society Church located at 152 Pearl Street in Burlington, VT. We will be in the Sophia Fahs Community Room, a large room located in the basement. Click here for more information on directions/parking.
Program: Digging Deeper: A Hands-On Exploration of Tunnel Book Structures
Join us as we plumb the depths of tunnel book structures in a member-led mini workshop format similar to our ever-popular November program, Card Tricks and Book Blitz.
Bring a tunnel book you’ve made, or a model of a tunnel book structure you’ve put together, along with materials that will allow approximately six people to make a model of your structure. If you can, bring written instructions for making the model – strictly optional and extra credit, but always appreciated!
Each person who brings a book or model will have some time to share and explain what they’ve made to the group, then we’ll spend time individually exploring and creating the structures.
Please feel free to join in the fun even if you don’t have time to prepare a model tunnel book or materials. We use a similar meeting format every November and there is always enough to go around.
Warning: Tunnel book structures are addictive, and B.A.G. cannot be held responsible for other projects that may not get done once you discover the many techniques available for making these magical books!
Things to bring:
- A tunnel book you’ve made, or a model of a tunnel book structure (optional)
- Materials for 6 people to make a model of your structure (optional)
- Plain card stock for making models of structures (in case you need more materials to make models of the structures that interest you)
- Glue
- Scissors
- X-Acto knife
- Cutting mat
- Ruler
- Pencil
- Bone folder
- Awl or needle tool
The focus of our April meeting will be presenting content in a tunnel book format. However, if you are more interested in exploring one or two structures more thoroughly (rather than making several models) during the March meeting, you can bring in the following optional materials to experiment with adding visual content to those structures:
- Decorative punches
- Stamps and ink
- Pens, pencils, markers
- Decorative papers
- Collage materials such as magazine images
February Meeting Reflections
Perhaps it was Jill’s enticing program description, Mining for Gold – Exploring Tunnel Books, that brought so many people out to the January meeting!
After an inspiring slide show of tunnel books from the web (thanks, Ann!), many makers shared their tunnel creations. While the variety of style and subject seemed broad, the overall concept of how image and construction form the tunnel was clear.
It’s always amazing to hear members talk about their work, and to realize what a talented bunch we are. Thanks to everyone who came, participated, and enjoyed.
You can view images from the meeting on the B.A.G. blog.
B.A.G. News
*** Book Arts Guild of Vermont 2018 Show news!
Members and friends are invited to submit work for our show at Studio Place Arts in Barre from May 22 – June 30, where we will be exhibiting in the second floor gallery. Here is our show name and description, which leaves it wide open for interpretation:
Beyond Words: Artworks by the Book Arts Guild of Vermont
Books can take on a language of their own, as shown in the multimedia work of this group of artists that use shape, structure, and materials to get their message across.
Important dates:
- Submissions: Work must be submitted by May 1, 2018. No work can be accepted after that date.
- Opening: May 22, 2018
- Closing: June 30, 2018
- Artist’s talk: Date TBD
The second show will take place in June at Frog Hollow Craft Gallery on Church Street. This will be a great opportunity to get exposure for our group in the heart of Burlington.
The show will be called The Art of the Book, which leaves it wide open to interpretation.
Important dates:
- Submissions: Work must be submitted by May 22, 2018. No work can be accepted after that date.
- Opening: June 1, 2018
- Closing: June 30, 2018
- Artist’s talk: Date TBD
B.A.G. Member News
*** B.A.G. member Jane Ploughman is teaching two classes in March:
Collage and Simple Bookmaking
In this workshop, you will make 3 or more books using simple techniques. You will also have time to fill the pages of your books with words, images, color, and all manner of collage material provided!
This workshop is for ages 18+ and all materials will be provided. Jane will be co-teaching these workshops with Lily Hinrichsen.
The workshop is being taught twice, so you can attend either on March 23rd or March 24th. The workshops are being held at ARTSight in Bristol from 10:00 a.m. – 3:00 p.m. and cost $70.00 (or $60.00 if you’ve taken our workshops before).
For more information, contact Lily at lilyhinrichsen@gmail.com.
Handmade Books: Simply Sewn
Learn how to sew beautiful single and multiple-signature book bindings. Learn about some of the tools and techniques and how to make informed material choices. The workshop’s focus will be on form and structure. Students will leave with three different sewn softcover bindings. Some bookbinding experience is helpful but not necessary.
The workshop is taking place at the Middlebury Studio School on Saturday, March 31st from 9:30 a.m. – 12:30 p.m.The cost is $55.00, which includes all materials and handouts.
For more information or to register, contact Barb Nelson at (802) 247-3702 or ewaldewald@aol.com.
*** B.A.G. member Elissa Campbell is teaching the Crossed Structure Binding at Studio Place Arts in Barre, VT on March 24th from 10:00 a.m. – 3:00 p.m.
The Crossed Structure Binding is intriguing in that the sewing is done directly onto back cover straps that integrate into the front cover. This non-adhesive variation on the long stitch was developed by book artist Carmencho Arregui after studying pre-16th century bindings.
In this workshop, you will work on two variations of this binding, one using paper covers and the other using leather. As time allows, you’ll add stitching to the covers to both reinforce the structure and add a decorative touch. You’ll also learn how to create and use an improvised sewing frame.
To register, contact SPA via phone at (802) 479-7069 or email.
Book Arts News
*** The New England Chapter of the Guild of Book Workers is looking for volunteers to help teach simple bookbinding techniques and creative content. Through this event, NEGBW volunteers will be helping Cadette scouts (age 11-14) to earn a Book Artist badge and potentially inspiring future bookbinders.
The event will be held on Sunday April 29, 2018 at Camp Maude Eaton in Andover, MA. There will be two sessions, one from 9:00 a.m. – 12:00 p.m. and from 1:00 p.m. – 3:00 p.m.
If you are interested in volunteering or have any questions, please direct them at Lauren Telepak at negbwprograms@gmail.com.
*** From February 17 – July 8, the Philadelphia Museum of Art is hosting the exhibition Keith Smith at Home. This is a rare opportunity to view the creative work of the well-known author of such a beloved series of bookbinding manuals.
Friendship, love, desire: Keith Smith’s life is an open book. For five decades, the Rochester-based artist has used surprising combinations of materials to chronicle his experiences. In this exhibition, explore an array of Smith’s mixed-media photographs and prints, and – his specialty – handmade artist’s books, most from his own collection.
In his work, Keith Smith irreverently disregards the supposed dividing lines between “fine art” (photography, etching, watercolor), “craft” (sewing, quilting, bookmaking), and “utilitarian technologies” (transparencies, photocopies). Although his subject matter is rooted in his personal life, he also grapples with universal themes such as self-representation, domesticity, and intimacy.
For more information, please visit the PMA’s website.
Book Arts Classes
*** On Saturday, April 28th, the Kate Cheney Chappell 83 Center for Book Arts is hosting a workshop with Erin Fletcher of Herringbone Bindery, Secret Belgian Binding – Two Ways. The workshop will be held in the Multi-Purpose Room in the Wishcamper Center at the University of Southern Maine in Portland.
This workshop will explore the Secret Belgian binding (also known as Criss Cross binding) and ways to modify it. The binding is simple and easy to construct; it opens flat and is perfect for smaller text blocks. Students will complete two versions of the structure; one bound in the traditional sense and the second will offer a bit more secrecy and refinement to the structure.
Registration is available online or alternatively, you can call (207) 780-5900.
*** From June 11 – 15, the North Bennet Street School is offering Miniature Bookbindings with James Reid-Cunningham.
Miniature books present difficult design and structural challenges to the bookbinder. A true miniature is less than three inches tall, and during this course, the student will construct three books of diminishing size: a long stitch binding with decorated boards, a lapped component binding, and an accordion in a wrapper with a tongue and slot enclosure.
The course will contrast the utility of case binding, accordion, and non-adhesive structures for miniature books, with a concentration on flexibility and book action. We will analyze materials and techniques suitable for small format books. The limitations inherent in small-scale books will challenge students to do precisely executed and finely detailed work.
For more information or to register, please visit the NBSS website.
*** Registration for Wells College Book Arts Center‘s Book Arts Summer Institute is now open. The week-long intensive courses include letterpress printing, bookbinding, calligraphy, typecasting, and font design. Week 1 runs from July 15 – 21 and Week 2 runs from July 22 – 28.
This year’s instructors include Jenna Rodriguez, Aimee Lee, and Scott McCarney. Wells College is located in Aurora, NY.
For more information, please visit the Wells College website. Ann will also have postcards from the Summer Institute available at the February meeting.
by Elissa | Feb 9, 2018 | B.A.G. Meetings, bookbinding, Call to artists, Exhibitions, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, February 14, 2018, 6:30 p.m. – 8:00 p.m.
We meet at the Unitarian Universalist Society Church located at 152 Pearl Street in Burlington, VT. We will be in the Sophia Fahs Community Room, a large room located in the basement. Click here for more information on directions/parking.
Program: Mining for Gold – Exploring Tunnel Books
Tunnel books are a visually exciting way of presenting content in book form. Join us over the next few months as we dig deep into the treasure-filled world of tunnel books.
In February, we’ll explore and share ways of constructing tunnel books together. Do you have a favorite tunnel book structure? A particular way of incorporating content in your tunnel books? Come and share it with us! Bring the tunnel books you’ve made (photos are okay, too) and share what worked well or discuss some of the challenges.
In addition to sharing and learning from each other, Elissa Campbell will bring a resource list that includes cool books and websites with tutorials, and Ann Joppe-Mercure will bring a slide show with more exciting examples. Please feel free to come and discover new techniques and ideas for constructing tunnel books, even if you don’t have one to share.
In March, we will have a hands-on tunnel book construction extravaganza based on some of the methods shared in February to create tunnel book models you can adapt to your own designs.
Things to bring (optional):
- Tunnel book(s) you’ve constructed (or photos)
- Models of tunnel book structures you’ve learned
- Paper and pen for taking notes on all the cool new methods you’ll discover!
January Meeting Reflections
It was ‘hygge’ all around at the January meeting, featuring Annette Hansen and her Froebel star tutorial. Annette shared stories of her Danish childhood, where holidays centered around traditional paper crafts. The beautiful paper stars we made together gave everyone a sense of satisfaction, and of cozy togetherness. Thanks, Annette!
The holiday ornament exchange turned out to be great fun. After participants had a chance to appreciate their swapped ornament, the maker identified herself and shared the method and materials. Let’s do it again next year!
You can view images from the meeting on the B.A.G. blog.
B.A.G. News
*** It’s time to renew your annual membership!
The primary mission of the Book Arts Guild of Vermont is to act as both an educational and creative resource in the field of book arts. Our monthly meetings are $5.00 an evening or free with a $35.00 annual membership. Your membership supports the mission of the Book Arts Guild, pays for our rented space, provides opportunities to exhibit and supports honorariums to presenters.
In addition to the benefits you receive (you can check them out here), your paid membership also enables us to cover expenses such our website and email newsletter – key tools for keeping our book arts community in touch and informed. A special membership benefit this year is that you don’t have to pay to submit work to our annual, non-juried book arts exhibition. You’ll also receive a personal thank you from Ann Joppe-Mercure (priceless).
If you have a skill, a passion, a favorite technique or a body of work that others would love to learn about, and then take the leap and volunteer to share it with us as a presenter. If you present at a B.A.G. meeting, you receive free membership for the year. Think about it – we know you have something to share!
If you would like to become a supporting B.A.G. member, click here to download our membership form.
*** Book Arts Guild of Vermont 2018 Show news!
NEW DETAILS BELOW!
Members and friends are invited to submit work for our show at Studio Place Arts in Barre from May 22 – June 30, where we will be exhibiting in the second floor gallery. Here is our show name and description, which leaves it wide open for interpretation:
Beyond Words: Artworks by the Book Arts Guild of Vermont
Books can take on a language of their own, as shown in the multimedia work of this group of artists that use shape, structure, and materials to get their message across.
Important dates:
- Submissions: Work must be submitted by May 1, 2018. No work can be accepted after that date.
- Opening: May 22, 2018
- Closing: June 30, 2018
- Artist’s talk: Date TBD
The second show will take place in June at Frog Hollow Craft Gallery on Church Street. This will be a great opportunity to get exposure for our group in the heart of Burlington.
The show will be called The Art of the Book, which leaves it wide open to interpretation.
Important dates:
- Submissions: Work must be submitted by May 22, 2018. No work can be accepted after that date.
- Opening: June 1, 2018
- Closing: June 30, 2018
- Artist’s talk: Date TBD
B.A.G. Member News
*** B.A.G. member Jane Ploughman is teaching two classes in March:
Collage and Simple Bookmaking
In this workshop, you will make 3 or more books using simple techniques. You will also have time to fill the pages of your books with words, images, color, and all manner of collage material provided!
This workshop is for ages 18+ and all materials will be provided. Jane will be co-teaching these workshops with Lily Hinrichsen.
The workshop is being taught twice, so you can attend either on March 23rd or March 24th. The workshops are being held at ARTSight in Bristol from 10:00 a.m. – 3:00 p.m. and cost $70.00 (or $60.00 if you’ve taken our workshops before).
For more information, contact Lily at lilyhinrichsen@gmail.com.
Handmade Books: Simply Sewn
Learn how to sew beautiful single and multiple-signature book bindings. Learn about some of the tools and techniques and how to make informed material choices. The workshop’s focus will be on form and structure. Students will leave with three different sewn softcover bindings. Some bookbinding experience is helpful but not necessary.
The workshop is taking place at the Middlebury Studio School on Saturday, March 31st from 9:30 a.m. – 12:30 p.m.The cost is $55.00, which includes all materials and handouts.
For more information or to register, contact Barb Nelson at (802) 247-3702 or ewaldewald@aol.com.
*** B.A.G. co-founder Nancy Stone is selling a book press that was formerly a cider press.
The frame is hardwood taking up a 20” x 20” floor space. It has a 33” height to the top of the metal turning/press mechanism.
As a cider press, it has a wooden cylinder to hold the apples but is missing the 2 wooden parts needed for pressing apples down and for the cider to run out. It’s likely that you could make these if you want it for cider.
Nancy loves the press, but is currently downsizing. She’s selling it for $50.00 and an even deliver it if you need that.
For more information or to buy the press (do it!), contact Nancy at (802) 879-0243 or nstonevt@gmail.com.
Book Arts News
*** The exhibit Illuminating Words: Artists’ Books at UVM is being held at the Francis Colburn Gallery in Williams Hall, UVM, now through February 15th. For over 50 years, the Department of Art and Art History and Special Collections have been making, collecting and sharing artists’ books. Drawing on the rich resources in Special Collections, Illuminating Words celebrates book arts at UVM.
In the 1970s, printmakers in the Art Department – faculty and students – were combining images and text to create books that found their way to the shelves in Special Collections. Over the years, Art faculty and Special Collections librarians have worked together to develop an outstanding artists’ book collection that is eclectic, broad, and deep.
Curated by librarian Prudence Doherty, this exhibition features works made by UVM students and faculty as well as impressive selections from the library’s collection.
A gallery tour will be held on Wednesday, February 14th at 12:00 p.m. The exhibit is free and open to the public. For information, please email uvmsc@uvm.edu or call (802) 656-2138.
*** Now through February 25th, Susan Kapuscinski Gaylord will have her Spirit Books on display at the McCoy Gallery at Merrimack College in North Andover, MA.
In the words of the artist:
The Spirit Books connect my experience of the inherent spirituality and mystery of nature with the long-standing tradition of books as testaments of faith and belief.
The McCoy Gallery is located in the Rogers Art Center on Walsh Way. Gallery hours are Monday – Friday 8:30 a.m. to 4:30 p.m..
*** From February 17 – July 8, the Philadelphia Museum of Art is hosting the exhibition Keith Smith at Home. This is a rare opportunity to view the creative work of the well-known author of such a beloved series of bookbinding manuals.
Friendship, love, desire: Keith Smith’s life is an open book. For five decades, the Rochester-based artist has used surprising combinations of materials to chronicle his experiences. In this exhibition, explore an array of Smith’s mixed-media photographs and prints, and – his specialty – handmade artist’s books, most from his own collection.
In his work, Keith Smith irreverently disregards the supposed dividing lines between “fine art” (photography, etching, watercolor), “craft” (sewing, quilting, bookmaking), and “utilitarian technologies” (transparencies, photocopies). Although his subject matter is rooted in his personal life, he also grapples with universal themes such as self-representation, domesticity, and intimacy.
For more information, please visit the PMA’s website.
Book Arts Classes
*** The Eliot School is offering Altered Books with a Purpose with Wendy Wolfe Fine on four Wednesdays, March 7, 14, 21, & 28.
Turn an old or used book into a work of art with a purpose, using imagination and a variety of mixed media techniques. Take a thematic excursion, tell a tale or dramatize an issue through color and visual imagery, creative materials, and 3-D structures.
Use your book’s existing contents if you like, add new materials or use your book to display a collection of valued objects, images or photographs. Learn to assess the condition of the various components of an old book, decide which parts to keep and which to remove and create layouts that communicate your message or story.
For more information about the class, please visit the Eliot School’s website or click here to download the complete catalog.
*** On Saturday, April 28th, the Kate Cheney Chappell 83 Center for Book Arts is hosting a workshop with Erin Fletcher of Herringbone Bindery, Secret Belgian Binding – Two Ways. The workshop will be held in the Multi-Purpose Room in the Wishcamper Center at the University of Southern Maine in Portland.
This workshop will explore the Secret Belgian binding (also known as Criss Cross binding) and ways to modify it. The binding is simple and easy to construct; it opens flat and is perfect for smaller text blocks. Students will complete two versions of the structure; one bound in the traditional sense and the second will offer a bit more secrecy and refinement to the structure.
Registration is available online or alternatively, you can call (207) 780-5900.
*** Registration for Wells College Book Arts Center‘s Book Arts Summer Institute is now open. The week-long intensive courses include letterpress printing, bookbinding, calligraphy, typecasting, and font design. Week 1 runs from July 15 – 21 and Week 2 runs from July 22 – 28.
This year’s instructors include Jenna Rodriguez, Aimee Lee, and Scott McCarney. Wells College is located in Aurora, NY.
For more information, please visit the Wells College website. Ann will also have postcards from the Summer Institute available at the February meeting.
by Elissa | Nov 2, 2017 | B.A.G. Meetings, bookbinding, Exhibitions, Lecture, MailB.A.G., Vermont, Workshops
Next Meeting: Wednesday, November 8, 2017, 6:30 p.m. – 8:00 p.m.
We meet at the Unitarian Universalist Society Church located at 152 Pearl Street in Burlington, VT. We will be in the Sophia Fahs Community Room, a large room located in the basement. Click here for more information on directions/parking.
Program: Book Blitz and Card Tricks – Member-led Mini Workshops
Join us for our always-popular annual November tradition: Member-led mini hands-on workshops in the form of a card or mini-book exchange that we call Book Blitz and Card Tricks. Get prepared now and join the fun!
Design a card or small/simple book structure that has a trick or two; maybe a pop-up, French doors or a window. Bring your completed card or mini-book, along with materials for six undecorated cards or mini-book structures to share. We will have an exchange and then engage in some decorating fun.
Please feel free to join in the fun even if you don’t have time to prepare cards or mini-books to bring. We do a similar program every November and there is always more than enough to go around. As in years past, expect to go home with some great new ideas, several new tricks up your sleeve, and a few new cards for the season.
- Things to bring:
- A decorated card/mini-book with a “trick” (optional)
- 6 card structures of your card/mini-book “trick” to exchange (optional)
- Glue
- Scissors
- X-Acto knife
- Cutting mat
- Ruler
- Bone folder
- Awl or needle tool
- Decorative punches
- Stamps and ink pads
- Pens, pencils, markers
- Decorative papers
- Fun stuff!
October Meeting Reflections
Our yearly visit to UVM Special Collections is a highly anticipated meeting, and this year did not disappoint! Prudence Doherty, Special Collections Librarian, chose books related to the theme of race and freedom, issues that are so important in the current political climate. I was struck by the power of the works as well as their visual presence. The books engaged the viewer to interact with the message as well as the structure.
Prudence also talked about how the library staff chooses books to purchase for the collection, what they look for, and whether the work fits in the collection or fills a void. And last, she gave us a look at a variety of tunnel books to satisfy our book artists’ need to examine structure and construction.
Thanks to Prudence for giving us a powerful experience once again, and thanks to all who participated.
You can view images from the meeting on the B.A.G. blog.
B.A.G. News
*** December Handmade Ornament Exchange
At our December meeting, we will host an ornament exchange where members and friends are invited to swap handmade baubles. Bring one, take one!
Here’s how it works:
- Make an ornament to share – instruction or directions on how to make are optional
- Bring to the meeting, wrapped or unwrapped
- Swap for another ornament
That’s it! The only rule is that the ornaments must be handmade.
Need inspiration? Check out these blog posts:
Get making!
*** Join us at the Northampton Book and Book Arts Fair!
The Book Arts Guild of Vermont will be participating in the 3rd annual Northampton Book and Book Arts Fair this December. We’ll have an exhibitor booth where we’ll be displaying and selling members’ work alongside other book artists, papermakers, paper marblers, and fine letterpress publishers. The fair is being held at the Smith College Campus Center (100 Elm Street/Route 9) in Northampton, MA.
We’re looking for B.A.G. member work for our display – it doesn’t have to be for sale. If you’re interested, please bring your work to the November meeting so that we’ll have more time to plan the layout of our booth. Please note that depending on how much work we have, we can’t guarantee that all pieces will be displayed – we’ll do our best to include as much as we can.
We’re also looking for volunteers to represent B.A.G. and sell work during the fair. The fair hours are Saturday December 2nd from 1:00 p.m. – 5:00 p.m. and Sunday December 3rd from 10:00 a.m. – 4:00 p.m. With enough people, we can break the time down into shifts.
If you would like to participate, please complete this survey. You can also sign up at our November meeting. There will be an opportunity to carpool and to stay at an Airbnb for Friday and/or Saturday night.
If you have any questions, please contact either Marcia Vogler at marciavogler@gmavt.net or Dorsey Hogg at dorseyhogg@gmail.com.
*** If you missed the visit to the Book Arts Workshop at Dartmouth College a few months ago, here’s your second chance. Debra Kraemer has kindly set up another visit for the BAG members for November 18, 2017. More details to come, so save the date!
We will be visiting Rauner Special Collections Library to see a selection of handmade books from their and the Sherman Art Library collections.
Book Arts News
*** On November 14th, the North Bennet Street School is hosting a lecture with James Reid-Cunningham, Artistic Vision in Contemporary Bookbinding. A reception will be held at 6:00 p.m., followed by the lecture at 7:00 p.m.
Traditional bookbinding decoration was transformed during the 20th century by the incorporation of modern art styles. The resulting “design bindings” are an evocative and complex balance of craft and imagination. This presentation surveys the history of binding decoration and innovation in 21st century bookbinding.
The lecture is free and open to the public, but they would appreciate it if you RSVP to attend.
The North Bennet Street School is located in Boston, MA.
*** At 4:00 p.m. on November 17th, the New England Chapter of the Guild of Book Workers is presenting Tackets, Overbands, Lacings and Buckles: a lecture by Katherine Beaty on early Italian stationery bindings of Harvard’s Baker Library. This lecture is free and open to the public.
The Harvard Business School Baker Library houses the largest collection of early Italian business records outside of Italy. It includes 150 account books and day books of the Medici Family, 81 volumes from the Barberini Family, and many more. Presenter Katherine Beaty will talk about the use and structure of early Italian stationery bindings that were observed during recent conservation projects of the Medici and Barberini collections. These unique limp vellum bindings include unusual structural features, such as overbands, decorative alum-tawed lacings, spine and endband tackets, and different fastenings types, including ties, loop and toggle, and buckles.
The lecture will be held at the Harvard Weissman Preservation Center Library at 90 Mt. Auburn Street in Cambridge, MA.
*** From November 3 – December 22, the North Bennet Street School will host Heroic Works, the third International Bookbinding Exhibition from Designer Bookbinders in the United Kingdom. The exhibit includes 28 prizewinning bindings and 9 works by binders from the United States.
184 binders from 31 countries participated in the competition by binding a book of their own choosing on the theme of myths, heroes, and legends. These works reflect a remarkable range of styles, materials, and approaches to great classics of world literature, as well as modern texts.
The exhibit is free and open to the public on weekdays from 9:00 a.m. – 5:00 p.m. The North Bennet Street School is located in Boston, MA.
*** To celebrate the Heroic Works exhibit, the North Bennet Street School will host presentations by two Designer Bookbinders Fellows on November 3rd.
- At 9:30 a.m., Sue Doggett will offer an informal, illustrated presentation about her approach to design binding, including a look at a recent commission binding of Lac de Pleurs. This presentation will include samples, a discussion of design, and plenty of Q&As.
- At 12:00 p.m., Lester Capon will present an illustrated lecture entitled Extreme Bookbinding. This talk about the ongoing work preserving the Garima Gospels, a 6th century manuscript and the earliest known book in Ethiopia, will also include a description of work done on two 15th century vellum fans, all undertaken in the rock hewn churches of Northern Ethiopia. Lester will discuss the environment and unusual working conditions encountered.
The event is free and open to the public. Seating for the lecture is limited, so please RSVP here.
*** November is offering two book-related events in the Boston area.
For more information, please visit the event websites.
Book Arts Classes
*** The Eliot School is offering Paste Paper with Cristina Hajosy on Sunday, November 12th from 10:00 a.m. – 2:00 p.m.
Paste paper is traditionally used for endpapers and book covers, offering a textural and colorful alternative to marbling. See some historical and contemporary approaches, then create your own. Start with a traditional method, then learn ways to make more creative and painterly versions. You may go on to use the papers you create in other of our book arts workshops.
For more information about the class, please visit the Eliot School’s website or click here to download the complete catalog.
*** On December 2nd, the North Bennet Street School is offering Travel Journals with Amy Lapidow.
Books that fit in your pocket! Add a pen loop, picture or pocket for memorabilia. Make it waterproof with Tyvek. Tie it up with beads and buttons, or close it with a magnet. This one day workshop explores the possibilities of a versatile book that goes wherever you go.
For more information or to register, please visit the NBSS website.
by Elissa | Oct 29, 2017 | B.A.G. Meetings, bookbinding, Exhibitions, Vermont
“Descendant” by Jennifer Brook
“Rosenwald” by Alisa C. Banks
“Rosenwald” by Alisa C. Banks
“Unbound” by Jessica Peterson
“Cause and Effect” by Jessica Peterson
“Children Don’t Count” by Amos Kennedy
“Deep in the Yellow Woods” by Lois Morrison
“Life Time” by Julie Chen
“(In)versions” by Julie Chen and David Turner
“deeply honored” by Fred Hagstrom
“deeply honored” by Fred Hagstrom
“Billy Rabbit: An American Adaptation” by Ann Tyler
“Billy Rabbit: An American Adaptation” by Ann Tyler
