VT Book Arts Guild “Mail B.A.G.” July 2026

Next Meeting: Wednesday, July 8, 2026, 6:30 p.m. – 8:00 p.m.

We meet at the Unitarian Universalist Society Church located at 152 Pearl Street in Burlington, VT. We will be in the Sophia Fahs Community Room, a large room located in the basement. Click here for more information on directions/parking.

We look forward to seeing you!

The B.A.G. Board


Announcing Our Theme for 2026!

In 2026, we’re returning to our tradition of choosing an annual theme for our meetings. The B.A.G. Board is happy to announce our theme for this year, Interaction.

Cornell University said it well in Wake the Form: Artists’ Books in Context: “An important characteristic of artists’ books is their interactivity. The artist often creates an experience for the reader that encourages performance, either in constructing or staging the piece, or in rehearsing parts of the text. A book can become a miniature stage set, unfolding to reveal sequences that can be extended, figures added, scenes reorganized.”

With artists’ books, the reader is invited to participate in the work – intimacy between the viewer and the book distinguishes our art form from other types of art.

Throughout the year, we’ll look at the ways one can interact with a book, whether it’s through form (structure, materials used), content (text, imagery), or a combination of both.

Get ready because it will be an exciting year!

Program: Fishbone Binding with Elissa Campbell

Fishbone bindingAt July’s B.A.G. meeting, Elissa Campbell will teach you how to make the Fishbone Binding, a fascinating structure developed by Hedi Kyle.

You’ll also have the opportunity to create a cover for your text block. All materials will be provided to those attending the meeting in person.

If you wish, you can also bring your own papers using the measurements provided below.

For those at home, here are the tools and materials you’ll need to participate in making the project:

  • Metal ruler
  • Scissors
  • X-Acto knife
  • Cutting mat
  • Awl
  • Pencil
  • Needle
  • Linen thread (or embroidery thread if that’s all you have): 21”
  • 1 piece of cover weight paper: 7.75” x 13.5” (grain short)
  • 1 piece of cover weight paper: 1” x 1” (optional – this can be used for a button)
  • 1 piece of text weight paper: 11.25” x 21.75” (grain short)
    • Note: If you don’t have a piece of paper 21.75” long, there’s a workaround!
      • Piece together two pieces measuring 11.25” x 10” and 11.25” x 12.25” (both grain short) by overlapping them by 0.5”.
      • Attach the pieces with a glue stick and you’ll be all set.

If you’d like to attend the meeting over Zoom, please contact Elissa and she’ll send you the details.

June Meeting Reflections

Vera Ryersbach describing Slow StitchingSlow stitching and happy sewers!

At last month’s B.A.G. meeting, Vera Ryersbach led us into the bliss of the running stitch, complete with a bit of history and an informative zine.

After her lovely intro we were off and “running”. We used 8” x 6” heavyweight paper that Vera will collect and bind into a book. The calming effect of stitching was felt by all. Vera encouraged our creativity with the endless variations of the running stitch and the possible additions of paint or collage.

Thanks Vera! We’re going slow and it feels good.

B.A.G. Library Corner

A Comprehensive Guide to Box Making coverElissa here, tapping in for Sally!

When I think of the theme of interaction, I can’t help but think of the Jacob’s Ladder structure. I find the flip-flappiness and click-clackiness of it very satisfying.

Did you know that there’s also a way to create this structure in box form? The lid opens in both directions and offers you the opportunity to both conceal and reveal as you interact with it.

In Roger Green’s book, A Comprehensive Guide to Box Making for Bookbinders, Artists and Amateurs, you can construct your very own four-section Magic Box.

And it really is as magical as it sounds.

You can check out and download the selection here.

If you have ideas for books to feature or if you have a B.A.G. library book in your possession from which you’d like to share something, email Sally at salblanch@gmail.com.

B.A.G. News

Book Arts Guild of Vermont Retrospective*** The Book Arts Guild of Vermont Retrospective is still up! You still have through the end of July to see it for yourself.

There are plans in the works for book arts related events during the month of July that will pique interest in the show. One may be an event in which a limited number of interested community members would be given the opportunity to have a private viewing of books that were not included in the show – an exclusive look behind the curtain!

If you’re unable to make it to the exhibit in person, never fear! Elissa took pictures of all the pieces in the exhibition! You can check out the full exhibition here.

*** Congratulations to Karen Krieger for winning Best in Show at the Morgan Conservatory’s 14th Annual Juried Exhibition, A Hand of One’s Own. The exhibition highlighted paper as a creative medium and active substrate and featured 60 artworks from talented artists across Ohio and representing 30 states nationwide.

Ranging from fashion, sculptural works, book forms, ephemera, and other traditional methods, the show embodied the capabilities of the artistic hand and how paper has no limits.

Book Arts News

The Paper Year logo*** Helen Hiebert‘’s paper-loving community, The Paper Year, is open for enrollment now through July 12.

Each month, you’ll receive project instructions designed to spark ideas that keep you creating. You’ll explore creative paper techniques, including origami, pop-ups, paper weaving, book arts, paper cutting and more.

When you join, you’ll gain access to all past projects in The Paper Year Library.

For more information, please visit Helen’s website.

*** The American Bookbinders Museum is presenting a virtual lecture, Buried Alive! Books Unearthed in Our Time, with Michael Burke on July 18. This lecture tells the story of three ancient books that were buried underground, lost for centuries and then found again.

The Nag Hammadi Codices were discovered in Egypt in 1945 a clay pot. These books, written in the Coptic language, contain the infamous Gnostic Gospels. Within a short time some had been smuggled and sold, and sent all over the world to various libraries. They have now been reunited and live in the library at Cairo. Michael will tell the story of their discovery, which involves murder, cannibalism and international scholarly squabbling.

St. Cuthbert’s Gospel was made by the monks of Lindisfarne in 692, buried with Cuthbert when he died, and discovered in his coffin in the year 1104 in exceptionally good condition. It is the earliest known decorated European binding, and was acquired for the nation in 2005 for £9 million. It is now on permanent exhibition in the treasures room of the British Library. You’ll learn about St Cuthbert’s extraordinary life, the monks of Lindisfarne, why they had to move on to new houses over the years, and how the book was made and decorated.

The Fadden More Psalter is one of the earliest surviving British manuscripts. It was found in a peat bog in Tipperary in 2005, an appalling mess of squashed and crumpled parchment and leather. You’ll learn the story of how it took over four years of painstaking work to unpick the damaged pages, removing 1,300 years of soil, moss and seed pods, before the book could be studied by the scholars.

For more information or to register, please visit the ABA website.

*** Every graduating class from the full-time Bookbinding Department at North Bennet Street School completes a design binding, in their own unique style, of an assigned text. This is referred to as the set book.

Since graduating from NBBS in 2012, Erin Fletcher of Herringbone Bindery has been conducting annual interviews of each student about their binding, discussing the concept and the process.

The text selected for 2026 was Slaughterhouse-Five, or, The Children’s Crusade: A Duty-Dance with Death by Kurt Vonnegut, Jr. Erin’s interviews of this year’s graduating class can be read on her website.

Stay-at-Home Fun

*** The Center for Book Arts is offering Camera-less Eco-Photography: From Plant to Print for Book Artists with Iviva Olenick on July 16 & 23.

Learn how to use household materials and plants to make camera-less eco-photographs in this two-part workshop. Transform food waste (purple cabbage leaves, turmeric spice, water from soaking black rice, spinach leaves) into photographic emulsions to make anthotypes, or plant-based sun-prints, similar to cyanotypes.

Learn how to take plant cuttings and use them to make a safe developer for printing plants on B&W photo paper, known as phytograms. Add embroidery to your phytograms, crafting unique, mixed media artworks, and begin to plan new book arts projects incorporating these techniques.

For more information or to register, please visit the CBA website.

*** The Frederick Book Arts Center is offering Pop-Up Mini Creatures with Shawn Sheehy on July 22.

Pop-ups are all about the “wow” factor. Building pop-ups in miniature maximizes the “wow” factor, as dramatic structures emerge from tiny spaces. In this workshop, you’ll build three miniature pop-up cards featuring charming woodland creatures.

Using just card stock, glue and a handful of simple tools, you will build three miniature pop-up cards that feature a snail, a snake, and a robin (plus a sneaky little worm).

All levels are welcome.

For more information or to register, please visit the FBAC website.

*** Erin Fletcher of Herringbone Bindery is teaching the Box with Telescoping Lid on August 4, 6, & 11.

In contrast to the clamshell box, this style of enclosure has a completely separate lid that slides off the base. In this workshop, students will construct an inner tray set within a frame for the object to rest. A ribbon will be added for easy retrieval of the object.

Students will be able to customize the inner tray to fit an object from their own library. Your object should be no larger than 145 x 100 x 20mm (h x w x d).

For more information or to register, please visit the Erin’s website.

*** The Minnesota Center for Book Arts is offering Make Your Own Binding Tools with Rachel Payne on Tuesdays August 4, 11, & 18.

Many bindery tools are specialized, making them difficult to find or expensive to purchase. In this virtual workshop, you’ll make a few tools and discuss how to make more.

Through live demonstration and guided discussion, you will discuss the construction of tools such as a laying press, press boards (wood and plexi), bone folders, and box corner jigs. You will make a punching cradle, corner trimming jigs, faux brass edged boards, bent needles, and soft weights.

There will be ample time for questions, troubleshooting, and discussion of alternative materials and methods. By the end of the workshop, you’ll understand how to construct your own bindery tools and adapt designs to suit your workspace and needs.

For more information or to register, please visit the MCBA website.


VT Book Arts Guild “MailB.A.G.” May 2023

Next Meeting: Wednesday, May 10, 2023, 7:00 p.m. – 8:30 p.m.

This month’s meeting will once again be held via Zoom, an online conference program. If you’ve never attended a Zoom meeting before, check out this video – it will go over the basics of how to join a meeting.

Stay safe!

The B.A.G. Board


Movable Books circle logoIn continuing with our tradition of choosing a theme for our meetings every year, the B.A.G. Board has selected the theme of Movable Books for 2023.

Movable books are structures with 3-dimensional pages that make a book or card come alive in your hands. These include pop-ups, volvelles, tunnel books, pull-outs, crankies, and animated structures.

Put on your hard hat, because we are going to become Paper Engineers!

We will have a series of guest presenters to familiarize you with the varied structures, and to guide you through techniques that will turn your flat two-dimensional work into exciting pop-up fun!

Program: Pop-ups Shadowbox Book with Kit Davey

Handmade book by Kit DaveyWe are excited to have Kit Davey as our guest presenter this month. Kit is an Instagram phenomena, posting exciting book work almost every day! Her work is playful, humorous, and she is gracious enough to share her time with us.

Learn how to make this fun five-page pop-up book. When you turn the pages of the book a “box” forms to create a 3-dimensional effect. You can install images to the front or underneath each frame. Once you learn the basic mechanism you can add pages or scale the book up or down.

Tools needed:

  • Scissors
  • Ruler
  • Pencil and eraser
  • X-Acto knife and cutting mat
  • Bone folder
  • Glue, brushes, rag, water container
  • Scoring board, if you have one

Ingredients to make the book:
Note: You must cut out the ingredients in advance of the class! There will not be time to cut things out during class.

For the pages:

  • 10 pieces single- or double-sided card stock: 2.5” by 6”
  • 5 images that can fit inside a 1.5” by 1.5” opening.
  • For the covers: 2 pieces of mat board: 2.5” by 3”
  • Paper to cover the covers: 2 pieces paper 3.75” by 4.5”
  • For the spine: 1 pc. card stock 2.5” by 2.5”

To learn more about Kit’s work, check out her Instagram.

If you’d like to attend the meeting over Zoom, please contact Elissa so she can send you the details.

April Meeting Reflections

Flowers pop-up cardThey may say that April showers bring May flowers, but our April meeting brought those flowers early!

We were lucky to have skilled presenter Linda Whelihan to guide us as we created three different types of flower pop-up cards. She presented each pop-up in such a way that seemingly complicated arrangements became easy to construct.

I’m not sure which card is my favorite, but I do know that when my daughter asked if she could have them, I quickly hid them away in my studio – sorry Anna, those are mine! Perhaps I’ll surprise her with one on her birthday…

Many thanks to Linda for sharing her talent and creativity with us.

B.A.G. Library Corner

Penland Book of Handmade Books - book coverBook artist Carol Barton says “There’s magic in a book that pops up!” She describes how she engineers the magic in her chapter of The Penland Book of Handmade Books. Discussing her inspiration, her methods, and how she got into pop-ups, Barton tells a compelling story that can help inspire our own paper engineering creations.

If you have ideas for books to feature or if you have a B.A.G. library book in your possession from which you’d like to share something, email Sally at salblanch@gmail.com.

You can check out and download the chapter here.

B.A.G. News

*** The Book Arts Guild of Vermont is pleased to announce our annual exhibition, Bookworks: the Art of the Book! The show this year will be held at the S.P.A.C.E. Gallery on Pine Street in Burlington. Members and friends are encouraged to submit up to 3 entries, although not all may be accepted. New this year, entries will be made online, and artists will be notified of acceptance on or before July 26. B.A.G. will cover the entry fee for members.

Here are some important dates:

  • Deadline for online submissions: June 18, 2023. No entries will be accepted after this date.
  • Exhibit dates: July 7 – August 4, 2023
  • Opening reception: First Friday Art Walk, July 7, 5:00 p.m. – 7:00 p.m.
  • Artists’ Talk: July 12, 6:30 p.m. – 8:00 p.m. This will take the place of our regular monthly meeting.
  • Closing reception: First Friday Art Walk, August 4, 5:00 p.m. – 7:00 p.m.

Click here to access the exhibit entry form.

*** Congratulations to Marcia Vogler for being accepted into the juried exhibition, Paper Made, which will be featured in the summer issue of Fiber Art Now magazine. Selections from the exhibit will be on display at the Brattleboro Museum & Art Center, Brattleboro, VT from October 14, 2023 – February 11, 2024.

Lidded Pencil Box*** Elissa Campbell will be teaching The Lidded Pencil Box at CraftStudies on May 21.

If you’ve ever wanted to learn how to make your own decorative boxes, then this class is a great place to start! This decorative lidded box is the perfect size to hold your pens and pencils – or perhaps future boxmaking tools?

During this workshop, you’ll make a box that measures 8” (l) x 3” (w) x 2.25” (h). You’ll learn basic boxmaking techniques, including how to measure and cut materials, wrapping a box with paper, and the best way to apply adhesives. We’ll also talk about how to scale the size of the box to fit differently-sized items.

Not only will this class offer you the foundation and confidence needed to continue making boxes, but it will also provide you with a variety of bookbinding skills. You will receive a detailed handout and resource list for all materials we use.

For more information or to register, please visit the CraftStudies website.

*** Susan Smereka will be teaching the Upcycled Journal on May 23 & 30 at her studio in Burlington, VT. Whether you are new to bookbinding or not, this workshop is appropriate for all skill levels and interests.​

You will rebuild an old book and give it new life as a unique journal to inspire you to write and capture your precious ideas, collages and drawings. And they make great gifts too!

You will take apart an old book, and rebind it with blank pages interleaved with text from the original. Build your knowledge and skills around bookbinding as you learn the parts of a book and how to do a long stitch binding with waxed linen thread.

For more information or to register, click here.

Vermont Open Studio Weekend logo*** On May 27 & 28 (Memorial Day Weekend), the statewide Open Studio Weekend is offering a wonderful selection of book and paper arts studios for you to visit.

If you’re up for a tour, you can find members of your tribe in the following locations:

Elissa created a Google Map with all of the locations to help you with your tour.

Maps and directions to studios are available on the VT Crafts Council website.

Book Arts News

*** ArtisTree Gallery is currently accepting submissions for their 11th annual book arts exhibit, UNBOUND Vol. XI. Works will be on display from June 22 – July 15, 2023 at the gallery in South Pomfret, Vermont.

The theme of the show is simple – art using books as a material or a format. Visitors will have an opportunity to examine curious folios, recent grimoires, tomes turned to sculpture and some works having a relation to “books” in concept only.

This exhibition is for artists working in all traditional and non-traditional 2D (wall mounted) and 3D media. All artwork must be original in concept, design and execution, and must strictly adhere to the theme of the show. Note: reproductions can be used in mixed media work. Submissions are open to Vermont and New Hampshire residents who are 18 years of age or older.

The deadline for submission is June 7, 2023. All submissions must be made through their online entry form.

For more information, please read the online exhibit prospectus. You can also contact the gallery at exhibits@artistreevt.org.

Dreams exhibition logo*** 23 Sandy Gallery is currently accepting submissions for its upcoming exhibition, Dreams. This exhibition is open to handmade book and paper arts and related works created as either an edition or one-of-a-kind. Artist books, sculptural books, book objects, altered books, zines, and broadsides are all encouraged.

Dreams allow us to experience worlds beyond borders, barriers, and binaries. They are narratives that grow out of our waking experiences into the fantastical, unexpected, and strange. Sometimes vivid, other times elusive, dreams can immerse us in hope and beauty. Their meaning and mechanics are a mystery. In dreams, we can encounter the impossible. This call for entries invites artists to submit book and paper art about the cognitive, sensory, and emotional nature of dreams, your personal dreams, or dreams you hold for others.

The deadline for entries is June 9, 2023. For more information or to view the prospectus, please visit the 23 Sandy Gallery website.

*** Registration for Wells College Book Arts Center‘s Book Arts Summer Institute is now open. The week-long intensive courses include letterpress printing, bookbinding, calligraphy, typecasting, and font design. Week 1 runs from July 9 – 15 and Week 2 runs from July 16 – 22.

This year’s instructors include Tom Balbo, Scott McCarney, Leah Mackin, and Sonja Rossow. Wells College is located in Aurora, NY.

For more information, please visit the Wells College website.

Stay-at-Home Fun

*** The Minnesota Center for Book Arts is offering Zines: Exploring Narrative through Lists! with Hope Amico on May 10, 17, & 24.

Using a list to frame a personal narrative is a playful and accessible writing format. Handwritten and illustrated 8-page zines are a fun and approachable book format. In this virtual workshop, get introduced to these two art forms and begin by brainstorming story ideas – with pen and paper – using prompts as inspiration. Then, draft your story – with pen and paper or on an electronic device. Return the following week to share your work and engage in friendly group feedback.

In the last session, learn the process of laying out your story as a 4.25 x 5.5 inch zine (quarter-size, meaning a quarter of a piece of copy paper) and tips for analog layout, with opportunities to add visual elements.

For more information or to register, please visit the MCBA website.

*** The Center for Book Arts is offering Travel Journals with Susan Joy Share on May 17 & 24.

Create a series of soft-cover travel journals with paper covers for writing, drawing, collage, etc., and several compartments for tucking away collected items. You’ll learn basic folding and sewing techniques as you make pocket-sized books, perfect for walks or hikes, and a larger one for when you are settled in with time to reflect.

Students will learn several variations on pamphlet binding and 3 or 4 ways to score and fold soft-cover books. These journals travel especially well as they are light weight and easy to pack. You’ll have fun making pockets, folders and a collapsible origami box. Paper selections, closures, and decorative cover elements give students an opportunity add their personal touch. Making a travel journal is a great way to prepare for and get excited about a trip.

For more information or to register, please visit the CBA website.

*** The Jaffe Center for Book Arts is offering Microfiction Mini Books with Stephanie Wolff on May 24.

A very short story will be the content of a mini artists’ book. Participants will write a story in six words and create illustrations. Then bind it into a very simple but versatile book structure. The writing is meant to be a fun exercise, but participants are welcome to use existing stories should they choose.

This structure could be used for any kind of content: text or image or both, and can be scaled up in size. To learn more about this writing form, search the internet for “six-word stories” or “six-word memoirs”. A famous example, allegedly by Ernest Hemingway: “For sale: baby shoes. Never worn.”

For more information or to register, please visit the JCBA website.


VT Book Arts Guild “MailB.A.G.” March 2023

Next Meeting: Wednesday, March 8, 2023, 7:00 p.m. – 8:30 p.m.

This month’s meeting will once again be held via Zoom, an online conference program. If you’ve never attended a Zoom meeting before, check out this video – it will go over the basics of how to join a meeting.

Stay safe!

The B.A.G. Board


Movable Books circle logoIn continuing with our tradition of choosing a theme for our meetings every year, the B.A.G. Board has selected the theme of Movable Books for 2023.

Movable books are structures with 3-dimensional pages that make a book or card come alive in your hands. These include pop-ups, volvelles, tunnel books, pull-outs, crankies, and animated structures.

Put on your hard hat, because we are going to become Paper Engineers!

We will have a series of guest presenters to familiarize you with the varied structures, and to guide you through techniques that will turn your flat two-dimensional work into exciting pop-up fun!

In the movable book world, there is of course the Movable Book Society, which promotes all things movable. A look at their website and references should be all it takes to get you warmed up for the new year. Here are some other resources to get your brain churning:

Websites to drool over:

Books to pore over:

If that’s not enough for you, just google ‘tunnel books’ or ‘pop up books’, and prepare to spend some time in the rabbit hole. Take a look – the possibilities are kind of endless!

Program: Tunnel Books with Dorsey Hogg

Tunnel bookAmong the movables we’re exploring this year are tunnel books, which are made from a set of panels attached to an accordion on each side and viewed through a hole in the front. This type of book dates from the mid-18th century and was inspired by theatrical stage sets.

According to Wikipedia, “the term ‘tunnel book’ derives from the fact that many of these books were made to commemorate the building of the tunnel under the Thames River in London in the mid-19th century.” (Who knew?)

In our March meeting, you’ll learn the basics of creating a tunnel book with our own Dorsey Hogg.

Here’s what you’ll need to participate in the project:

  • 5: 4″ x 6″ pieces of cardstock or similar weight paper for the pages
  • 2: 4′ x 8″ strips of paper, I used 80lb drawing paper for the side bindings
  • 1: 4.25″ x 18.25″ strip of paper, I used the same 80lb drawing paper for the wrap around cover.
  • Glue stick
  • Measuring tool
  • X-Acto knife
  • Bone folder

If you’d like to attend the meeting over Zoom, please contact Elissa so she can send you the details.

February Meeting Reflections

Ed HutchinsSome people just bring joy to everything they touch, and Ed Hutchins is one such person. What started as a show and tell, with charming videos of Ed leading us through some highlights of his artist book collection, ended with a hands-on reflection on Valentine pop-ups just in time for Valentine’s Day. Ed makes pop-ups look easy and accessible to everyone!

His presentation was a whirlwind introduction to the world of movable books, ranging from different cultures such as the Zhen Xian Bao, or Chinese thread box, to different structures such as tunnel books and flexagons. One of my personal favorites was the work of Paul Johnson, an English book artist who uses slotted structures without glue, and incorporates foldouts and pop-ups with sweet, brightly colored illustrations.

Oh, and then there were hearts, many hearts. There were accordion hearts, wiggle hearts, spiral hearts, interlocking hearts, and floating hearts. The eight different valentines Ed showed us in roughly 8 minutes was pure magic. I hope everyone took advantage of his challenge to send him a valentine and get one from him in return. There’s such joy in receiving an envelope covered with cute stickers from our friend.

Thanks so much, Ed! And thanks also to everyone who showed up and participated in this magical evening.

B.A.G. Library Corner

Cover of Adventures in BookbindingAs we continue this year’s exploration of movable books and interactive structures, I began to think about what if a book was something else entirely – like a doll?

Mimi Kirchner’s plush doll sketchbook, featured in Jeannine Stein’s Adventures in Bookbinding: Handcrafting Mixed-Media Books, is a whimsical slipcover for a handmade sketchbook. But what if the pages were actually sewn into the slipcover? Could you turn a doll, or another unexpected object, into a book?

If you have ideas for books to feature or if you have a B.A.G. library book in your possession from which you’d like to share something, email Sally at salblanch@gmail.com.

You can check out and download the selection here.

B.A.G. News

Zines text*** Due to the success of our last Zine Swap, B.A.G. is hosting another one!

What’s a zine? A zine (short for fanzine or magazine) is a self-published booklet, usually made on paper and reproduced with a photocopier or printer. Our previous Zine Swap was fun and participants enjoyed receiving 10 zines from fellow members. Sally Knight and Marilyn Gillis have agreed to organize the swap.

Here are the steps for participating in this next Zine Swap:

  1. Join the swap by emailing Marilyn Gillis at marilyngillis@gmail.com by March 31, 2023 to state your desire to participate.
  2. Create an 8-page folded zine. This is a structure using one 8.5″ x 11″ sheet of paper which is folded and cut to create a 4.25″ x 2.75″ booklet. Copy paper is fine for making a zine. The structure is simple, fast and easy to make. There are many YouTube instructional videos, just search for how to make a one-page zine. If you need help you can email Marilyn.
  3. Create your zine content. Make a master copy.
  4. Copy your zine 11 times. One copy is for you to keep.
  5. Fold each of your copies.
  6. Send 10 copies to Marilyn Gillis, 9 Arthur Court, Burlington, VT 05401 by May 31.
  7. Receive a packet of 10 participant zines in June!

*** Susan Smereka will be teaching Generative Book with Jane Ploughman on March 22 & 29, and April 5, 2023.

Create a unique artist’s book while learning new bookmaking and printmaking techniques. This workshop will guide you through a three part creative process to generate text and images using Gelli plate printmaking and collage.

Your completed project will combine your edited and refined creations in a hardcover book (approximately 3.5″ x 5”) with 8 spreads (30 sides) handbound with a long stitch variation.

The workshop will take place at Susan Smereka’s studio space in Burlington, VT (Howard Street off of Pine).

For more information, please contact Susan at susansmereka@gmail.com.

Blizzard book and variations by Elissa Campbell*** Elissa Campbell will be teaching Blizzard of Blizzards at Studio Place Arts on March 11.

If this winter is giving you the blues, here’s a reason to like it a bit more – book artist Hedi Kyle‘s famous Blizzard Book was invented during a snowstorm! This gem of a book has a spine made of folded pockets that lock pages into place without using adhesive. The folded components can be modified to create other structures that Hedi affectionately refers to as the Blizzard Clan.

In this workshop, you’ll start by making the book that started it all, the Blizzard Book. As time allows, you’ll complete up to five variations including the Blizzard Box, the Blizzard Pocket, and the amazing Wheel of Fortune. All of these structures are intended to house your choice of content – for example, business cards, ticket stubs, or fortune cookie fortunes.

For more information or to register, please visit the SPA website.

Book Arts News

Femmezine logo*** Chandler Center for the Arts in Randolph, Vermont is hosting Femmezine, now through March 4. Zine makers from all over (with a focus on local artists) will have their work and message on display and available for reading.

The show celebrates the Femme (An identity or presentation that leans towards femininity) DIY spirit as well as the necessity to shout out the message of “We are here, we exist, acknowledge us!”

The Do It Yourself (DIY) movement started with music, but would branch out into the rest of the arts. Fanzines (fan•zeenz) were a way for kids to distribute their message to others, helping to grow the culture, the community, and their chosen family.

For more information, please visit the Chandler website.

*** On March 24, The Grolier Club is hosting an online, full-day symposium in celebration of the Pattern and Flow, A Golden Age of American Decorated Paper, 1960s to 2000s exhibition, sponsored by the Thomas J. Watson Library, The Metropolitan Museum of Art.

The free event will start with introductions and the keynote address, then offer panel presentations on 1. Techniques and materials in decorated paper; 2 the expansion of decorated paper in the U.S. (programs, outreach, education, publications); 3. earning a living in decorated paper (building a business, products); and 4. distributing and collecting decorated paper (trends and sales).

For more information or to register, please visit the event website.

*** Now through April 29, the Kate Cheney Chappell 83 Center for Book Arts is hosting Building Books: New England Book Artists Members Exhibition. The exhibition is located in the Great Reading Room, 7th floor, Glickman Family Library at the University of Southern Maine in Portland.

NEBA is a professional organization of book artists and bibliophiles. It celebrates, promotes, and supports the book arts and its makers, fosters public education, and nurtures an understanding and enjoyment of the discipline through exhibitions, workshops, lectures, and related activities.

For more information, please visit the KCCCBA website.

*** The Rochester Public Library is currently accepting submissions for its 12th juried international exhibit, Art of the Book: Artist Books, Altered Books, & Paper Sculpture. The deadline for entries is May 15.

In 2011, the first Art of the Book exhibit was held in honor of the 100th anniversary of the Rochester Public Library. At the time, they wanted to celebrate what has been at the core of libraries for centuries – the book. They marveled over the intricate interpretations of this humble format and were thrilled with the response to the exhibit from the community.

In subsequent years, the exhibit has grown to include entries from all over the world, featuring well-known artists for their exquisite work. Books continue to ensnare the imagination, both for their form and content. Artists manipulate those two components to create breathtaking, mind-bending works of art that tease and cajole people to consider the intricacies of paper, ink, words, and meaning.

For more information or to view the prospectus, please visit the Rochester Public Library’s website.

Stay-at-Home Fun

*** The Jaffe Center for Book Arts is offering One Sheet Books with Stephanie Wolff on March 9.

A few folds, a cut or two and presto, a book! Participants will create a selection of simple folded “books” made from one piece of paper in this workshop. They are great for zines, comics, cards, and other self-publishing ventures, as well as artists’ books.

Paper choices, layout, and duplication methods will all be covered. Simple, inexpensive means of duplication or more complex artmaking methods can be combined with these forms. Our focus will be on making a set of models as reference for future work after the workshop.

For more information or to register, please email John Cutrone at jcutrone@fau.edu.

*** The Minnesota Center for Book Arts is offering Mini Modeled Books with Amanda D’Amico on March 14 & 28.

What happens when you combine historical Coptic bindings with contemporary craft materials? You get small, playful book objects! For the bookbinder who loves sculpture, this virtual workshop will cover how to make a three-dimensional book cover using Crayola Model Magic, a non-toxic, lightweight modeling material.

Part one of the workshop will cover tips and tricks for working with the modeling material, as well as how to design your book object for success. Part two of the workshop will cover instruction on the two-needle Coptic stitch binding, a traditional and wonderfully adaptable sewing technique that can be used for many sculptural structures.

Note that this workshop has two weeks between the two sessions to allow the Crayola Model Magic to fully dry and shrink to its permanent size.

For more information or to register, please visit the MCBA website.

*** Maine Media Workshops + College is offering Japanese Boro Stitch for Bookbinding with Marsha Shaw on April 1 & 8.

In this workshop, students will learn to make an accordion book that uses a Japanese Boro mending stitch. What is so exciting about this structure is that you can work on the pages separately and then bind them together to make a book of any length. For example, a continuing photographic series can be added over time.

Students will learn the skills necessary to keep making these books and written instructions will be provided (The instructions are for a 3.5″ x 2.5″ playing card but the instructor will show you how to adjust the holes to your size pages). Students will be provided a small kit with two master sheets of collage paper to play with, or you can use your own papers or photographs.

For more information or to register, please visit the Maine Media website.


VT Book Arts Guild “MailB.A.G.” February 2023

Next Meeting: Wednesday, February 8, 2023, 7:00 p.m. – 8:30 p.m.

This month’s meeting will once again be held via Zoom, an online conference program. If you’ve never attended a Zoom meeting before, check out this video – it will go over the basics of how to join a meeting.

Stay safe!

The B.A.G. Board


Movable Books circle logoIn continuing with our tradition of choosing a theme for our meetings every year, the B.A.G. Board has selected the theme of Movable Books for 2023.

Movable books are structures with 3-dimensional pages that make a book or card come alive in your hands. These include pop-ups, volvelles, tunnel books, pull-outs, crankies, and animated structures.

Put on your hard hat, because we are going to become Paper Engineers!

We will have a series of guest presenters to familiarize you with the varied structures, and to guide you through techniques that will turn your flat two-dimensional work into exciting pop-up fun!

In the movable book world, there is of course the Movable Book Society, which promotes all things movable. A look at their website and references should be all it takes to get you warmed up for the new year. Here are some other resources to get your brain churning:

Websites to drool over:

Books to pore over:

If that’s not enough for you, just google ‘tunnel books’ or ‘pop up books’, and prepare to spend some time in the rabbit hole. Take a look – the possibilities are kind of endless!

Program: Pop-ups and Movable Books with Ed Hutchins

Ed Hutchins pop-up bookContinuing with our movable book theme, we are excited to have Ed Hutchins as our guest presenter. Ed is a creative and innovative book artist and designer, as well as a collector of artist’s books. His work is colorful, playful, and imaginative, and always tells a good story.

During his presentation, we will look at books he has made, and examples from his Architecture of the Book Collection. He will also give us some ideas on how to use photos in movable greetings, and lastly, ideas for Valentines for you to make.

We are trying to figure out how to Zoom the meeting for those unable to attend in person. If you’d like to attend the meeting over Zoom, please contact Elissa and she’ll keep you in the loop.

January Meeting Reflections

Hands holding a pop-up zineI feel a lot of excitement building for our new theme of movable books! Elissa Campbell and Becky Boardman gave us some great ideas for pop-up structures, and different ways to incorporate them into books and cards.

Well, get ready for a zine swap, because we now have the skills to make shaped and sized structures. Keep your eyes open for the announcement for the next challenge.

B.A.G. Library Corner

Cover of Creative Book ArtIf you’re anything like me, I start to dream of far-away places as winter really sets in. But why dream when you can create your own places using books, paper, and a little structural ingenuity?

Using the tutorials from Clare YoungsCreative Book Art, we can create a whimsical village or a fantastical ocean getaway to make those long winter days a little shorter.

If you have ideas for books to feature or if you have a B.A.G. library book in your possession from which you’d like to share something, email Sally at salblanch@gmail.com.

You can check out and download the selection here.

B.A.G. News

*** Support the Book Arts Guild of Vermont by becoming a member!

The Book Arts Guild of Vermont is supported by its members and you have kept us going for more than seventeen (!) years. Our organization is solely run by volunteers and we do what we do because we love the book arts and we love B.A.G.. We continue to be inspired by our community, and the enthusiasm and talents that you bring to our meetings.

Membership dues are our main source of income and we hope that you will show that you value what we have to offer – quality programming, future exhibits, and more – by becoming a member. You get so much value out of your $35.00 and attending just one meeting can give you your full money’s worth.

Just to give you an idea of where membership dues go, here’s a breakdown of B.A.G.’s annual expenses:

  • Zoom subscription: $149.90 per year
  • Vimeo subscription: $84.00 per year
  • Rent: $50.00 per month when we can return to in-person attendance
  • Presenter honorarium: $35.00 per meeting
  • Website and email newsletter: $100.00 per year
  • Presenter reimbursement for supplies: Varies

We hope that you will renew your membership to help us with our annual expenses. You can download our membership form and send it in with your payment by check of $35.00 made out to the Book Arts Guild of Vermont:

Book Arts Guild of Vermont
c/o Ann Joppe-Mercure
10 Brookwood Dr
South Burlington, VT 05403

Thank you so much for your continued support of the guild. We wouldn’t be here without you.

*** Announcing the annual member show for 2023, The Art of the Book!

Our annual show will be held at S.P.A.C.E. Gallery in Burlington in July 2023. The details still need to be worked out, so stay tuned for more information about the submission deadline, exhibition dates, and the opening reception date.

Members are invited to submit 2 pieces, so get started!

*** Susan Smereka will be teaching Upcycle Journal on February 12. You will rebuild an old book and give it new life as a unique journal to inspire you to write and capture your precious ideas, collages and drawings.

You will take apart an old book, and rebind it with blank pages interleaved with text from the original. Build your knowledge and skills around bookbinding as you learn the parts of a book and how to do a long stitch binding with waxed linen thread. Whether you are new to bookbinding or not, this workshop is appropriate for all skill levels and interests.​

The workshop will take place at Susan Smereka’s studio space in Burlington, VT (Howard Street off of Pine).

For more information, please contact Susan at susansmereka@gmail.com.

Handmade accordion book*** Elissa Campbell will be leading a Book Arts Open Studio at Studio Place Arts on February 17 & 18. This experimental workshop is a mini retreat, where students who have taken some book arts classes in the past can explore taking their artist books to a new level. Enjoy the creative environment of working with other artists – it’s like a book arts play date!

The use of both standard and unconventional materials will be demonstrated, along with creative ways to apply them to the book arts. A wide range of tools and materials will be available for you to try, including collage, carved block stamps, image transfer, Dremel, and paper cutting. Different binding techniques will also be explored.

For more information or to register, please visit the SPA website.

Book Arts News

*** The Boston Athenæum is hosting the exhibition Materialia Lumina | Luminous Books: Concept & Craft in Contemporary Artists’ Books from now until March 11, 2023.

The exhibit showcases a selection of outstanding contemporary artists’ books created by some of the world’s most accomplished makers over the past twenty-five years. The books embody a distinctive marriage of “high craft” with “high concept.” They demonstrate a mastery of the traditional arts of the book – printing, printmaking, typography, calligraphy, bookbinding, papermaking, and graphic design – intersecting vigorously with the conceptual daring and exploratory nature of the best contemporary art.

The exhibition explores the extraordinary level of skill and persistence involved in creating these beautiful works, as well as their unique power to speak to a range of contemporary issues and concerns.

For more information, please visit the Athenæum website. The Athenæum is located at 10½ Beacon Street in Boston, MA.

*** On Thursday February 23, the Boston Athenæum is presenting The What, the How, and the Why: Craft as an Extension of Thought, an online exhibition lecture with Russell Maret.

Throughout the brief history of the artists’ book, craft and concept have often seemed at odds with one another. It has only been in the last forty years or so that a “third stream” of bookmaking has developed, one in which High Craft and High Concept play equal roles in the making of a book. In this talk Russell Maret will explore these various ideas through an examination of his own work, as well as the books of other artists whose work is exhibited in Materialia Lumina | Luminous Books.

For more information or to register, please visit the Athenæum website.

*** Now through April 29, the Kate Cheney Chappell 83 Center for Book Arts is hosting Building Books: New England Book Artists Members Exhibition. The exhibition is located in the Great Reading Room, 7th floor, Glickman Family Library at the University of Southern Maine in Portland.

NEBA is a professional organization of book artists and bibliophiles. It celebrates, promotes, and supports the book arts and its makers, fosters public education, and nurtures an understanding and enjoyment of the discipline through exhibitions, workshops, lectures, and related activities.

For more information, please visit the KCCCBA website.

*** Arts and Exhibits Committee, University Libraries, at the University of South Dakota, is now taking entries for Bound and Unbound VII: Altered Book Exhibition through March 6, 2023. The biennial exhibition is scheduled for display Aug. 21, 2023 – Jan. 3, 2024.

Brian Dettmer, an American contemporary artist currently residing in Chicago, IL will serve as juror for this year’s exhibition. There are no restrictions on when works are created. Traditionally, they have featured only new works from the past three years, but this year they hope to garner a nice historical survey of the altered book as well as new works.

Full information, including a prospectus, can be found here.

For more information, please contact Hanson-Pareek at Sarah.HansonPareek@usd.edu, Danielle De Jager-Loftus at Danielle.Loftus@usd.edu, or Michael Boring at Michael.Boring@usd.edu.

*** The Rochester Public Library is currently accepting submissions for its 12th juried international exhibit, Art of the Book: Artist Books, Altered Books, & Paper Sculpture. The deadline for entries is May 15.

In 2011, the first Art of the Book exhibit was held in honor of the 100th anniversary of the Rochester Public Library. At the time, they wanted to celebrate what has been at the core of libraries for centuries – the book. They marveled over the intricate interpretations of this humble format and were thrilled with the response to the exhibit from the community.

In subsequent years, the exhibit has grown to include entries from all over the world, featuring well-known artists for their exquisite work. Books continue to ensnare the imagination, both for their form and content. Artists manipulate those two components to create breathtaking, mind-bending works of art that tease and cajole people to consider the intricacies of paper, ink, words, and meaning.

For more information or to view the prospectus, please visit the Rochester Public Library’s website.

Stay-at-Home Fun

*** The Jaffe Center for Book Arts is offering The Flutter Book with Stephanie Wolff on February 7.

The flutter book is a simple structure from the Eastern binding tradition. It’s a codex that can act a bit like an accordion, since the text block can be gently pulled out from the spine to show multiple pages at one time. Single folios are joined to create the text block, with a variety of possible cover options.

A simple soft cover will be made in class, with discussion of other options. This binding is great for single-sided photographs or prints. It can accommodate papers of different weights – from heavier to very light. We’ll create two models (one with heavier paper, the other with lighter paper) to serve as reference for future work and discuss possibilities for the structure’s creative use.

For more information or to register, please email John Cutrone at jcutrone@fau.edu.

*** Maine Media Workshops + College is offering Unfolding Narratives: Expanded Edition of Writing for Artist’s Books with Ellen Sheffield on Tuesdays, Feb 7 – March 14.

In this 6-session course, participants will learn techniques for generating text for artists’ books through conceptual approaches to language such as words as image, narrative, or lyrical expression. Participants will experiment with text itineraries and Dada and Surrealistic techniques.

Weeks 1 – 3: Writing exercises will be assigned to be completed before, during, and in between the first three workshop sessions. Various methods for getting text onto book pages will be demonstrated through mark-making, transfers, stencils, stamps, and rub-on type.

Weeks 3 – 6: In the last three sessions of the expanded edition of this workshop participants will choose from writings generated and use these to create text for a finished artist’s book project using a simple accordion-style structure folded from a single sheet of paper. Exercises and instructor demonstrations will support participants in developing their concepts and learning the skills step by step to make an artist’s book. The final workshop session will be an opportunity to share the artists’ books completed in the workshop.
For more information or to register, please visit the Maine Media website.

*** The Minnesota Center for Book Arts is offering Headbands: History, Use & Techniques with María Carolina Ceballos on February 15 & 22.

In this virtual workshop, learn how to make headbands for a variety of styles of bindings such as case binding, Coptic, slotted tapes, etc. Learn the basic logic and principles of headbands so you can, in the future, sew more complex types or use them in different applications without having to re-learn for each structure.

This workshop is designed for those with previous bookbinding experience so they can apply the techniques learned in their own practice. Knowledge of how to make a case binding and a Coptic binding is preferred since those are the structures on which most headband styles can be applied.

For more information or to register, please visit the MCBA website.


VT Book Arts Guild “MailB.A.G.” November 2022

Next Meeting: Wednesday, November 9, 2022, 7:00 p.m. – 8:30 p.m.

This month’s meeting will be held IN PERSON at the University of Vermont’s Silver Special Collections – yay!

We will meet in the Marsh Room in Billings Library (room 308). Visitors should enter through the front doors and proceed straight ahead to the Marsh Room behind the fireplace.

Parking is at the lot behind Ira Allen Chapel (Votey lot), or in the visitors’ lot on College Street. Click here to access directions and parking information on the UVM website.

We are currently trying to figure out how to Zoom the meeting for those unable to attend in person. If you’d like to attend the meeting over Zoom, please contact Elissa and she’ll keep you in the loop.

We look forward to seeing you!

The B.A.G. Board


Woven logoIn continuing with our tradition of choosing a theme for our meetings every year, the B.A.G. Board has selected the theme of Woven for 2022.

Weaving is one of the oldest surviving crafts in history, and is an integral part of all of our lives. We wear woven clothing, we sit on woven seats, we use and admire woven baskets.

In the paper and book world, there are many examples of paper weaving, woven book covers, and woven structures. Here are a few resources to get your brain churning:

The possibilities are kind of endless!

During the meetings this year, guest presenters will guide you through techniques to get you started on your woven explorations. The simplest methods can produce exciting results and we can’t wait to see what you come up with!

Program: Visit to UVM’s Silver Special Collections

Book Arts Guild of Vermont meeting at UVM Special CollectionsIt’s my favorite meeting of the year!

The November meeting will be our annual visit to UVM’s Silver Special Collections hosted by our own Prudence Doherty, Special Collections Librarian, where we will actually meet in person for the first time in who knows how long. Prudence has a wonderful line up of exciting books for us, so bring a pencil if you’re taking notes.

We will meet in the Marsh Room in Billings Library (room 308). Visitors should enter through the front doors and proceed straight ahead to the Marsh Room behind the fireplace.

Parking is at the lot behind Ira Allen Chapel (Votey lot), or in the visitors’ lot on College Street. Click here to access directions and parking information on the UVM website.

We are trying to figure out how to Zoom the meeting for those unable to attend in person. If you’d like to attend the meeting over Zoom, please contact Elissa and she’ll keep you in the loop.

October Meeting Reflections

Two hands paper weavingMarcia Vogler led our October meeting, sharing a wonderful improvisational approach to paper weaving. She showed us a “sample” accordion book that she had started as a showcase for different styles of paper weaving that ultimately she found pleasing in and of itself as a book!

She demonstrated a very fluid way of working with creating either horizontal or vertical slits in the warp and then weaving in strips, including a way to position secondary cuts to hold in strips. It was both fascinating and fun. She also suggested ways to stamp, write or otherwise embellish paper to use for the weaving strips which creates more visual interest, often creating patterns on both sides of the page.

Many members worked along with Marcia once she started working on a new piece and there were plenty of exciting and interesting pieces created during the meeting. Everyone who attended left feeling inspired to try new techniques and let themselves play with paper weaving!

Thank you Marcia!

B.A.G. Library Corner

Cover of Creative Book ArtThe holiday season is upon us and, this year, the ability to spend time (in person!) with our loved ones.

Celebrate the harvest season with apples and pears created from old books! Clare Youngs‘ tutorial from Creative Book Art provides an easy-to-follow tutorial that will create lovely decorations for your Thanksgiving table.

If you have ideas for books to feature or if you have a B.A.G. library book in your possession from which you’d like to share something, email Sally at salblanch@gmail.com.

You can check out and download the selection here.

B.A.G. News

*** Support the Book Arts Guild of Vermont by becoming a member!

The Book Arts Guild of Vermont is supported by its members and you have kept us going for more than seventeen (!) years. Our organization is solely run by volunteers and we do what we do because we love the book arts and we love B.A.G.. We continue to be inspired by our community, and the enthusiasm and talents that you bring to our meetings.

Membership dues are our main source of income and we hope that you will show that you value what we have to offer – quality programming, future exhibits, and more – by becoming a member. You get so much value out of your $35.00 and attending just one meeting can give you your full money’s worth.

Just to give you an idea of where membership dues go, here’s a breakdown of B.A.G.’s annual expenses:

  • Zoom subscription: $149.90 per year
  • Vimeo subscription: $84.00 per year
  • Rent: $50.00 per month when we can return to in-person attendance
  • Presenter honorarium: $35.00 per meeting
  • Website and email newsletter: $100.00 per year
  • Presenter reimbursement for supplies: Varies

We hope that you will renew your membership to help us with our annual expenses. You can download our membership form and send it in with your payment by check of $35.00 made out to the Book Arts Guild of Vermont:

Book Arts Guild of Vermont
c/o Ann Joppe-Mercure
10 Brookwood Dr
South Burlington, VT 05403

Thank you so much for your continued support of the guild. We wouldn’t be here without you.

*** Deborah Stuart has some cardstock and paper that’s looking for a new home! She writes:

I would to share some of my extra, particularly those just starting out in bookmaking, without much in the way of supplies. So many of us talk about having too much in our files and cupboards! I am trying to simplify and have more than I need. Lots of colors and shades of cardstock and colors of text-weight and others interesting papers.

I am glad to meet (Springfield/Lebanon/Keene) or have you come to my studio (Springfield) or to mail. Write me at debstuart1@msn.com if you want more details.

*** Susan Smereka and Jane Ploughman are co-teaching two classes this month:

  • Haiku Bookmaking will take place on 3 Saturdays, November 19 – December 3.
    During this 3 session workshop, participants will create an artists’ book in a small edition. Beginning with a haiku (yours or someone else’s), you will learn simple print and image making techniques including linocuts and collographs to illustrate the poem. These images will be either hand-printed or printed via a press. When the prints are completed they will be assembled into an innovative book structure called the Australian Reverse Piano Hinge binding. The workshop is open to all interested; printers, bookmakers and those curious to experiment with text and image.
  • The Generative Book will take place on 3 Mondays, November 14 – 28.
    Create a unique artist book while learning new bookmaking and printmaking techniques. This workshop will guide you through a three-part creative process to generate text and images using Gelli plate printmaking and collage. Your completed project will combine your edited and refined creations in a hardcover book with 8 spreads bound with a long stitch variation.

For more information or to register for a workshop, please visit Susan’s website.

Three sheets of decorated paste paper*** Elissa Campbell is teaching Paste Paper Gift Wrap on November 19 & 20 at MakerSphere in Waterbury, Vermont.

Tired of the same old gift wrap? Then this workshop is for you!

Paste papers are made by applying a mixture of paste and pigment to damp paper and then using tools to create pattern and texture on the surface. Different methods will be demonstrated to guide you as you create your own paste papers with vibrant colors. We’ll use methyl cellulose in a paste recipe that’s easy to recreate on your own. We’ll be working with acid-free paper, so you can even use the papers in your bookmaking or other craft projects.

For more information or to register, please visit the MakerSphere website.

Book Arts News

*** PhotoBookWorks 2023 is now open for submissions. This international, juried exhibition will be held March 2-26, 2023 at Spark North Gallery in Denver’s thriving Santa Fe Art District. It is part of a statewide, bi-annual Month of Photography celebration.

The deadline to submit is January 12, 2023. Selections will be made by Gregory Robl, Curator, Special & Distinct Collections, University of Colorado Libraries and Alicia Bailey, Director, Abecedarian Artists’ Books.

Eligible are any hand-crafted bookworks (editioned or unique) that feature photography as primarily element. Photographs may be digital but commercially printed works won’t be accepted into this show.

Full details are online or you can email alicia@abecedariangallery.com for a PDF prospectus.

*** The traveling exhibition Pulped Under Pressure will be hosted by the University of Southern Maine from September 7 – December 22, 2022. With traditional hand papermaking at its core, the exhibition underscores important contemporary issues steeped in history and craft. Enticed through touch, these works encourage a contemplative slowing down even as they urge acknowledgment of some of the most pressing issues (environmental crisis to global marginalization) facing civilization today.

The artists’ multifaceted works incorporate a rich range of printmaking, letterpress, papercutting, and installation with a diversity of recycled disposable materials (junk mail, egg cartons, old cotton t-shirts, ripped denim jeans) as well as old bedsheets, beetroot, heirloom plants, and illuminated el wires. In very unique ways, these artists consider paper beyond its most common function as a passive surface of record or craft. Instead, the material is transformed and embedded with content that turns communication into a public practice.

For more information, please visit the USM website.

Stay-at-Home Fun

*** Maine Media Workshops + College is offering the Secret Belgian Binding with Erin Fletcher on November 12 & 13.

The Secret Belgian binding is a popular structure, used primarily for artist books. This style of binding is simple and easy to construct; it opens flat and is perfect for thinner text blocks. Students will learn 2 different finishing techniques for the Secret Belgian.

For more information or to register, please visit the Maine Media website.

*** The Minnesota Center for Book Arts is offering Digital File Preparation for Binding with Kevin Brown on Wednesdays, November 16 & 30.

Imposition is the process of organizing pages so they appear in the correct sequence when printed and bound. Learn the digital process of imposition using Adobe InDesign so you can print book pages and bind them in whatever book structure you choose, from a simple 16-page pamphlet to a 50+-page multi-signature binding. This virtual workshop is a guide to printing pages for books digitally, including file preparation, paper selection, printer and service bureau options, and binding recommendations based on the number of pages and the edition size (or number of books you’d like to print).

This workshop is designed for folks with binding experience who need training in digital imposition and guidance on printing options from an expert in the industry. Participants must have a general knowledge of bindings they hope to use as well as access to and familiarity with Adobe InDesign.

For more information or to register, please visit the MCBA website.

*** The Jaffe Center for Book Arts is offering Holiday & Everyday: A Quick Stack of Notebooks with Karen Hanmer on November 30.

If you’re planning a homemade holiday this year, we’ve got the perfect quickly made handmade present for you! You can construct a bevy of these elegant notebooks in just a few hours. The binding is a Double Pamphlet with Tipped Wrapper, and it is a most satisfying solution for a two-signature text block. The signatures are sewn back-to back with a single pamphlet stitch.

A simple wrapper of text-weight paper is tipped to the text block at the spine and at the fore edges. The spine is square and crisp. The sewing is covered and protected. This simple notebook is easily adaptable from a large-page size to a tiny purse or pocket size. The cover is made from text-weight paper. Choose any color, texture or pattern that would delight you.

For more information or to register, please email John Cutrone at jcutrone@fau.edu.


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