Digging Deeper: A Hands-On Exploration of Tunnel Book Structures
VT Book Arts Guild “MailB.A.G.” April 2018
Next Meeting: Wednesday, April 11, 2018, 6:30 p.m. – 8:00 p.m.
We meet at the Unitarian Universalist Society Church located at 152 Pearl Street in Burlington, VT. We will be in the Sophia Fahs Community Room, a large room located in the basement. Click here for more information on directions/parking.
Program: Digging Deeper: A Hands-On Exploration of Tunnel Book Structures
Join us as we plumb the depths of tunnel book structures in a member-led mini workshop format similar to our ever-popular November program, Card Tricks and Book Blitz.
Bring a tunnel book you’ve made, or a model of a tunnel book structure you’ve put together, along with materials that will allow approximately six people to make a model of your structure. If you can, bring written instructions for making the model – strictly optional and extra credit, but always appreciated!
Each person who brings a book or model will have some time to share and explain what they’ve made to the group, then we’ll spend time individually exploring and creating the structures.
Please feel free to join in the fun even if you don’t have time to prepare a model tunnel book or materials. We use a similar meeting format every November and there is always enough to go around.
Warning: Tunnel book structures are addictive, and B.A.G. cannot be held responsible for other projects that may not get done once you discover the many techniques available for making these magical books!
Things to bring:
- A tunnel book you’ve made, or a model of a tunnel book structure (optional)
- Materials for 6 people to make a model of your structure (optional)
- Plain card stock for making models of structures (in case you need more materials to make models of the structures that interest you)
- Glue
- Scissors
- X-Acto knife
- Cutting mat
- Ruler
- Pencil
- Bone folder
- Awl or needle tool
The focus of our April meeting will be presenting content in a tunnel book format. However, if you are more interested in exploring one or two structures more thoroughly (rather than making several models) during the March meeting, you can bring in the following optional materials to experiment with adding visual content to those structures:
- Decorative punches
- Stamps and ink
- Pens, pencils, markers
- Decorative papers
- Collage materials such as magazine images
B.A.G. News
*** Book Arts Guild of Vermont 2018 exhibit entry forms now available!
B.A.G.’s two (!) exhibits are right around the corner. Your work never fails to amaze and impress us and we’re looking forward to seeing what new pieces you’ve cooked up.
Here’s the scoop on the exhibits to refresh your memory:
Beyond Words: Artworks by the Book Arts Guild of Vermont will be held at Studio Place Arts in Barre from May 22 – June 30, where we will be exhibiting in the second floor gallery. Here’s the description for the exhibit:
Books can take on a language of their own, as shown in the multimedia work of this group of artists that use shape, structure, and materials to get their message across.
Important dates:
- Entry deadline: May 9, 2018. Click here to download the entry form.
- Opening: May 22, 2018
- Closing: June 30, 2018
- Artist’s talk: Date TBD
The Art of the Book will be held at Frog Hollow Craft Gallery on Church Street from June 1 – June 30. This will be a great opportunity to get exposure for our group in the heart of Burlington. Since the theme of the show is wide open to interpretation, you are free to submit the work of your choice.
Important dates:
- Entry deadline: May 22, 2018. Click here to download the entry form.
- Opening: June 1, 2018
- Closing: June 30, 2018
- Artist’s talk: Date TBD
We’re looking forward to seeing your submissions!
Book Arts News
*** The University of Southern Maine‘s 6th annual Book Arts Bazaar will be held on Sunday, April 8th from 10:00 a.m. – 3:00 p.m. at the Wishcamper Center on the school’s Portland campus.
This festival with book artists, papermakers, bookbinders, printmakers, educators, and writers is dedicated to all things related to the book. The free event is sponsored by USM’s Kate Cheney Chappell ’83 Center for Book Arts.
Also at USM is the exhibition Borderland: Contemporary Icelandic Book Artists and Bookbinders, open now through April 30th at the UNUM Great Reading Room, 7th floor, Glickman Family Library.
Both events are free and open to the public. For more information, please contact Rebecca Goodale.
*** The Museum of Printing in Haverill, MA is having a letterpress sale on April 7th from 10:00 a.m. – 4:00 p.m.
- Among the goodies for sale:
- Tabletop presses: 5×8 Victor, 5×8 Curtis & Mitchell, 4×6 Young America
- A large selection of borders & ornaments, newly packaged in handy boxes
- Type cabinets, wood and steel, complete with drawers
- Lots and lots of type
- Furniture and reglet cabinets
- Slug cutters, book staplers, quoins with lock-up keys, a Southworth Perforator, and lots of other good stuff.
The Museum is dedicated to preserving the rich history of the graphic arts, printing and typesetting technology, and printing craftsmanship.
*** The Darmouth Book Arts Workshop is hosting the 2018 Stephen Harvard Memorial Lecture, In Defense of the Roman Letter, on Thursday April 19th, from 4:30 p.m. – 6:30 p.m. The event is free and open to the public and a reception will follow.
The talk will be given by John Nash, a calligrapher, stone lettercarver, and a Fellow of the Society of Scribes and Illuminators. The Roman letter survived because it did its job supremely well. Its precarious endurance as the basis of Western writing and printing will be the subject of Nash’s talk.
The lecture is being held in conjunction with the exhibit, Will Carter and the Dartmouth Typeface. In the early 1960s, Carter was commissioned to carve a series of dedicatory inscriptions in teak panels for the newly built Hopkins Center. Those letters were adapted and expanded into a family of type fonts that became known as the Dartmouth typeface. He was invited to return to Dartmouth in 1969 as an artist-in-residence and further refined the capital letters as a titling font.
The exhibition is the chonology of events and the story of the people behind those events and is open now through June 1st in the Main Hall of Dartmouth’s Baker Library.
For more information, please contact Book Arts Workshop Letterpress Instructor Won K. Chung at won.k.chung@dartmouth.edu.
*** The New England Chapter of the Guild of Book Workers is looking for volunteers to help teach simple bookbinding techniques and creative content. Through this event, NEGBW volunteers will be helping Cadette scouts (age 11-14) to earn a Book Artist badge and potentially inspiring future bookbinders.
The event will be held on Sunday April 29, 2018 at Camp Maude Eaton in Andover, MA. There will be two sessions, one from 9:00 a.m. – 12:00 p.m. and from 1:00 p.m. – 3:00 p.m.
If you are interested in volunteering or have any questions, please direct them at Lauren Telepak at negbwprograms@gmail.com.
Book Arts Classes
*** On Saturday, April 28th, the Kate Cheney Chappell 83 Center for Book Arts is hosting a workshop with Erin Fletcher of Herringbone Bindery, Secret Belgian Binding – Two Ways. The workshop will be held in the Multi-Purpose Room in the Wishcamper Center at the University of Southern Maine in Portland.
This workshop will explore the Secret Belgian binding (also known as Criss Cross binding) and ways to modify it. The binding is simple and easy to construct; it opens flat and is perfect for smaller text blocks. Students will complete two versions of the structure; one bound in the traditional sense and the second will offer a bit more secrecy and refinement to the structure.
Registration is available online or alternatively, you can call (207) 780-5900.
*** The Eliot School is offering Art Towards Kindness with Elisa Hamilton on Sunday, May 6th from 10:00 a.m. – 4:00 p.m.
We each hold the tremendous capacity to create positive change within our communities and in our world. Sometimes that cycle of positivity can begin with the smallest offering. Create a series of meaningful art objects that you can use to ignite kindness in your own life and in the lives of others.
Make a variety of handmade paper objects with paper-craft and fine art techniques, including paper bunting utilizing handmade stencils, accordion thank you notes utilizing wax resist mixed-media drawing, handmade wrapping paper utilizing custom-made stamps and hand-constructed boxes utilizing ink drawing. These simple art-making techniques can hold tremendous impact when given to others, especially as an unexpected gesture of kindness.
For more information about the class, please visit the Eliot School’s website or click here to download the complete catalog.
*** From June 11 – 15, the North Bennet Street School is offering Miniature Bookbindings with James Reid-Cunningham.
Miniature books present difficult design and structural challenges to the bookbinder. A true miniature is less than three inches tall, and during this course, the student will construct three books of diminishing size: a long stitch binding with decorated boards, a lapped component binding, and an accordion in a wrapper with a tongue and slot enclosure.
The course will contrast the utility of case binding, accordion, and non-adhesive structures for miniature books, with a concentration on flexibility and book action. We will analyze materials and techniques suitable for small format books. The limitations inherent in small-scale books will challenge students to do precisely executed and finely detailed work.
For more information or to register, please visit the NBSS website.
*** The North Bennet Street School is also offering Traditional Ethiopian Bookbinding with Bill Hanscom on June 16 & 17. This two-day workshop will begin with a presentation detailing the traditional methods and materials of the Ethiopian scribe and bookbinder. Students will then construct two historical models.
The first model will be a basic binding with bare wooden boards demonstrating the fundamentals of the unsupported link stitch, board attachment and repair, and the construction of a l?bas (a protective cloth over-cover). The second will be a full leather binding with inlays of patterned cloth and traditional endbands of interwoven leather strips.
Basic tooling techniques as well as common designs and motifs will be discussed and demonstrated. Students will be given the opportunity to decorate their bindings as time allows.
For more information or to register, please visit the NBSS website.
VT Book Arts Guild “MailB.A.G.” March 2018
Next Meeting: Wednesday, March 14, 2018, 6:30 p.m. – 8:00 p.m.
We meet at the Unitarian Universalist Society Church located at 152 Pearl Street in Burlington, VT. We will be in the Sophia Fahs Community Room, a large room located in the basement. Click here for more information on directions/parking.
Program: Digging Deeper: A Hands-On Exploration of Tunnel Book Structures
Join us as we plumb the depths of tunnel book structures in a member-led mini workshop format similar to our ever-popular November program, Card Tricks and Book Blitz.
Bring a tunnel book you’ve made, or a model of a tunnel book structure you’ve put together, along with materials that will allow approximately six people to make a model of your structure. If you can, bring written instructions for making the model – strictly optional and extra credit, but always appreciated!
Each person who brings a book or model will have some time to share and explain what they’ve made to the group, then we’ll spend time individually exploring and creating the structures.
Please feel free to join in the fun even if you don’t have time to prepare a model tunnel book or materials. We use a similar meeting format every November and there is always enough to go around.
Warning: Tunnel book structures are addictive, and B.A.G. cannot be held responsible for other projects that may not get done once you discover the many techniques available for making these magical books!
Things to bring:
- A tunnel book you’ve made, or a model of a tunnel book structure (optional)
- Materials for 6 people to make a model of your structure (optional)
- Plain card stock for making models of structures (in case you need more materials to make models of the structures that interest you)
- Glue
- Scissors
- X-Acto knife
- Cutting mat
- Ruler
- Pencil
- Bone folder
- Awl or needle tool
The focus of our April meeting will be presenting content in a tunnel book format. However, if you are more interested in exploring one or two structures more thoroughly (rather than making several models) during the March meeting, you can bring in the following optional materials to experiment with adding visual content to those structures:
- Decorative punches
- Stamps and ink
- Pens, pencils, markers
- Decorative papers
- Collage materials such as magazine images
February Meeting Reflections
Perhaps it was Jill’s enticing program description, Mining for Gold – Exploring Tunnel Books, that brought so many people out to the January meeting!
After an inspiring slide show of tunnel books from the web (thanks, Ann!), many makers shared their tunnel creations. While the variety of style and subject seemed broad, the overall concept of how image and construction form the tunnel was clear.
It’s always amazing to hear members talk about their work, and to realize what a talented bunch we are. Thanks to everyone who came, participated, and enjoyed.
You can view images from the meeting on the B.A.G. blog.
B.A.G. News
*** Book Arts Guild of Vermont 2018 Show news!
Members and friends are invited to submit work for our show at Studio Place Arts in Barre from May 22 – June 30, where we will be exhibiting in the second floor gallery. Here is our show name and description, which leaves it wide open for interpretation:
Beyond Words: Artworks by the Book Arts Guild of Vermont
Books can take on a language of their own, as shown in the multimedia work of this group of artists that use shape, structure, and materials to get their message across.
Important dates:
- Submissions: Work must be submitted by May 1, 2018. No work can be accepted after that date.
- Opening: May 22, 2018
- Closing: June 30, 2018
- Artist’s talk: Date TBD
The second show will take place in June at Frog Hollow Craft Gallery on Church Street. This will be a great opportunity to get exposure for our group in the heart of Burlington.
The show will be called The Art of the Book, which leaves it wide open to interpretation.
Important dates:
- Submissions: Work must be submitted by May 22, 2018. No work can be accepted after that date.
- Opening: June 1, 2018
- Closing: June 30, 2018
- Artist’s talk: Date TBD
B.A.G. Member News
*** B.A.G. member Jane Ploughman is teaching two classes in March:
Collage and Simple Bookmaking
In this workshop, you will make 3 or more books using simple techniques. You will also have time to fill the pages of your books with words, images, color, and all manner of collage material provided!
This workshop is for ages 18+ and all materials will be provided. Jane will be co-teaching these workshops with Lily Hinrichsen.
The workshop is being taught twice, so you can attend either on March 23rd or March 24th. The workshops are being held at ARTSight in Bristol from 10:00 a.m. – 3:00 p.m. and cost $70.00 (or $60.00 if you’ve taken our workshops before).
For more information, contact Lily at lilyhinrichsen@gmail.com.
Handmade Books: Simply Sewn
Learn how to sew beautiful single and multiple-signature book bindings. Learn about some of the tools and techniques and how to make informed material choices. The workshop’s focus will be on form and structure. Students will leave with three different sewn softcover bindings. Some bookbinding experience is helpful but not necessary.
The workshop is taking place at the Middlebury Studio School on Saturday, March 31st from 9:30 a.m. – 12:30 p.m.The cost is $55.00, which includes all materials and handouts.
For more information or to register, contact Barb Nelson at (802) 247-3702 or ewaldewald@aol.com.
*** B.A.G. member Elissa Campbell is teaching the Crossed Structure Binding at Studio Place Arts in Barre, VT on March 24th from 10:00 a.m. – 3:00 p.m.
The Crossed Structure Binding is intriguing in that the sewing is done directly onto back cover straps that integrate into the front cover. This non-adhesive variation on the long stitch was developed by book artist Carmencho Arregui after studying pre-16th century bindings.
In this workshop, you will work on two variations of this binding, one using paper covers and the other using leather. As time allows, you’ll add stitching to the covers to both reinforce the structure and add a decorative touch. You’ll also learn how to create and use an improvised sewing frame.
To register, contact SPA via phone at (802) 479-7069 or email.
Book Arts News
*** The New England Chapter of the Guild of Book Workers is looking for volunteers to help teach simple bookbinding techniques and creative content. Through this event, NEGBW volunteers will be helping Cadette scouts (age 11-14) to earn a Book Artist badge and potentially inspiring future bookbinders.
The event will be held on Sunday April 29, 2018 at Camp Maude Eaton in Andover, MA. There will be two sessions, one from 9:00 a.m. – 12:00 p.m. and from 1:00 p.m. – 3:00 p.m.
If you are interested in volunteering or have any questions, please direct them at Lauren Telepak at negbwprograms@gmail.com.
*** From February 17 – July 8, the Philadelphia Museum of Art is hosting the exhibition Keith Smith at Home. This is a rare opportunity to view the creative work of the well-known author of such a beloved series of bookbinding manuals.
Friendship, love, desire: Keith Smith’s life is an open book. For five decades, the Rochester-based artist has used surprising combinations of materials to chronicle his experiences. In this exhibition, explore an array of Smith’s mixed-media photographs and prints, and – his specialty – handmade artist’s books, most from his own collection.
In his work, Keith Smith irreverently disregards the supposed dividing lines between “fine art” (photography, etching, watercolor), “craft” (sewing, quilting, bookmaking), and “utilitarian technologies” (transparencies, photocopies). Although his subject matter is rooted in his personal life, he also grapples with universal themes such as self-representation, domesticity, and intimacy.
For more information, please visit the PMA’s website.
Book Arts Classes
*** On Saturday, April 28th, the Kate Cheney Chappell 83 Center for Book Arts is hosting a workshop with Erin Fletcher of Herringbone Bindery, Secret Belgian Binding – Two Ways. The workshop will be held in the Multi-Purpose Room in the Wishcamper Center at the University of Southern Maine in Portland.
This workshop will explore the Secret Belgian binding (also known as Criss Cross binding) and ways to modify it. The binding is simple and easy to construct; it opens flat and is perfect for smaller text blocks. Students will complete two versions of the structure; one bound in the traditional sense and the second will offer a bit more secrecy and refinement to the structure.
Registration is available online or alternatively, you can call (207) 780-5900.
*** From June 11 – 15, the North Bennet Street School is offering Miniature Bookbindings with James Reid-Cunningham.
Miniature books present difficult design and structural challenges to the bookbinder. A true miniature is less than three inches tall, and during this course, the student will construct three books of diminishing size: a long stitch binding with decorated boards, a lapped component binding, and an accordion in a wrapper with a tongue and slot enclosure.
The course will contrast the utility of case binding, accordion, and non-adhesive structures for miniature books, with a concentration on flexibility and book action. We will analyze materials and techniques suitable for small format books. The limitations inherent in small-scale books will challenge students to do precisely executed and finely detailed work.
For more information or to register, please visit the NBSS website.
*** Registration for Wells College Book Arts Center‘s Book Arts Summer Institute is now open. The week-long intensive courses include letterpress printing, bookbinding, calligraphy, typecasting, and font design. Week 1 runs from July 15 – 21 and Week 2 runs from July 22 – 28.
This year’s instructors include Jenna Rodriguez, Aimee Lee, and Scott McCarney. Wells College is located in Aurora, NY.
For more information, please visit the Wells College website. Ann will also have postcards from the Summer Institute available at the February meeting.
Mining for Gold – Exploring Tunnel Books
VT Book Arts Guild “MailB.A.G.” July 2014
Next Meeting: Wednesday, July 9, 2014, 6:30 p.m. – 8:30 p.m.
We meet at the Unitarian Universalist Society Church located at 152 Pearl Street in Burlington, VT. We will be in the Sophia Fahs Community Room, a large room located in the basement. Click here for more information on directions/parking.
Program: Mini Leather Journals with Elissa Campbell
In this hands-on presentation, Elissa will teach you Keith Smith’s Diamond X binding, using soft leather for the cover. This three signature binding creates a lovely decorative pattern on the spine. The book also has an integrated closure that coordinates with the sewing.
Leather, paper and thread will be provided. Please bring the following with you to the workshop:
- Bone folder
- Awl
- Scissors
- Pencil
- Ruler
- Cutting mat
- Bookbinding or tapestry needle
Optional (for punching small holes in leather):
- Japanese screw punch
- Eyelet hole punch
- Leather hole punch
June Meeting Reflections
At the June meeting, Ann Joppe-Mercure led us through an overview of tunnel books, which included wonderful examples of student work and her own work. The imaginative tunnel structures appeared fascinating and difficult, but with materials and clear direction provided by Ann, all participants were able to construct a model and a creative piece.
A giant thanks to Ann for again sharing her talents as both a book artist and teacher, and to all the attendees for their enthusiasm and passion.
You can view images from the meeting on the B.A.G. blog.
Book Arts News
*** Dorothy Simpson Krause currently has a solo exhibition at the Fuller Craft Museum. Curated by Chris Rifkin, it features work from Book + Art: Handcrafting Artists’ Books, published by North Light. The exhibit runs June 14 – November 2, 2014. The Fuller Craft Museum is in Brockton, MA.
*** The exhibit UNBOUND VOL. IV: Art Using books as a material/format will be open from July 25 – August 23, 2014 at the Artistree Gallery in Woodstock, VT. This juried show looks to explore this idea of “the book” and all the ways artists use that format as a stepping-off point or as material to explore new ideas.
The opening reception will be on Friday July 25th, 5:30 p.m. – 7:30 p.m. The exhibit is opening in conjunction with the kick off of the Bookstock Literary Festival.
*** From July 18 – September 14, 2014, an exhibition of design bindings will be on display in the Windgate Gallery at the North Bennet Street School in Boston. The book selected for this project is titled La couleur du vent (The color of the wind). It is a collection of poems by Gilles Vigneault, illustrated and designed by Nastassja Imiolek under the artistic direction of Cécile Côté. This exhibit includes the work of fifty-one binders.
A reception hosted by NBSS and the New England Chapter of the Guild of Book Workers will be held on July 18, 2014 from 6:00 p.m. – 8:00 p.m. at NBSS and will be open to the public.
Visit the project website to view the bindings and learn about the artists.
Book Arts Classes
*** Bill Hanscom will be offering an Album Structures workshop on July 12, 2014, from 9:00 a.m. – 5:00 p.m. at the Simmons Graduate School of Library and Information Science in Boston.
Albums provide a way to organize and protect collections of all kinds such as photographs and archival materials. In this workshop we will explore the construction and mechanics of a variety of album structures from the traditional to the intriguingly unconventional. Each provides a different approach to the album, as well as exciting opportunities for experimentation with embellishment with a wide variety of media, even becoming art objects on their own.
Structures will include: a Simple Board Book Album, The Storage Book, Pocket Album, Spider Book, Multi-leaf Accordion, and Accordion Album.
*** On July 19 – 20, the North Bennet Street School is offering Traditional Ethiopian Bookbinding with Bill Hanscom in Boston.
Bookbinding in Ethiopia is arguably one of the oldest continuously-practiced material traditions in the world. Despite its steady decline during the last century, little has changed in the production of an Ethiopian bound manuscript for more than 1400 years.
This two-day workshop begins with a presentation detailing the traditional methods and materials of the Ethiopian scribe and bookbinder, shedding light on many aspects of this often misunderstood craft.
For more information or to register, please visit the NBSS website.
- Book Arts Guild of VT website: http://www.bookartsguildvt.com/
- Book Arts Guild of VT Facebook page: http://www.facebook.com/bookartsguildvt
- Book Arts Guild of VT on Pinterest: http://www.pinterest.com/bagvermont/
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