by Elissa | Nov 9, 2022 | B.A.G. Meetings, bookbinding, Exhibitions, Lecture, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, November 9, 2022, 7:00 p.m. – 8:30 p.m.
This month’s meeting will be held IN PERSON at the University of Vermont’s Silver Special Collections – yay!
We will meet in the Marsh Room in Billings Library (room 308). Visitors should enter through the front doors and proceed straight ahead to the Marsh Room behind the fireplace.
Parking is at the lot behind Ira Allen Chapel (Votey lot), or in the visitors’ lot on College Street. Click here to access directions and parking information on the UVM website.
We are currently trying to figure out how to Zoom the meeting for those unable to attend in person. If you’d like to attend the meeting over Zoom, please contact Elissa and she’ll keep you in the loop.
We look forward to seeing you!
The B.A.G. Board
In continuing with our tradition of choosing a theme for our meetings every year, the B.A.G. Board has selected the theme of Woven for 2022.
Weaving is one of the oldest surviving crafts in history, and is an integral part of all of our lives. We wear woven clothing, we sit on woven seats, we use and admire woven baskets.
In the paper and book world, there are many examples of paper weaving, woven book covers, and woven structures. Here are a few resources to get your brain churning:
The possibilities are kind of endless!
During the meetings this year, guest presenters will guide you through techniques to get you started on your woven explorations. The simplest methods can produce exciting results and we can’t wait to see what you come up with!
Program: Visit to UVM’s Silver Special Collections
It’s my favorite meeting of the year!
The November meeting will be our annual visit to UVM’s Silver Special Collections hosted by our own Prudence Doherty, Special Collections Librarian, where we will actually meet in person for the first time in who knows how long. Prudence has a wonderful line up of exciting books for us, so bring a pencil if you’re taking notes.
We will meet in the Marsh Room in Billings Library (room 308). Visitors should enter through the front doors and proceed straight ahead to the Marsh Room behind the fireplace.
Parking is at the lot behind Ira Allen Chapel (Votey lot), or in the visitors’ lot on College Street. Click here to access directions and parking information on the UVM website.
We are trying to figure out how to Zoom the meeting for those unable to attend in person. If you’d like to attend the meeting over Zoom, please contact Elissa and she’ll keep you in the loop.
October Meeting Reflections
Marcia Vogler led our October meeting, sharing a wonderful improvisational approach to paper weaving. She showed us a “sample” accordion book that she had started as a showcase for different styles of paper weaving that ultimately she found pleasing in and of itself as a book!
She demonstrated a very fluid way of working with creating either horizontal or vertical slits in the warp and then weaving in strips, including a way to position secondary cuts to hold in strips. It was both fascinating and fun. She also suggested ways to stamp, write or otherwise embellish paper to use for the weaving strips which creates more visual interest, often creating patterns on both sides of the page.
Many members worked along with Marcia once she started working on a new piece and there were plenty of exciting and interesting pieces created during the meeting. Everyone who attended left feeling inspired to try new techniques and let themselves play with paper weaving!
Thank you Marcia!
B.A.G. Library Corner
The holiday season is upon us and, this year, the ability to spend time (in person!) with our loved ones.
Celebrate the harvest season with apples and pears created from old books! Clare Youngs‘ tutorial from Creative Book Art provides an easy-to-follow tutorial that will create lovely decorations for your Thanksgiving table.
If you have ideas for books to feature or if you have a B.A.G. library book in your possession from which you’d like to share something, email Sally at salblanch@gmail.com.
You can check out and download the selection here.
B.A.G. News
*** Support the Book Arts Guild of Vermont by becoming a member!
The Book Arts Guild of Vermont is supported by its members and you have kept us going for more than seventeen (!) years. Our organization is solely run by volunteers and we do what we do because we love the book arts and we love B.A.G.. We continue to be inspired by our community, and the enthusiasm and talents that you bring to our meetings.
Membership dues are our main source of income and we hope that you will show that you value what we have to offer – quality programming, future exhibits, and more – by becoming a member. You get so much value out of your $35.00 and attending just one meeting can give you your full money’s worth.
Just to give you an idea of where membership dues go, here’s a breakdown of B.A.G.’s annual expenses:
- Zoom subscription: $149.90 per year
- Vimeo subscription: $84.00 per year
- Rent: $50.00 per month when we can return to in-person attendance
- Presenter honorarium: $35.00 per meeting
- Website and email newsletter: $100.00 per year
- Presenter reimbursement for supplies: Varies
We hope that you will renew your membership to help us with our annual expenses. You can download our membership form and send it in with your payment by check of $35.00 made out to the Book Arts Guild of Vermont:
Book Arts Guild of Vermont
c/o Ann Joppe-Mercure
10 Brookwood Dr
South Burlington, VT 05403
Thank you so much for your continued support of the guild. We wouldn’t be here without you.
*** Deborah Stuart has some cardstock and paper that’s looking for a new home! She writes:
I would to share some of my extra, particularly those just starting out in bookmaking, without much in the way of supplies. So many of us talk about having too much in our files and cupboards! I am trying to simplify and have more than I need. Lots of colors and shades of cardstock and colors of text-weight and others interesting papers.
I am glad to meet (Springfield/Lebanon/Keene) or have you come to my studio (Springfield) or to mail. Write me at debstuart1@msn.com if you want more details.
*** Susan Smereka and Jane Ploughman are co-teaching two classes this month:
- Haiku Bookmaking will take place on 3 Saturdays, November 19 – December 3.
During this 3 session workshop, participants will create an artists’ book in a small edition. Beginning with a haiku (yours or someone else’s), you will learn simple print and image making techniques including linocuts and collographs to illustrate the poem. These images will be either hand-printed or printed via a press. When the prints are completed they will be assembled into an innovative book structure called the Australian Reverse Piano Hinge binding. The workshop is open to all interested; printers, bookmakers and those curious to experiment with text and image.
- The Generative Book will take place on 3 Mondays, November 14 – 28.
Create a unique artist book while learning new bookmaking and printmaking techniques. This workshop will guide you through a three-part creative process to generate text and images using Gelli plate printmaking and collage. Your completed project will combine your edited and refined creations in a hardcover book with 8 spreads bound with a long stitch variation.
For more information or to register for a workshop, please visit Susan’s website.
*** Elissa Campbell is teaching Paste Paper Gift Wrap on November 19 & 20 at MakerSphere in Waterbury, Vermont.
Tired of the same old gift wrap? Then this workshop is for you!
Paste papers are made by applying a mixture of paste and pigment to damp paper and then using tools to create pattern and texture on the surface. Different methods will be demonstrated to guide you as you create your own paste papers with vibrant colors. We’ll use methyl cellulose in a paste recipe that’s easy to recreate on your own. We’ll be working with acid-free paper, so you can even use the papers in your bookmaking or other craft projects.
For more information or to register, please visit the MakerSphere website.
Book Arts News
*** PhotoBookWorks 2023 is now open for submissions. This international, juried exhibition will be held March 2-26, 2023 at Spark North Gallery in Denver’s thriving Santa Fe Art District. It is part of a statewide, bi-annual Month of Photography celebration.
The deadline to submit is January 12, 2023. Selections will be made by Gregory Robl, Curator, Special & Distinct Collections, University of Colorado Libraries and Alicia Bailey, Director, Abecedarian Artists’ Books.
Eligible are any hand-crafted bookworks (editioned or unique) that feature photography as primarily element. Photographs may be digital but commercially printed works won’t be accepted into this show.
Full details are online or you can email alicia@abecedariangallery.com for a PDF prospectus.
*** The traveling exhibition Pulped Under Pressure will be hosted by the University of Southern Maine from September 7 – December 22, 2022. With traditional hand papermaking at its core, the exhibition underscores important contemporary issues steeped in history and craft. Enticed through touch, these works encourage a contemplative slowing down even as they urge acknowledgment of some of the most pressing issues (environmental crisis to global marginalization) facing civilization today.
The artists’ multifaceted works incorporate a rich range of printmaking, letterpress, papercutting, and installation with a diversity of recycled disposable materials (junk mail, egg cartons, old cotton t-shirts, ripped denim jeans) as well as old bedsheets, beetroot, heirloom plants, and illuminated el wires. In very unique ways, these artists consider paper beyond its most common function as a passive surface of record or craft. Instead, the material is transformed and embedded with content that turns communication into a public practice.
For more information, please visit the USM website.
Stay-at-Home Fun
*** Maine Media Workshops + College is offering the Secret Belgian Binding with Erin Fletcher on November 12 & 13.
The Secret Belgian binding is a popular structure, used primarily for artist books. This style of binding is simple and easy to construct; it opens flat and is perfect for thinner text blocks. Students will learn 2 different finishing techniques for the Secret Belgian.
For more information or to register, please visit the Maine Media website.
*** The Minnesota Center for Book Arts is offering Digital File Preparation for Binding with Kevin Brown on Wednesdays, November 16 & 30.
Imposition is the process of organizing pages so they appear in the correct sequence when printed and bound. Learn the digital process of imposition using Adobe InDesign so you can print book pages and bind them in whatever book structure you choose, from a simple 16-page pamphlet to a 50+-page multi-signature binding. This virtual workshop is a guide to printing pages for books digitally, including file preparation, paper selection, printer and service bureau options, and binding recommendations based on the number of pages and the edition size (or number of books you’d like to print).
This workshop is designed for folks with binding experience who need training in digital imposition and guidance on printing options from an expert in the industry. Participants must have a general knowledge of bindings they hope to use as well as access to and familiarity with Adobe InDesign.
For more information or to register, please visit the MCBA website.
*** The Jaffe Center for Book Arts is offering Holiday & Everyday: A Quick Stack of Notebooks with Karen Hanmer on November 30.
If you’re planning a homemade holiday this year, we’ve got the perfect quickly made handmade present for you! You can construct a bevy of these elegant notebooks in just a few hours. The binding is a Double Pamphlet with Tipped Wrapper, and it is a most satisfying solution for a two-signature text block. The signatures are sewn back-to back with a single pamphlet stitch.
A simple wrapper of text-weight paper is tipped to the text block at the spine and at the fore edges. The spine is square and crisp. The sewing is covered and protected. This simple notebook is easily adaptable from a large-page size to a tiny purse or pocket size. The cover is made from text-weight paper. Choose any color, texture or pattern that would delight you.
For more information or to register, please email John Cutrone at jcutrone@fau.edu.
by Elissa | Feb 7, 2022 | B.A.G. Meetings, bookbinding, Call to artists, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, February 9, 2022, 7:00 p.m. – 8:30 p.m.
This month’s meeting will once again be held via Zoom, an online conference program. If you’ve never attended a Zoom meeting before, check out this video – it will go over the basics of how to join a meeting.
Stay safe!
The B.A.G. Board
In continuing with our tradition of choosing a theme for our meetings every year, the B.A.G. Board has selected the theme of Woven for 2022.
Weaving is one of the oldest surviving crafts in history, and is an integral part of all of our lives. We wear woven clothing, we sit on woven seats, we use and admire woven baskets.
In the paper and book world, there are many examples of paper weaving, woven book covers, and woven structures. Here are a few resources to get your brain churning:
The possibilities are kind of endless!
During the meetings this year, guest presenters will guide you through techniques to get you started on your woven explorations. The simplest methods can produce exciting results and we can’t wait to see what you come up with!
Program: Visit to UVM’s Silver Special Collections
At this month’s B.A.G. meeting, University of Vermont librarian Prudence Doherty of the Silver Special Collections Library, has graciously offered to present to us once again as we kick off our series of meetings focusing on Woven.
She has selected examples from the collection that illustrate the many creative and different ways artists have integrated weaving into their book arts work. We look forward to seeing her choices
If you plan to attend the meeting, please contact Elissa so she can send you the Zoom meeting details.
January Meeting Reflections
Woven!
Weaving is so much fun, so easy to learn, and the results are so satisfying! Penne Tompkins and Becky Boardman started off our exploration of Woven with simple and sophisticated ways to make a woven heart. The techniques are easily transferable to many projects. I’ll bet there will be some amazing Valentines sent out this February!
Thanks to everyone for showing up, being present, and sharing the evening. Special thanks to Penne and Becky for their skill and patience.
If you were unable to attend the meeting, but want to make some woven hearts of your own, you can access the templates here.
B.A.G. Library Corner
Our “woven” theme continues this month with Jeannine Stein’s Woven Mini Book. This project makes weaving the focal point by using a woven piece as the cover. Stein provides a quick and dirty lesson on the basics of weaving and demonstrates how to transform that resulting piece into a showstopper soft cover for your book.
She shows two other examples of the project – a shortcut with a store-bought woven placemat and a master version that showcases the piece of a fiber artist.
If you have ideas for books to feature or if you have a B.A.G. library book in your possession you’d like to share something from, email Sally at salblanch@gmail.com.
You can check out and download the project here
If you have ideas for books to feature or if you have a library book in your possession you’d like to share something from, email Sally at salblanch@gmail.com.
You can check out and download the project here.
B.A.G. News
*** Support the Book Arts Guild of Vermont by becoming a member!
The Book Arts Guild of Vermont is supported by its members and you have kept us going for more than fifteen years. Our organization is solely run by volunteers and we do what we do because we love the book arts and we love B.A.G.. We continue to be inspired by our community, and the enthusiasm and talents that you bring to our meetings.
Membership dues are our main source of income and we hope that you will show that you value what we have to offer – quality programming, future exhibits, and more – by becoming a member. You get so much value out of your $35.00 and attending just one meeting can give you your full money’s worth.
*** New this year – you can now pay your dues using Venmo!
Our account is BAGofVT, listed under businesses.
Just to give you an idea of where membership dues go, here’s a breakdown of B.A.G.’s annual expenses:
- Zoom subscription: $149.90 per year
- Vimeo subscription: $84.00 per year
- Rent: $50.00 per month when we can return to in-person attendance
- Presenter honorarium: $35.00 per meeting
- Website and email newsletter: $100.00 per year
- Presenter reimbursement for supplies: Varies
We hope that you will renew your membership to help us with our annual expenses. You can download our membership form and send it in with your payment by check of $35.00 made out to the Book Arts Guild of Vermont:
Book Arts Guild of Vermont
c/o Ann Joppe-Mercure
10 Brookwood Dr
South Burlington, VT 05403
Thank you so much for your continued support of the guild. We wouldn’t be here without you.
*** The Book Arts Guild of Vermont is considering holding a daylong summer retreat/workshop for members and friends, depending on the interest.
We’d love to get your feedback about the idea, so please complete this brief survey and let us know what you think!
*** B.A.G. member, illustrator, and cartoonist Amy Burns will have her work on display from February 16 – March 31 at Espresso Bueno in Barre, VT. Alongside Amy’s framed works, originals, prints, cards and comics will be work by mixed media painter Keilani Lime.
Work is available for viewing and purchase during the following hours:
- Monday – Friday: 7:30 a.m. – 2:30 p.m.
- Saturday – Sunday: 8:00 a.m. – 2:00 p.m.
Espresso Bueno is located at 248 N Main Street.
*** B.A.G. member, bookmaker, and printer Jane Ploughman will be co-teaching Decorative Paper & Book Structures with artist Susan Smereka.
In this introductory workshop, you’ll learn the process for paste paper, Gelli plate printing, and Japanese marbling, called Suminagashi. The decorative paper you make will be incorporated into book structures such as single sheet, a single flag, and accordion with a hard cover.
For your final book project, you will be working on content. If you have some bookbinding experience, this workshop will not only refresh your knowledge, but give you some new skills.
The workshop will take place at Susan Smereka’s studio space in Burlington, VT (Howard Street off of Pine) from March 1 – March 29, on Tuesdays from 6:00 p.m. – 9:00 p.m.
For more information, please contact Susan at susansmereka@gmail.com.
*** Elissa Campbell is teaching Pop-Up Basics: The Movable Book at CraftStudies on February 26. The workshop will take place at A Lucky Girl Studio in Norwich, VT.
If you want to add more magic to your cards and artist books, then give pop-ups a try! Also known as paper engineering, pop-ups use cuts and folds to create motion and energy in paper structures.
Through the creation of a series of pop-up cards, students will learn the basics of three-dimensional construction, including box supports, props, and straddles, then bind these cards into a book, which will become a handy reference for future work.
No previous experience is required. You’ll feel more comfortable in the workshop if you have experience using an X-Acto knife.
For more information or to register, please visit the CraftStudies website.
Book Arts News
*** After two years of being canceled due to the pandemic, the Kate Cheney Chappell ’83 Center for Book Arts‘ Book Arts Bazaar will again be hosted in Wishcamper Center on the Portland Campus of the University of Southern Maine. The Bazaar will take place on Sunday April 3, from 10:00 a.m. – 3:00 p.m.
For more information, please contact Annie Lee-Zimerle at aemin.leezimerle@maine.edu.
*** The Rochester Public Library is currently accepting entries for their 11th juried international exhibit, Art of the Book & Paper: Artists Books, Altered Books & Paper Sculpture. The deadline for entries is February 28.
In 2011, the first Art of the Book exhibit was held in honor of the 100th anniversary of the Rochester Public Library. At the time, they wanted to celebrate what has been at the core of libraries for centuries – the book. They marveled over the intricate interpretations of this humble format, and were thrilled with the response to the exhibit from the community.
Books continue to ensnare the imagination, both for their form and content. Artists manipulate those two components to create breathtaking, mind-bending works of art that tease and cajole people to consider the intricacies of paper, ink, words, and meaning.
For more information or to view the prospectus, please visit the Rochester Public Library’s website.
*** After a 2-year hiatus, the UNBOUND exhibit will make its return to the Artistree Gallery in South Pomfret in June and July.
The show features art using books as a material or a format. Visitors will have an opportunity to examine curious folios, recent grimoires, tomes turned to sculpture and some works having a relation to “books” in concept only.
Submission details have not yet been published on the Artistree website. Stay tuned to the B.A.G. newsletter and we’ll give you the most up-to-date information when it’s made available.
*** The Jaffe Center for Book Arts is currently holding a zine maker contest, Navigating 2020 – 2021. It’s been a crazy past two years, many of us dealing with illness, isolation, confusion, and turmoil on so many different levels. So, we want to know: How did you Navigate 2020/2021?
Were there changes in your life, your relationships, your health, or habits during the past couple of years? Have your philosophies, feelings, or views of the world changed?
Produce and submit (via email or in person) a zine by March 31, 2022. Your submission and all the others we receive will become part of a boxed set that will become part of the permanent collection at FAU Libraries’ Jaffe Center for Book Arts.
For more information on how to submit your work, please visit the JCBA website.
Stay-at-Home Fun
*** The Minnesota Center for Book Arts is offering Non-Linear Artist’s Books with Yuka Petz on February 17 & 24, and March 3, 10, 17, & 24.
Explore artist’s books that defy conventional front-to-back reading. In this virtual workshop, make six non-linear artist’s books, including one-sheet books, flexagons, dos-à-dos, French door, flag books, and volvelles. Each week, learn a new book structure and techniques for adding content that work in tandem with the non-traditional book form to create meaning.
Examples of artists’ books that use these structures will be discussed. The group will also engage in brief idea generation exercises and friendly critique. Participants will have the option to exchange books with one another to begin or grow a personal collection of artists’ books.
For more information or to register, please visit the MCBA website.
*** The Center for Book Arts is offering Artist Books: Concept & Making with Maria Veronica San Martín on February 22–24.
This online course will show you how to conceptualize and make your own artist book. The course begins with a contextual lesson on the book as an artistic medium – helping provide students with inspiration for their own work.
Then the class transitions to art-making – including learning the dos and don’ts of the accordion book structure, the technique of monoprints on plexiglass, and the creation and construction of a flag book.
By the end of the course, each student will have created their own artist book and the class will engage in a final critique and discussion of all the work produced!
For more information or to register, please visit the CBA website.
*** The San Francisco Center for the Book is offering Circle Accordion with Pockets with Stephanie Jucker on February 23.
This decorative and functional book can be made with materials you probably have lying around at home. With a little paper-folding, cutting, and tape this simple structure can be created in a short amount of time, no special tools required.
Lightweight, with useful pockets, it makes a great travel journal, place to store mementos, index card holder or personalized gift. Using two-sided paper (a different color or pattern on each side) adds a lot of interest to the book; the instructor will also show ways to add surface design to your paper at the beginning of class, or you can bring your own patterned/decorated paper.
For more information or to register, please visit the SFCB website.
*** The Jaffe Center for Book Arts is offering Design in the Details: Adaptations & Variations with Stephanie Wolff on February 26 & 27.
Over the course of this full weekend workshop, you will learn a collection of inventive page structures suitable for a variety of bindings, while creating a reference model for inspiration. Making a book by hand allows opportunities for the design and material choices of the book. And it’s those details that can elevate your work from the commonplace and set it apart.
Binder-artists often have ideas that challenge the successful execution of traditional binding forms, whether from the use of unconventional materials or alterations of the structure. This workshop offers some approaches to designing pages that go beyond the regular printed page, but are easily bound into traditional forms.
We’ll cover a range of techniques, with many based on historic structures, including how to incorporate photos or prints, oversized pages, loose material, as well as pockets, foldouts, envelopes, mounting options, and other display possibilities. We’ll discuss ways to incorporate content using these page possibilities.
For more information or to register, please email John Cutrone at jcutrone@fau.edu.
by Elissa | Jan 9, 2022 | B.A.G. Meetings, bookbinding, Call to artists, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, January 12, 2022, 7:00 p.m. – 8:30 p.m.
This month’s meeting will once again be held via Zoom, an online conference program. If you’ve never attended a Zoom meeting before, check out this video – it will go over the basics of how to join a meeting.
Stay safe!
The B.A.G. Board
In continuing with our tradition of choosing a theme for our meetings every year, the B.A.G. Board has selected the theme of Woven for 2022.
Weaving is one of the oldest surviving crafts in history, and is an integral part of all of our lives. We wear woven clothing, we sit on woven seats, we use and admire woven baskets.
In the paper and book world, there are many examples of paper weaving, woven book covers, and woven structures. Here are a few resources to get your brain churning:
The possibilities are kind of endless!
During the meetings this year, guest presenters will guide you through techniques to get you started on your woven explorations. The simplest methods can produce exciting results and we can’t wait to see what you come up with!
Program: Woven Paper Hearts
At our January Zoom meeting we will start the theme for the year of Woven by making variations of woven paper hearts with Penne Tompkins and Becky Boardman. We will also look at some remarkable examples of where you can take these basic structures.
Here’s a list of what you’ll need to complete the project:
- Text weight papers in contrasting colors and/or patterns. Origami paper works well too.
- Scissors or X-acto knife
- Cutting mat
- Some form of adhesive – glue stick, adhesive dots, etc.
- Pencil
- Ruler
- Templates (print these out in advance of the meeting)
- Hole punch and string if you want to make a hanging ornament (optional)
We hope to see you there!
If you plan to attend the meeting, please contact Elissa so she can send you the Zoom meeting details.
December Meeting Reflections
Who wants to do that again?
Not only was it super fun to make a zine, it was even more fun to see and hear how others approached it. The end results were totally amazing and informative. We learned about QR codes, huipil, cricuts, alternative folds, and French doors – all just fabulous.
Best of all, we learned a lot about each other, which is the whole point of getting together!
Thanks to all who participated and attended. Each month seems to be a record for attendance, and as we enter the new year seemingly farther away from in-person meetings, the time we spend together seems more important.
B.A.G. Library Corner
Let’s kick off the new year with a tutorial from the Book Arts Guild’s own Amy Lapidow! Featured in her book Book Art Studio Handbook with co-author Stacie Dolan, the pretty Woven Album would be a great book to capture memories from throughout your year.
The structure is a modified Jacob’s Ladder construction, can be adjusted to fit as many leaves as you like, and is flexible enough to add inclusions and stay flat. The possibilities are endless with this project
If you have ideas for books to feature or if you have a library book in your possession you’d like to share something from, email Sally at salblanch@gmail.com.
You can check out and download the project here.
B.A.G. News
*** Support the Book Arts Guild of Vermont by becoming a member!
The Book Arts Guild of Vermont is supported by its members and you have kept us going for more than fifteen years. Our organization is solely run by volunteers and we do what we do because we love the book arts and we love B.A.G.. We continue to be inspired by our community, and the enthusiasm and talents that you bring to our meetings.
Membership dues are our main source of income and we hope that you will show that you value what we have to offer – quality programming, future exhibits, and more – by becoming a member. You get so much value out of your $35.00 and attending just one meeting can give you your full money’s worth.
*** New this year – you can now pay your dues using Venmo!
Our account is BAGofVT, listed under businesses.
Just to give you an idea of where membership dues go, here’s a breakdown of B.A.G.’s annual expenses:
- Zoom subscription: $149.90 per year
- Vimeo subscription: $84.00 per year
- Rent: $50.00 per month when we can return to in-person attendance
- Presenter honorarium: $35.00 per meeting
- Website and email newsletter: $100.00 per year
- Presenter reimbursement for supplies: Varies
We hope that you will renew your membership to help us with our annual expenses. You can download our membership form and send it in with your payment by check of $35.00 made out to the Book Arts Guild of Vermont:
Book Arts Guild of Vermont
c/o Ann Joppe-Mercure
10 Brookwood Dr
South Burlington, VT 05403
Thank you so much for your continued support of the guild. We wouldn’t be here without you.
*** B.A.G. member, illustrator, and cartoonist Amy Burns will have her work on display from February 16 – March 31 at Espresso Bueno in Barre, VT. Alongside Amy’s framed works, originals, prints, cards and comics will be work by mixed media painter Keilani Lime.
Work is available for viewing and purchase during the following hours:
- Monday – Friday: 7:30 a.m. – 2:30 p.m.
- Saturday – Sunday: 8:00 a.m. – 2:00 p.m.
Espresso Bueno is located at 248 N Main Street.
*** B.A.G. member, bookmaker, and printer Jane Ploughman will be co-teaching Decorative Paper & Book Structures with artist Susan Smereka.
In this introductory workshop, you’ll learn the process for paste paper, Gelli plate printing, and Japanese marbling, called Suminagashi. The decorative paper you make will be incorporated into book structures such as single sheet, a single flag, and accordion with a hard cover.
For your final book project, you will be working on content. If you have some bookbinding experience, this workshop will not only refresh your knowledge, but give you some new skills.
The workshop will take place at Susan Smereka’s studio space in Burlington, VT (Howard Street off of Pine), with your choice of dates:
- January 21 – February 18, Fridays 9:30 a.m. – 12:30 p.m.
- March 1 – March 29, Tuesdays 6:00 p.m. – 9:00 p.m.
For more information, please contact Susan at susansmereka@gmail.com.
*** Elissa Campbell is teaching Pop-Up Basics: The Movable Book at CraftStudies on January 29. The workshop will take place at A Lucky Girl Studio in Norwich, VT.
If you want to add more magic to your cards and artist books, then give pop-ups a try! Also known as paper engineering, pop-ups use cuts and folds to create motion and energy in paper structures.
Through the creation of a series of pop-up cards, students will learn the basics of three-dimensional construction, including box supports, props, and straddles, then bind these cards into a book, which will become a handy reference for future work.
No previous experience is required. You’ll feel more comfortable in the workshop if you have experience using an X-Acto knife.
For more information or to register, please visit the CraftStudies website.
Book Arts News
*** Bech Evans is selling two hand-crafted book presses that were inspired by antique cast iron nipping presses.
The interior dimensions of the yellow press are 10″ high by 11 3/8″ wide. Bed and three platens are 3/4″ baltic birch and measure 11″ x 13″. A durable clear finish was applied over the paint and on the bed and platens.
The frame of the pink press is shaped from laminated baltic birch. A durable clear finish is applied over the paint. The screw is a Jorgensen 12″ press screw.
Both presses are available for purchase on Craigslist (click on the links above). Prices are negotiable.
For more information or to buy a press, please contact Bech at (601) 985-8482.
*** Join the Kalamazoo Book Arts Center for their 14th annual Illustrated Accordion exhibition.
Each year the Kalamazoo Book Arts Center (KBAC) sponsors a non-juried exhibition The Illustrated Accordion, showing in the KBAC Gallery in spring. Open to all emerging and established artists, this exhibition focuses on books created in the accordion form.
The Illustrated Accordion exhibition focuses on books created in the accordion form. The structure of an accordion book is simple: a long piece of paper is folded into pages that can be read like a book or spread open and displayed like a banner. Featuring works of book artists from all over the world, the books in this exhibit take this book form to a new level.
Entries are being accepted online, now through January 24, 2022.
For more information about the exhibition, please contact Katie Platte at katie@kalbookarts.org or (269) 373-4938.
Stay-at-Home Fun
*** Kit Davey has a number of online classes available during the month of January. Here are two of them:
On January 10, Kit is teaching How to Make a Pop Up and Out Book. When you open the pages of this book a card is pushed up and out, just like a toaster.
On January 15, Kit is teaching How to Make an Interlocking Folds Book. This sculptural book is made with two strips of folded paper which “lock” into each other.
In both classes, she will show you the easy steps to make the book and finish it in class.
For more information or to register, please visit Kit’s website.
*** The Jaffe Center for Book Arts is offering Exposed Sewing with Decorative Guards & Self-Locking Wrapper with Karen Hanmer on January 22.
For centuries paper has served as a quick, elegant, and economical covering material for books. This versatile material can create structures ranging from pocket notebooks to conservation friendly bindings to a case durable enough for a heavily-used manual.
Exposed Sewing with Decorative Guards features colorful link stitch sewing and slivers of decorative paper visible on the spine. The covers are hooked around the first and last signatures before sewing, then sewn normally along with rest of the text block. A quick-to-construct self-locking flap keeps the text block clean and secure.
This workshop is appropriate for intermediate binders, beginners who are ready for a fast-paced workout, and anyone who wants to add more paper cases to their repertoire.
For more information or to register, please email John Cutrone at jcutrone@fau.edu.
*** The Center for Book Arts is offering Paper-cutting on Stage: Kamishibai and Paper Theaters with Béatrice Coron on January 27.
A paper-cut stage can take many forms including a tunnel book, multi-layered card, or an artist book. The class will draw inspiration from examples of paper stages from Japan, Victorian England, and more.
Students will consider how the kind of stories they want to tell can inform the structure they choose for their paper stage. Then Coron will share paper-cutting techniques that will allow students to create their own unique paper stages.
The class will also discuss various methods of activating a paper-cut stage like stop animation, video, and live performance. Finally, Coron will share tips, tricks, and resources to help students continue paper-stage-making in the future.
For more information or to register, please visit the CBA website.
*** The Minnesota Center for Book Arts is offering the Paired Station Binding with Rosae Reeder on January 27.
Similar to a Coptic binding, the paired station binding has an exposed spine featuring a decorative sewing. With multiple sewing stations along the spine, the paired station binding can be used to sew sections or gatherings of pages, as well as single sheets.
In this virtual workshop, learn how to make a paired station binding using a combination of sections and single sheets with a soft paper cover. Traditional Coptic bindings, thread variations, and methods for adding boards to make a hardcover binding will be discussed.
While all skill levels are welcome, this multiple-section binding is technical and basic bookbinding experience may be helpful.
For more information or to register, please visit the MCBA website.
by Elissa | Mar 7, 2019 | B.A.G. Meetings, bookbinding, Exhibitions, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, March 13, 2019, 6:30 p.m. – 8:30 p.m.
We meet at the Unitarian Universalist Society Church located at 152 Pearl Street in Burlington, VT. We will be in the Sophia Fahs Community Room, a large room located in the basement. Click here for more information on directions/parking.
Picture the Possibilities: Imagery for Books
Join us in our multi-month exploration of various methods and materials for adding imagery to your books. Whether you have an illustrator’s hand or stand proudly in the stick-figure league, you can create books rich in imagery through techniques as diverse as collage, mark-making, and even stitchery.
Join us for an adventure in learning that’s bound to add richness and dimension to your work!
Program: Imagery for Books Part 2 – Hand-Drawn Mark Making with Marilyn Gillis
Marilyn Gillis will lead this month’s meeting with a series of activities for making hand-drawn marks. Marilyn has used hand-drawn mark-making extensively in her mixed media art for the past ten years.
She will bring examples to illustrate a variety of techniques, but this will be a “hands-on” meeting where you will have fun exploring on your own.
Please bring the following:
- Pencils
- Black ink pens
- Calligraphy pens (if you have them)
- Graphite pens such as Lyra (if you have them)
- Black markers
- Small sharp scissors or X-Acto knife
February Meeting Reflections
It’s been a long tough winter, but we finally managed to hold a meeting on a day without snow, or at least just a dusting. To introduce the B.A.G. theme for the next few months, Imagery for Books, Marilyn Gillis and Marcia Vogler (me) presented an evening filled with collage: examples of our own work, tips and techniques, and equipment and materials.
Although Marilyn and I have completely different points of view, we managed to paste together a great evening. Everyone had a chance to view the pieces we brought and share in the generous giveaways brought by members. To round out the meeting, we participated in a round robin collage-a-thon, passing papers, glue sticks, and scissors to each other during a timed session. Fun was had by all.
Thanks for coming, everyone, and special thanks to Marilyn for a great presentation.
You can view images from the meeting on the B.A.G. blog.
B.A.G. News
*** Support the Book Arts Guild of Vermont by becoming a member!
The Book Arts Guild of Vermont is supported by its members and you have kept us going for more than ten years. Our organization is solely run by volunteers and we do what we do because we love the book arts and we love B.A.G. We continue to be inspired by our community, and the enthusiasm and talents that you bring to our meetings.
The Board of Directors recently met to plan the year ahead and decided to give members a picture of B.A.G.’s annual expenses.
Here’s the breakdown:
- Rent: $50.00 per month
- Presenter honorarium: $35.00 per meeting
- Website and email newsletter: $100.00 per year
- Presenter reimbursement for supplies: Varies
If you’ve done the math, you’ll see that we need a minimum of $910.00 (not including supply reimbursement) to cover our annual expenses.
Membership dues are our main source of income and we hope that you will show that you value what we have to offer – quality programming, field trips, exhibits, and more – by becoming a member. You get so much value out of your $35.00 and attending just one meeting can give you your full money’s worth.
We hope that you will renew your membership or join us as a new member at the February meeting. If you will not be at the meeting, you can download our membership form and send it in with your payment.
Thank you so much for your continued support of the guild. We wouldn’t be here without you.
*** Announcing the Book Arts Guild of Vermont’s annual exhibition!
The S.P.A.C.E. Gallery in Burlington has kindly offered to host our annual show this year. We are excited to be in a wonderful space in Burlington from June 7 – 29! The title for the show will be Bound to Happen, and is open to any interpretation from the artists.
Here are some important dates:
- Entry due date: May 31, 2019
- Exhibit dates: June 7 – 29, 2019
- Opening reception: June 7, 2019, 5:00 p.m. – 9:00 p.m.
More details will be offered at a later date, but let’s get working!
Have questions? Please ask Marcia.
*** Art on Main in Bristol, VT has two book arts classes coming up that are being taught by B.A.G. members. Here’s the scoop:
Watercolor Exploration Flag Book with teacher and bookmaker Dorsey Hogg will take place on Saturday, March 30th from 10:00 a.m. – 3:00 p.m. with a lunch break.
In this workshop you will explore a variety of watercolor techniques to create beautiful papers. Then you will use those papers to build a flag book with interlocking accordion spines. If you are new to watercolor painting and book arts, then this is a great place to start – if you are an experienced water colorist and paper artist then come and share your expertise with us. We’ll see what new ideas we can discover together!
Suminagashi – Paper Marbling and Japanese Bookbinding with bookmaker Jane Ploughman of Ploughgirl Press will take place on Saturday, April 6th from 10:00 a.m. – 2:00 p.m.
Japanese marbling or Suminagashi is the practice of gently floating pigments on the surface of water using a brush or brushes to create beautiful delicate designs on paper. Students will be introduced to this Japanese marbling using traditional techniques with a variety of inks. Each student will be able to experiment with different types and sizes of paper. These papers can be used for all types of paper crafts including bookbinding, calligraphy, cards, etc.
Students will also sew a small notebook using a traditional Japanese stab binding pattern. Each student will learn at least one pattern and be shown others for inspiration. Simple bookbinding techniques and resources will be provided. All materials are provided. No experience needed.
Both workshops are being held at ARTSight Studios at 6 South Street in Bristol, VT. Please contact Art on Main to register at (802) 453-4032.
Book Arts News
*** Now through May 3rd, the Bromer Gallery is hosting A Visual Feast: The Art of Laura Davidson and David Esslemont. The exhibit brings together prints, watercolors, woodcuts, calligraphy, drawing, and bookbinding to create a tableau of book artistry.
Based out of Boston’s Fort Point neighborhood, Laura Davidson centers her work on past-made-present, using found objects and soft textures to imbue her work with nostalgia. She expresses her talents through a range of media, including books, drawings, prints, paper mosaics, and paper sculptures.
David Esslemont, born in England and currently a resident of northeast Iowa, focuses much of his artistic attention on the interaction between nature, art, and humanity. He often directly engages with nature in order to best present its nuanced beauty, and participates in his own visual narratives in his series of “food” books.
The Bromer Gallery is located at 607 Boylston Street in Boston, MA.
*** The North Bennet Street School will host an exhibition, Bound Together: Bookbinding by the North Bennet Street School Community, from March 28 – April 30. This unique gathering of exquisite hand-bound books showcases the talents of their students and alumni, and offers insight into their renowned bookbinding program.
On March 28th from 6:00 p.m. – 8:00 p.m., there will be an information session and open house in the NBSS bindery, which will be followed by an opening reception for the exhibit.
The NBSS is located at 150 North Street in Boston, MA.
*** The New England Chapter of the Guild of Book Workers is looking for volunteers to teach simple bookbinding techniques and creative content at two upcoming Girl Scout events. Through these events, NEGBW volunteers will be helping Cadettes earn their Book Artist badge and potentially inspiring future bookbinders.
The first event will be held on Sunday, March 24, 2019 at Camp Rice Moody in Reading, MA. The second event will be held on Sunday, May 19, 2019 at Camp Cedar Hill in Waltham, MA. Each event generally lasts from 9:00 a.m. – 3:00 p.m. and carpooling can be arranged.
If you are interested in volunteering or have any questions, please contact Lauren Telepak at negbwprograms@gmail.com.
Book Arts Classes
*** The New England Chapter of the Guild of Book Workers is hosting a one-day paste paper workshop with Madeleine Durham on either March 23rd or 24th. The workshop will take place at the Washington Street Art Center in Somerville, MA.
In this workshop you will learn the brush technique that Madeleine has developed over the last many years. You will learn what kind of brushes work best and how to hold them so that you create a variety of lines, shapes, and patterns. You will also learn tricks for blending colors.
You will leave the class with a basic knowledge and ability to create straight lines, wavy lines, subtle blending techniques and geometric patterns. Madeleine’s paste paper technique is delightfully spontaneous. Come to class ready to have fun!
Registration is available online. Due to the limitations of the NEGBW’s registration system, you will not be able to choose between the two available days. After you register, please contact them with your preferred date.
*** From March 16 – April 13, the North Bennet Street School is offering Fundamentals of Bookbinding I with Erin Fletcher.
Students will learn the foundations of bookbinding by combining hands-on exercises and discussion. The class starts by exploring non-adhesive structures: soft cover pamphlet, Coptic, historical longstitch and link stitch. The class ends with a look at case bindings, with the creation of two hardcover flatback bindings. Students also learn different structural elements, sewing variations, covering and cutting techniques using various materials, tools and equipment.
Throughout the course discussions will cover terminology, paper grain and folding, selecting proper materials and tools, and adhesives and their properties. Please bring a notebook with you to class. All tools and supplies are provided for this class.
For more information or to register, please visit the NBSS website.
*** Erin Fletcher is also teaching Focus on Case Bindings at the North Bennet Street School from April 8 – 12, 2019.
Explore case binding structures through repetition while experimenting with minor changes in technique with each book. The course covers structural elements, sewing variations, covering, and cutting techniques using various tools and equipment. Discussions cover terminology, paper grain and folding, selecting proper materials and tools, and adhesives and their properties.
Students have ample time to repeat each technique in order to achieve precision and accuracy. Time will be dedicated to working on personal projects during the latter half of the workshop. While some materials can be supplied, students should bring the bulk of the materials required for their work.
For more information or to register, please visit the NBSS website.
*** On Sunday, March 17th, The Eliot School in Jamaica Plain, MA is offering Altered Books with Cristina Hajosy.
Transform books, old or new, into art objects. The book becomes a canvas, a sculpture or a reliquary of personally meaningful content. Draw inspiration from the book’s author or contents or purely use the book as a structure. Incorporate paper cutting, collage, bookmaking and other processes. The instructor will have books on hand or bring your own, along with small objects and images to include.
For more information about the class, please visit the Eliot School’s website or click here to download the complete catalog.
by Elissa | Mar 8, 2018 | B.A.G. Meetings, bookbinding, Call to artists, Exhibitions, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, March 14, 2018, 6:30 p.m. – 8:00 p.m.
We meet at the Unitarian Universalist Society Church located at 152 Pearl Street in Burlington, VT. We will be in the Sophia Fahs Community Room, a large room located in the basement. Click here for more information on directions/parking.
Program: Digging Deeper: A Hands-On Exploration of Tunnel Book Structures
Join us as we plumb the depths of tunnel book structures in a member-led mini workshop format similar to our ever-popular November program, Card Tricks and Book Blitz.
Bring a tunnel book you’ve made, or a model of a tunnel book structure you’ve put together, along with materials that will allow approximately six people to make a model of your structure. If you can, bring written instructions for making the model – strictly optional and extra credit, but always appreciated!
Each person who brings a book or model will have some time to share and explain what they’ve made to the group, then we’ll spend time individually exploring and creating the structures.
Please feel free to join in the fun even if you don’t have time to prepare a model tunnel book or materials. We use a similar meeting format every November and there is always enough to go around.
Warning: Tunnel book structures are addictive, and B.A.G. cannot be held responsible for other projects that may not get done once you discover the many techniques available for making these magical books!
Things to bring:
- A tunnel book you’ve made, or a model of a tunnel book structure (optional)
- Materials for 6 people to make a model of your structure (optional)
- Plain card stock for making models of structures (in case you need more materials to make models of the structures that interest you)
- Glue
- Scissors
- X-Acto knife
- Cutting mat
- Ruler
- Pencil
- Bone folder
- Awl or needle tool
The focus of our April meeting will be presenting content in a tunnel book format. However, if you are more interested in exploring one or two structures more thoroughly (rather than making several models) during the March meeting, you can bring in the following optional materials to experiment with adding visual content to those structures:
- Decorative punches
- Stamps and ink
- Pens, pencils, markers
- Decorative papers
- Collage materials such as magazine images
February Meeting Reflections
Perhaps it was Jill’s enticing program description, Mining for Gold – Exploring Tunnel Books, that brought so many people out to the January meeting!
After an inspiring slide show of tunnel books from the web (thanks, Ann!), many makers shared their tunnel creations. While the variety of style and subject seemed broad, the overall concept of how image and construction form the tunnel was clear.
It’s always amazing to hear members talk about their work, and to realize what a talented bunch we are. Thanks to everyone who came, participated, and enjoyed.
You can view images from the meeting on the B.A.G. blog.
B.A.G. News
*** Book Arts Guild of Vermont 2018 Show news!
Members and friends are invited to submit work for our show at Studio Place Arts in Barre from May 22 – June 30, where we will be exhibiting in the second floor gallery. Here is our show name and description, which leaves it wide open for interpretation:
Beyond Words: Artworks by the Book Arts Guild of Vermont
Books can take on a language of their own, as shown in the multimedia work of this group of artists that use shape, structure, and materials to get their message across.
Important dates:
- Submissions: Work must be submitted by May 1, 2018. No work can be accepted after that date.
- Opening: May 22, 2018
- Closing: June 30, 2018
- Artist’s talk: Date TBD
The second show will take place in June at Frog Hollow Craft Gallery on Church Street. This will be a great opportunity to get exposure for our group in the heart of Burlington.
The show will be called The Art of the Book, which leaves it wide open to interpretation.
Important dates:
- Submissions: Work must be submitted by May 22, 2018. No work can be accepted after that date.
- Opening: June 1, 2018
- Closing: June 30, 2018
- Artist’s talk: Date TBD
B.A.G. Member News
*** B.A.G. member Jane Ploughman is teaching two classes in March:
Collage and Simple Bookmaking
In this workshop, you will make 3 or more books using simple techniques. You will also have time to fill the pages of your books with words, images, color, and all manner of collage material provided!
This workshop is for ages 18+ and all materials will be provided. Jane will be co-teaching these workshops with Lily Hinrichsen.
The workshop is being taught twice, so you can attend either on March 23rd or March 24th. The workshops are being held at ARTSight in Bristol from 10:00 a.m. – 3:00 p.m. and cost $70.00 (or $60.00 if you’ve taken our workshops before).
For more information, contact Lily at lilyhinrichsen@gmail.com.
Handmade Books: Simply Sewn
Learn how to sew beautiful single and multiple-signature book bindings. Learn about some of the tools and techniques and how to make informed material choices. The workshop’s focus will be on form and structure. Students will leave with three different sewn softcover bindings. Some bookbinding experience is helpful but not necessary.
The workshop is taking place at the Middlebury Studio School on Saturday, March 31st from 9:30 a.m. – 12:30 p.m.The cost is $55.00, which includes all materials and handouts.
For more information or to register, contact Barb Nelson at (802) 247-3702 or ewaldewald@aol.com.
*** B.A.G. member Elissa Campbell is teaching the Crossed Structure Binding at Studio Place Arts in Barre, VT on March 24th from 10:00 a.m. – 3:00 p.m.
The Crossed Structure Binding is intriguing in that the sewing is done directly onto back cover straps that integrate into the front cover. This non-adhesive variation on the long stitch was developed by book artist Carmencho Arregui after studying pre-16th century bindings.
In this workshop, you will work on two variations of this binding, one using paper covers and the other using leather. As time allows, you’ll add stitching to the covers to both reinforce the structure and add a decorative touch. You’ll also learn how to create and use an improvised sewing frame.
To register, contact SPA via phone at (802) 479-7069 or email.
Book Arts News
*** The New England Chapter of the Guild of Book Workers is looking for volunteers to help teach simple bookbinding techniques and creative content. Through this event, NEGBW volunteers will be helping Cadette scouts (age 11-14) to earn a Book Artist badge and potentially inspiring future bookbinders.
The event will be held on Sunday April 29, 2018 at Camp Maude Eaton in Andover, MA. There will be two sessions, one from 9:00 a.m. – 12:00 p.m. and from 1:00 p.m. – 3:00 p.m.
If you are interested in volunteering or have any questions, please direct them at Lauren Telepak at negbwprograms@gmail.com.
*** From February 17 – July 8, the Philadelphia Museum of Art is hosting the exhibition Keith Smith at Home. This is a rare opportunity to view the creative work of the well-known author of such a beloved series of bookbinding manuals.
Friendship, love, desire: Keith Smith’s life is an open book. For five decades, the Rochester-based artist has used surprising combinations of materials to chronicle his experiences. In this exhibition, explore an array of Smith’s mixed-media photographs and prints, and – his specialty – handmade artist’s books, most from his own collection.
In his work, Keith Smith irreverently disregards the supposed dividing lines between “fine art” (photography, etching, watercolor), “craft” (sewing, quilting, bookmaking), and “utilitarian technologies” (transparencies, photocopies). Although his subject matter is rooted in his personal life, he also grapples with universal themes such as self-representation, domesticity, and intimacy.
For more information, please visit the PMA’s website.
Book Arts Classes
*** On Saturday, April 28th, the Kate Cheney Chappell 83 Center for Book Arts is hosting a workshop with Erin Fletcher of Herringbone Bindery, Secret Belgian Binding – Two Ways. The workshop will be held in the Multi-Purpose Room in the Wishcamper Center at the University of Southern Maine in Portland.
This workshop will explore the Secret Belgian binding (also known as Criss Cross binding) and ways to modify it. The binding is simple and easy to construct; it opens flat and is perfect for smaller text blocks. Students will complete two versions of the structure; one bound in the traditional sense and the second will offer a bit more secrecy and refinement to the structure.
Registration is available online or alternatively, you can call (207) 780-5900.
*** From June 11 – 15, the North Bennet Street School is offering Miniature Bookbindings with James Reid-Cunningham.
Miniature books present difficult design and structural challenges to the bookbinder. A true miniature is less than three inches tall, and during this course, the student will construct three books of diminishing size: a long stitch binding with decorated boards, a lapped component binding, and an accordion in a wrapper with a tongue and slot enclosure.
The course will contrast the utility of case binding, accordion, and non-adhesive structures for miniature books, with a concentration on flexibility and book action. We will analyze materials and techniques suitable for small format books. The limitations inherent in small-scale books will challenge students to do precisely executed and finely detailed work.
For more information or to register, please visit the NBSS website.
*** Registration for Wells College Book Arts Center‘s Book Arts Summer Institute is now open. The week-long intensive courses include letterpress printing, bookbinding, calligraphy, typecasting, and font design. Week 1 runs from July 15 – 21 and Week 2 runs from July 22 – 28.
This year’s instructors include Jenna Rodriguez, Aimee Lee, and Scott McCarney. Wells College is located in Aurora, NY.
For more information, please visit the Wells College website. Ann will also have postcards from the Summer Institute available at the February meeting.
