by Elissa | Jun 2, 2022 | B.A.G. Meetings, bookbinding, Call to artists, Exhibitions, Lecture, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, June 8, 2022, 7:00 p.m. – 8:30 p.m.
This month’s meeting will once again be held via Zoom, an online conference program. If you’ve never attended a Zoom meeting before, check out this video – it will go over the basics of how to join a meeting.
Stay safe!
The B.A.G. Board
In continuing with our tradition of choosing a theme for our meetings every year, the B.A.G. Board has selected the theme of Woven for 2022.
Weaving is one of the oldest surviving crafts in history, and is an integral part of all of our lives. We wear woven clothing, we sit on woven seats, we use and admire woven baskets.
In the paper and book world, there are many examples of paper weaving, woven book covers, and woven structures. Here are a few resources to get your brain churning:
The possibilities are kind of endless!
During the meetings this year, guest presenters will guide you through techniques to get you started on your woven explorations. The simplest methods can produce exciting results and we can’t wait to see what you come up with!
Program: Crossed Structure Binding – Linked Variation with Elissa Campbell
The Crossed Structure binding is intriguing in that the sewing is done directly onto back cover straps that integrate into the front cover. This non-adhesive variation on the long stitch was developed by book artist Carmencho Arregui after studying pre-16th century bindings.
In June’s meeting, Elissa Campbell will teach you a variation of this binding. As time allows, you’ll add stitching to the covers to both reinforce the structure and add a decorative touch.
Supplies:
- 4 pieces of text weight paper: 4.75″ x 6.25″
- 2 pieces cover material (leather, heavy fabric, vinyl): 8″ x 4.75″
- 3 pieces sewing thread in the following lengths: 62″, 6″, 25″
- 1 piece cover weight paper: 4.75″ x 8″
- 1 piece cover weight paper: 1.5″ x 4.75″
- 1 piece cover weight paper: 1″ x 2″
Tools:
- Bone folder
- Scissors
- X-Acto knife
- Metal ruler Awl
- Cutting mat
- Bookbinding or tapestry needle
- Japanese screw punch or other leather punch (optional)
If you plan to attend the meeting, please contact Elissa so she can send you the Zoom meeting details.
May Meeting Reflections
I was very inspired by our meeting’s presenter, paper artist Karen Kreiger. As she pulled out beautiful work to show us, I really got a sense of how she arranged images in and around her weaving. And then, oh my, she added stitching! Could the work speak to me any more personally? A woven, stitched rolling pin! As a former baker, I need one of my own.
Here are my favorite take-aways:
- A dot of red fixes everything
- Dots make me happy
- Insert scraps into cut out windows
- Cut patterns into the ‘weft’
- Stitch on top of weaving
- And finally, organize your scraps (no matter how small) by color in small boxes.
Believe me, I have tried organizing my scraps, but somehow serendipity helps me to find the right one, even if they’re not so organized.
Thanks to all who showed up on screen, and thanks especially to Karen for a totally enjoyable and inspirational evening.
B.A.G. Library Corner
This month we’re taking a step back from how-to’s and looking at the conceptual process involved in bookmaking, or any art. In his introduction to Structure of the Visual Book, the illustrious Keith Smith takes us through his thought process and approach to making artist books.
Written as ponderously as his process, he describes his first foray into bookmaking and how he learned to see his subject matter.
If you have ideas for books to feature or if you have a library book in your possession you’d like to share something from, email Sally at salblanch@gmail.com.
You can check out and download the selection here.
B.A.G. News
*** The Book Arts Guild of Vermont is pleased to announce our annual member show at Grand Isle Art Works! The dates of the exhibit are July 1 – July 30 and our opening reception will be on July 6.
The submission deadline is June 17 and B.A.G. members can submit up to two pieces for the show. We’ll have a space devoted to zines, and you can submit zines in addition to the two pieces, without any limit.
Ann Joppe-Mercure will be doing a workshop at GIAW in conjunction with the show. If you’re interested in doing something similar, please contact Ann at joppemercure@gmail.com.
The submission form can be downloaded here.
We’d love to have your work in the show!
*** On June 10, Writers as Artists will showcase the work of award winning book artists/writers Beth Kephart and B.A.G. member Nina Gaby and award winning writer/sculptor Abigail Thomas.
The event will be held at Nancy’s Artisanal Creamery and Coffee House at 297 Tinker Street in Woodstock, NY.
Book Arts News
*** Artistree Gallery is accepting submissions for their 10th annual juried exhibit, UNBOUND: VOL X. The theme of the show is simple – art using books as a material or a format. Visitors will have an opportunity to examine curious folios, recent grimoires, tomes turned to sculpture and some works having a relation to “books” in concept only.
This exhibition is for artists working in all traditional and non-traditional 2D (wall mounted) and 3D media, who are working in Vermont or New Hampshire and are 18 years of age or older. All artwork must be original in concept, design and execution.
The deadline for submission is June 4, 2022. All submissions must be made through their online entry form.
For more information, please visit the Artistree website. Please contact exhibits@artistreevt.org with any questions.
*** North Country Studio Workshops in Bennington, VT is offering their next five-day intensive from January 24 -29, 2023 for artists and craftspeople in an atmosphere of discovery, energy, collaboration, and inspiration. There are two book artsy workshops that may be of interest to you:
The first is North Country Shifu with Velma Bolyard. Here’s the workshop description:
Experience the Japanese craft tradition of spun and woven paper textile called shifu. Make deep connections to place through text, textile (shifu), book, and paper. Haptic experiences will include experimental mark making, hand spinning, loom building, weaving, book construction, papermaking, dyeing, and stitching. You will leave with a wonderful book and a passel of techniques that you can add to your paper and fiber toolkit.
The next is The Artful Box with Mary Uthuppuru. Here’s the workshop description:
Construct a modified clamshell box. A box can enhance its contents or become an art piece of its own. Learn how to build a specific structure using a variety of decorative and assembly techniques. You will be encouraged to experiment and create components of the project drawing from personal inspiration. No special skills are required, just patience with a few techniques that require accuracy.
Registration opens on June 15 and historically, these workshops fill up fast. If you know that you want to take either of these workshops, don’t wait to enroll. There are a number of scholarships available if you need financial assistance. Applications are being accepted now through June 6.
*** The Are You Book Enough theme for June happens to be Weave, which works out well with our theme for this year. If you’re working on a book that has a woven element, then this is your month to submit to the Instagram challenge.
Use hashtag #areyoubookenough_weave if you participate. It most certainly will be inspirational to look at the work submitted using this theme. You can also check out past work by using the hashtag #areyoubookenough.
Stay-at-Home Fun
*** The Jaffe Center for Book Arts is offering the Dove Dale Limp Case: A Sympathetic Update of an 1884 Binding with Karen Hanmer on June 11.
Edward Marston’s 1884 An Amateur Angler’s Days in Dove Dale: Or, How I Spent My Three Weeks’ Holiday was issued in a simple folded limp vellum case printed in two colors. We will examine two examples from this edition of 100 before creating a low-adhesive, facsimile-ish version in a limp paper case. This case can be made of any decorative text-weight paper.
The resulting book is lightweight, elegant, opens well, and can be made quickly and easily with no specialized tools or materials. This workshop is appropriate for intermediate binders, beginners who are ready for a fast-paced workout, and anyone who wants to add another limp case to their repertoire.
For more information or to register, please email John Cutrone at jcutrone@fau.edu.
*** The Frederick Book Arts Center is offering Islamic Bookbinding with Nic Heersema on June 16, 21, 23, 28, 30, and July 5 & 7.
Islamic bookbinding is one of the styles that developed in the Middle East before the 17th century. Used for everything from richly-decorated Qur’ans to scientific treatises, this style of bookbinding is recognizable by the pentagonal envelope flap.
This style of bookbinding is recommended for advanced beginners or intermediate/advanced bookbinders who have some experience with kettle stitches, endband sewing, and general bookbinding techniques.
This seven-class workshop series walks through all the stages of making a book in the Islamic style. Due to the nature of these classes some are planned to have longer slots of time then others to accommodate drying times and other waiting times.
For more information or to register, please visit the FBAC website.
*** The Minnesota Center for Book Arts is offering Drum Leaf Binding with Karen Hanmer on June 29.
Developed by Tim Ely, the drum leaf binding has features in common with multiple preexisting Eastern and Western book structures. This adhesive binding is a perfect structure for printmakers, photographers, or anyone who desires to present visual narratives with no sewing thread to interrupt the flow of imagery. Because a drum leaf book is not laid out in signatures but made of single-sided folios, the complexities of imposition are not encountered when laying out text.
The binding opens flat and can be dressed up or down with a variety of spine treatments, board-covering materials, and edge decoration techniques. It can be constructed quickly, lends itself to edition work, and can be made in a sparsely equipped home studio.
In this virtual workshop, build skills working with common bookbinding tools, materials, techniques, and principles such as grain direction, folding signatures, tidy application of adhesive, and measuring one component of the book to fit another. This fast-paced workshop is appropriate for intermediate binders and beginners who are ready for their next challenge.
For more information or to register, please visit the MCBA website.
by Elissa | Mar 3, 2022 | B.A.G. Meetings, bookbinding, Call to artists, Exhibitions, Lecture, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, March 9, 2022, 7:00 p.m. – 8:30 p.m.
This month’s meeting will once again be held via Zoom, an online conference program. If you’ve never attended a Zoom meeting before, check out this video – it will go over the basics of how to join a meeting.
Stay safe!
The B.A.G. Board
In continuing with our tradition of choosing a theme for our meetings every year, the B.A.G. Board has selected the theme of Woven for 2022.
Weaving is one of the oldest surviving crafts in history, and is an integral part of all of our lives. We wear woven clothing, we sit on woven seats, we use and admire woven baskets.
In the paper and book world, there are many examples of paper weaving, woven book covers, and woven structures. Here are a few resources to get your brain churning:
The possibilities are kind of endless!
During the meetings this year, guest presenters will guide you through techniques to get you started on your woven explorations. The simplest methods can produce exciting results and we can’t wait to see what you come up with!
Program: The Woven Accordion with Becky Boardman
At this month’s B.A.G. meeting, our own Becky Boardman will be leading us in a hands-on project that goes perfectly with this year’s theme, The Woven Accordion.
Here’s what you’ll need to join in on the fun:
Materials:
- 1 piece – 11″ x 4.25″ cardstock (grain short if possible)
- 1 piece – 14″ X 3.25″ cardstock (grain short if possible)
- A Strathmore 11″ x 14″ drawing pad has grain short pages and is a good weight.
- 1 piece – 11″ x 2″ cardstock (grain short if possible)
- 2 pieces – 3.25″ x 4.5″ mat board (or something similar for covers)
- 2 pieces – 4.5 x 4 5/8″ heavy text or light cardstock weight
- Drawing paper as mentioned above would work.
- Note: Paper can be any color but you might want to choose different colors that look good together.
Tools:
- X-Acto knife (sharp blade)
- Cutting mat
- Metal straight edge or ruler to cut against
- C-thru ruler (preferably) or other ruler
- Bone folder
- Stylus (or T-pin or fat needle)
- Glue stick and/or 1/4″ double sided tape (can be found at dollar stores)
- Foam or corrugated cardboard to stick stylus into
If you plan to attend the meeting, please contact Elissa so she can send you the Zoom meeting details.
February Meeting Reflections
I have been thinking lately about collaboration in the world today. How could we get along without each other, since our past, present and future are all interwoven? Perhaps it’s been on my mind since the last meeting when University of Vermont librarian Prudence Doherty of the Silver Special Collections Library lead us through a group of books that speak to our woven theme.
Many of the beautiful pieces she showed us had some kind of collaboration, either between people responding to each other’s art, or weaving together text and words to create content. Certainly the most powerful piece to me is Julie Chen‘s Memento, which represents a reaction to the violence of a car bomb in Baghdad in 2007. The response seems equally meaningful to the violence we are witnessing today.
Many thanks to Prudence for giving us a specially curated vision of woven, and thanks to everyone for showing up. I think I counted 50 visitors, a new record! I will continue my thoughts about collaboration and interweaving, and I urge you to do the same
B.A.G. Library Corner
Keith Smith’s Woven Spine Tab tutorial is the perfect way to add a touch of weaving to your book’s exterior. Constructed with the non-adhesive long stitch binding, you have the option of including the woven tab with or without a book jacket. This construction, along with other variations of the long stitch binding, are included in Smith’s Non-Adhesive Binding, Vol. 1: Books without Paste or Glue.
If you have ideas for books to feature or if you have a library book in your possession you’d like to share something from, email Sally at salblanch@gmail.com.
You can check out and download the project here.
B.A.G. News
*** The Book Arts Guild of Vermont is pleased to announce our annual member show at Grand Isle Art Works! The tentative dates of the exhibit are June 15 – August 1.
We are currently working on the submission form and will include it in the next newsletter. In the meantime, keep June 6th in mind, as that’s when submissions will be due. No exceptions!
Members can submit up to three pieces for the show. We’ll have a space devoted to zines, and you can submit zines in addition to the three pieces, without any limit.
Ann Joppe-Mercure will be doing a workshop at GIAW in conjunction with the show. If you’re interested in doing something similar, please contact Ann at joppemercure@gmail.com.
Stay tuned for more details in the next newsletter and we’d love to have your work in the show!
*** B.A.G. member, illustrator, and cartoonist Amy Burns will have her work on display from February 16 – March 31 at Espresso Bueno in Barre, VT. Alongside Amy’s framed works, originals, prints, cards and comics will be work by mixed media painter Keilani Lime.
Work is available for viewing and purchase during the following hours:
- Monday – Friday: 7:30 a.m. – 2:30 p.m.
- Saturday – Sunday: 8:00 a.m. – 2:00 p.m.
Espresso Bueno is located at 248 N Main Street.
*** Elissa Campbell is teaching The Block Printed Journal at CraftStudies on March 12 & 13. The class will take place at A Lucky Girl Studio in Norwich, VT.
Block printing is an ancient method of printmaking that can be used to create beautiful, decorated papers. Not only is it fun, but it’s something you can easily do at home. In this two-day class, students will experiment with printing and use personalized papers to cover a handmade journal.
On the first day, learn how to design and carve rubber stamps that will be used to create your own decorated papers. We will focus on basic shapes that can be used for layering and repeating to create rich and complex patterns.
On the second day, select one of your papers as a cover for a hand-made book using a binding that allows the book to remain flat when opened, making it perfect for use as a sketchbook or journal.
For more information or to register, please visit the CraftStudies website.
Book Arts News
*** On March 10, Professor Janice Radway will deliver the 36th annual Louis Faugères Bishop Lecture for the Rutgers University Libraries. Her topic is Girls, Zines, and Their Travels: Imagining Lives, Crafting Archives for a New Century.
Radway is the Walter Dill Scott Professor of Communication Studies and a professor of American studies and gender studies within the Weinberg College of Arts and Sciences at Northwestern University. Radway is widely known for her scholarship on readers, reading, books, and the history of middlebrow culture.
Currently, Radway is working on an oral history of girls, their underground publishing efforts during the 1990s, and their subsequent lives.
For more information or to register for the lecture, please visit the Rutgers University Libraries website.
*** On March 15, the Puget Sound Book Artists will start accepting submissions for their 2022 PSBA Annual Exhibition. You have to be a member to be able to submit work, but membership is open to everyone.
This year’s suggested theme is Peaks and Valleys. Peaks and Valleys invoke many connotations. You are encouraged to explore your own highs and lows, literal and metaphorical.
For more information, visit the PSBA website.
*** The Jaffe Center for Book Arts is currently holding a zine maker contest, Navigating 2020 – 2021. It’s been a crazy past two years, many of us dealing with illness, isolation, confusion, and turmoil on so many different levels. So, we want to know: How did you Navigate 2020/2021?
Were there changes in your life, your relationships, your health, or habits during the past couple of years? Have your philosophies, feelings, or views of the world changed?
Produce and submit (via email or in person) a zine by March 31, 2022. Your submission and all the others we receive will become part of a boxed set that will become part of the permanent collection at FAU Libraries’ Jaffe Center for Book Arts.
For more information on how to submit your work, please visit the JCBA website.
*** Artistree Gallery is accepting submissions for their 10th annual juried exhibit, UNBOUND: VOL X. The theme of the show is simple – art using books as a material or a format. Visitors will have an opportunity to examine curious folios, recent grimoires, tomes turned to sculpture and some works having a relation to “books” in concept only.
This exhibition is for artists working in all traditional and non-traditional 2D (wall mounted) and 3D media, who are working in Vermont or New Hampshire and are 18 years of age or older. All artwork must be original in concept, design and execution.
The deadline for submission is June 4, 2022. All submissions must be made through their online entry form.
For more information, please visit the Artistree website. Please contact exhibits@artistreevt.org with any questions.
Stay-at-Home Fun
*** The Jaffe Center for Book Arts is offering The Elegant Slim Volume with Stephanie Wolff on March 13.
Simple bindings on small books? An opportunity for creativity! Variations in the sewing, finishing details, or materials can give a binder many options when binding small books. We will examine simple binding methods the instructor has gathered over her many years in bookbinding and conservation.
Using thread, wood, wire, beads, and paper, we will build on the basic pamphlet to expand the options of the humble small binding. By considering all the details and materials the most basic of bindings can be elevated to simple elegance. Rather than focusing solely on structure, this workshop is an exploration of variations and design and material possibilities.
Participants are encouraged to dig into their own art supplies and general household items to use in the workshop. We will make as many models as our time allows, with suggestions for adapting the basic forms to create many more after the workshop. Our models will be softcover bindings and will serve as inspiration for future work. Some bookbinding experience is helpful.
For more information or to register, please email John Cutrone at jcutrone@fau.edu.
*** The Minnesota Center for Book Arts is offering the Storage Book with Rosae Reeder on March 19.
Want a fancy way to keep receipts, keepsake ephemera, and anything else you want to save? Construct a storage book! Using the accordion fold as a spine, this hardcover book structure features handmade envelopes sewn onto the folds of the accordion to create a structure that holds two-dimensional as well as small three-dimensional items.
In this virtual workshop, learn this unique book structure and explore many different ways to keep the book closed, including ribbon, a belly band (a paper strip that slides on and off), Velcro, and more. Use a variety of decorative papers to give this book a vibrant look.
For more information or to register, please visit the MCBA website.
*** The Pocosin Arts School of Fine Craft is offering Variation on a Pamphlet with Laura Gardner on March 27 & April 3.
Artists, writers, and those keeping journals love working in books open flat. This variation on a pamphlet does just that. The pamphlet book is one sheet of paper folded one time to create four sides. It is used to relay information familiar to most of us from concerts, religious services, or advertising.
For our variation, we will gather five sheets of paper into what is called a signature then make five signatures. We finish by using colored threads to weave the signatures together along the spines to create a book that opens flat– ready for writing, drawing, collecting, journaling, or note taking.
For more information or to register, please visit the Pocosin Arts School of Fine Craft website.
*** The San Francisco Center for the Book is offering Pop-Up Native Wildflowers: Go West! with Shawn Sheehy on April 2 & 3.
Celebrate the beauty of the spring bloom by building fantastic pop-up wildflowers. In this workshop you’ll create models of California poppy, California buttercup, miner’s lettuce, Rocky Mountain columbine, prickly pear, and bloodroot. A kit of pre-cut pieces will be provided. You’ll assemble the structures, collect them into a simple, elegant binding, and gain insights into paper engineering and paper sculpture. All are welcome.
For more information or to register, please visit the SFCB website.
by Elissa | Jun 5, 2021 | B.A.G. Meetings, bookbinding, Exhibitions, Lecture, MailB.A.G., Vermont, Workshops
Next Meeting: Wednesday, June 9, 2021, 7:00 p.m. – 8:30 p.m.
This month’s meeting will once again be held via Zoom, an online conference program. If you’ve never attended a Zoom meeting before, check out this video – it will go over the basics of how to join a meeting.
Stay safe!
The B.A.G. Board
Program: DIY Publishing & Zines as Art with Emma Percy
Zines have a recent but rich history as an underground mode of disseminating information, art, and new ideas, often from marginalized makers in working-class creative communities.
These works run the gamut from quick, sketchy single-sheet mini-booklets to beautifully detailed handmade artist’s books, and anyone can make them.
Emma Percy has been immersed in zine culture for many years, and will present an overview of small-scale DIY publishing, share a variety of diverse examples from their personal collection, and offer suggestions and strategies for making your own zines and getting them out into the world.
If you plan to attend the meeting, please contact Elissa so she can send you the Zoom meeting details.
May Meeting Reflections
Another well attended Zoom meeting! I don’t know about you, but I was intrigued by the description of the program in the newsletter, sometimes a piece of writing needs a book and sometimes a book needs some content. I struggle with both, trying to find meaning and express it in my artwork.
In her presentation, B.A.G. member Deborah Stuart gave us new ideas and possibilities to help generate our own writing. I didn’t take many notes, because I was so caught up in the exercises, writing lists and figuring out how to put the words together.
And wondering why no one wanted to read their writing. So here goes, this is the story of my life in one minute: I was a happy child, an unhappy teenager, a lost young person, and finally an anxious adult with a wonderful lucky life. I never thought about it that way before, and that is the whole point of stepping outside yourself and finding new approaches.
Thanks to Deborah for leading us through the exercises that will give us some muscle, and thanks to everyone who attended.
You can download a copy of Deborah’s writing prompts here.
B.A.G. Library Corner
In the introductory pages of the great Keith Smith’s Non-Adhesive Binding, Vol. 1, we are given much to ponder about how the form, structure, and concept of a book all inform each other. He takes us on a reflective journey through the world of bookmaking by exploring the possibilities provided by different numbers of folds and pages while simultaneously revisiting basic book terminology.
Through his beautiful use of language, Smith reminds us that “…text can be so written that the words create the pages. The pages, as well as the writing relate back and forth, tying together all the elements into a unified flow. One would ask no less cooperation from all the elements of an orchestra (pg. 15).”
If you have ideas for books to feature or if you have a library book in your possession you’d like to share something from, email Sally at salblanch@gmail.com.
You can check out and download the chapter here.
You can also purchase a copy of the book here.
B.A.G. News
*** We are pleased to announce that the Book Arts Guild of Vermont will be having an exhibit at the Northeast Kingdom Artisans Guild in St. Johnsbury from August 6th – September 18th! The exhibit title is The Art of the Book: Is This a Book?
This is a great time of year for this exhibit as a lot of tourists are in the area at that time and it’s good to spread our book arts further afield to new parts of the state! Work to be displayed on surfaces as well as on walls will be greatly appreciated.
Entries are open to all members and can include up to 2 works. The exhibit entry form will be available in the next newsletter. Although we have been highlighting text in our recent meetings, exhibit entries do not need to include text.
Important dates:
- Entries Due Date: July 17, 2021
- Exhibit Opening Date: August 6, 2021
- Opening Reception: August 14, 2021
- Exhibit End Date: September 18, 2021
- Pickup Work Date: TBD
We can’t wait to see your submissions!
*
** For the July meeting, we’ll wrap up our concentration on making and using text in our work. We’ll review the methods, tools, and techniques we acquired from our last meetings, and then take a look at what our members have done with them.
We invite you to share the work you’ve created with your new skills! Please let us know by email if you would like to participate in the evening so we can arrange a line up. Sharing and positive feedback is always welcome.
Book Arts News
*** The New England Chapter of The Guild of Book Workers currently has an exhibit at the Boston Athenæum through August 7th. 40 Years: Celebrating the New England Chapter of the Guild of Book Workers showcases a broad spectrum of tradition and innovation, spanning expertly crafted fine and design bindings, as well as beautifully sculpted artists’ books and boxes.
With rich holdings in the contemporary and historic book arts, and with overlaps in our collections, membership, and staff, the Boston Athenæum is pleased to support the NEGBW by serving as the opening venue for the exhibition.
If you are unable to visit Boston, you can view the work online.
For more information, visit the Boston Athenæum website.
*** Registration is now open for the free virtual 2021 Focus On Book Arts conference, Where We Live, taking place July 15 – 17. There are three events and registration is required:
- Artists from around the world have created books that fit the theme of Where We Live. On July 15th from 5:00 p.m. – 6:00 p.m. (PDT), there will be a welcome reception and a panel discussion with the 4 winners of the juried exhibit. The exhibit will be available for viewing 7/15 – 8/31. Register for the panel discussion here.
- On July 16th from 5:00 p.m. – 6:00 p.m. (PDT), featured speaker Tia Blassingame will present Book Arts Futures: Musings on the Future of the Field. A book artist and printmaker exploring the intersection of race, history, and perception, Blassingame often incorporates archival research and her own poetry in her artist’s book projects for nuanced discussions of racism in the United States. Register for the featured speaker here.
- Artists have created books that fit the theme Where We Live: Where Our Hearts Reside and submitted those works to the Challenge Book exhibit. On July 17th from 5:00 p.m. – 6:00 p.m. (PDT), FOBA will host a Challenge Book Roundtable for a review and discussion of many of the books. It is a chance for the creators of these books to talk about their process, inspiration, and answer questions about them. The Challenge Book exhibit will be available for viewing 7/15 – 8/31. Register for the roundtable here.
For more information about the conference, visit the FOBA website.
*** Artists Book House is hosting an online series of conversations with book artists, illustrators, cartoonists, writers, poets, librarians and book collectors. Recent guests include Emily Martin, Helen Hiebert, and Don Widmer. They’ve also got free online video tutorials that include longstitch variations, interactive mail art, and making a mold and deckle.
For more information, visit the Artists Book House website.
*** Love zines? Check out the Sherwood Forest Zine Library! They’ve got hundreds of free downloadable zines and links to online zines.
Their goal is to host and provide access to information, stories, and voices that are often buried in the mainstream media. Their collection ranges from art, poetry, and fiction to political theory, social issues, and historical discussion, and everything in between!
For more information, visit the Sherwood Forest Zine Library website.
Stay-at-Home Fun
*** The Center for Book Arts is offering Artist Books: From Idea to Execution with Elizabeth Castaldo on June 14, 21, 28, and July 5.
In this four-session workshop series, students will be introduced to the artist’s book creation process. Starting from idea and working toward execution, students will develop strategies for brainstorming and working with sequential and image-based content, bridging the gap between concept, material, process, form, and finished work of art.
Students will learn to make three book structures, accordion, pamphlet, and drum leaf binding, and then create their own one-of-a-kind artist’s book. This class is ideal for artists who want an introduction into the world of artist’s books or for those curious about artistic expression with the book form.
For more information or to register, please visit the CBA website.
*** The Jaffe Center for Book Arts is offering the Woven Accordion Window Book with Keri Miki-Lani Schroeder on June 24.
Elevate your accordions through dynamic depth and movement with the Woven Accordion Window book. This deceptively simple structure expands to create a dramatic three-dimensional effect with layered cut-out windows. This workshop includes a materials kit to create a model of the structure and is suitable for all levels (even beginners).
You will learn tips and tricks for folding “the best” accordion, how to cut out windows, basic book sewing, creating a removable cover, plus instruction on how to alter or scale the design for your future projects.
For more information or to register, please email John Cutrone at jcutrone@fau.edu.
*** BookArtsLA is offering The Jacob’s Ladder with Karen Hanmer on June 26th.
This artists’ book structure functions on numerous levels: as a codex held in the hand and read page by page in sequence, as a sculpture, and as a delightful object to play with. It can be made in a home studio with minimal specialized equipment. Instruction will focus on both craft and content. Students will have the opportunity to examine a variety of finished pieces and models. Importance of creating and refining prototypes will be stressed. Your finished book, plus detailed instructions, will be a valuable reference for future work.
Some binding experience helpful.
For more information or to register, visit the BookArtsLA website.
*** The San Francisco Center for the Book is offering the ABCs of Lark’s Head Binding with Dorothy Yuki on July 7th.
A Lark’s Head knot (also known as a Cow Hitch) is often used in jewelry making and many other applications. It can also be used to bind single sheets together! The exposed spine also allows for plenty of opportunity to play with adding decorative elements such as colored threads and beads.
In this workshop, students will learn to bind different kinds and different weights of papers using the Lark’s Head knot. Students will receive an instructional handout for later reference.
The workshop fee includes a kit containing prepared pages, tyvek strips, threads, grid paper, clips and assorted findings.
For more information or to register, visit the SFCB website.
by Elissa | Mar 8, 2018 | B.A.G. Meetings, bookbinding, Call to artists, Exhibitions, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, March 14, 2018, 6:30 p.m. – 8:00 p.m.
We meet at the Unitarian Universalist Society Church located at 152 Pearl Street in Burlington, VT. We will be in the Sophia Fahs Community Room, a large room located in the basement. Click here for more information on directions/parking.
Program: Digging Deeper: A Hands-On Exploration of Tunnel Book Structures
Join us as we plumb the depths of tunnel book structures in a member-led mini workshop format similar to our ever-popular November program, Card Tricks and Book Blitz.
Bring a tunnel book you’ve made, or a model of a tunnel book structure you’ve put together, along with materials that will allow approximately six people to make a model of your structure. If you can, bring written instructions for making the model – strictly optional and extra credit, but always appreciated!
Each person who brings a book or model will have some time to share and explain what they’ve made to the group, then we’ll spend time individually exploring and creating the structures.
Please feel free to join in the fun even if you don’t have time to prepare a model tunnel book or materials. We use a similar meeting format every November and there is always enough to go around.
Warning: Tunnel book structures are addictive, and B.A.G. cannot be held responsible for other projects that may not get done once you discover the many techniques available for making these magical books!
Things to bring:
- A tunnel book you’ve made, or a model of a tunnel book structure (optional)
- Materials for 6 people to make a model of your structure (optional)
- Plain card stock for making models of structures (in case you need more materials to make models of the structures that interest you)
- Glue
- Scissors
- X-Acto knife
- Cutting mat
- Ruler
- Pencil
- Bone folder
- Awl or needle tool
The focus of our April meeting will be presenting content in a tunnel book format. However, if you are more interested in exploring one or two structures more thoroughly (rather than making several models) during the March meeting, you can bring in the following optional materials to experiment with adding visual content to those structures:
- Decorative punches
- Stamps and ink
- Pens, pencils, markers
- Decorative papers
- Collage materials such as magazine images
February Meeting Reflections
Perhaps it was Jill’s enticing program description, Mining for Gold – Exploring Tunnel Books, that brought so many people out to the January meeting!
After an inspiring slide show of tunnel books from the web (thanks, Ann!), many makers shared their tunnel creations. While the variety of style and subject seemed broad, the overall concept of how image and construction form the tunnel was clear.
It’s always amazing to hear members talk about their work, and to realize what a talented bunch we are. Thanks to everyone who came, participated, and enjoyed.
You can view images from the meeting on the B.A.G. blog.
B.A.G. News
*** Book Arts Guild of Vermont 2018 Show news!
Members and friends are invited to submit work for our show at Studio Place Arts in Barre from May 22 – June 30, where we will be exhibiting in the second floor gallery. Here is our show name and description, which leaves it wide open for interpretation:
Beyond Words: Artworks by the Book Arts Guild of Vermont
Books can take on a language of their own, as shown in the multimedia work of this group of artists that use shape, structure, and materials to get their message across.
Important dates:
- Submissions: Work must be submitted by May 1, 2018. No work can be accepted after that date.
- Opening: May 22, 2018
- Closing: June 30, 2018
- Artist’s talk: Date TBD
The second show will take place in June at Frog Hollow Craft Gallery on Church Street. This will be a great opportunity to get exposure for our group in the heart of Burlington.
The show will be called The Art of the Book, which leaves it wide open to interpretation.
Important dates:
- Submissions: Work must be submitted by May 22, 2018. No work can be accepted after that date.
- Opening: June 1, 2018
- Closing: June 30, 2018
- Artist’s talk: Date TBD
B.A.G. Member News
*** B.A.G. member Jane Ploughman is teaching two classes in March:
Collage and Simple Bookmaking
In this workshop, you will make 3 or more books using simple techniques. You will also have time to fill the pages of your books with words, images, color, and all manner of collage material provided!
This workshop is for ages 18+ and all materials will be provided. Jane will be co-teaching these workshops with Lily Hinrichsen.
The workshop is being taught twice, so you can attend either on March 23rd or March 24th. The workshops are being held at ARTSight in Bristol from 10:00 a.m. – 3:00 p.m. and cost $70.00 (or $60.00 if you’ve taken our workshops before).
For more information, contact Lily at lilyhinrichsen@gmail.com.
Handmade Books: Simply Sewn
Learn how to sew beautiful single and multiple-signature book bindings. Learn about some of the tools and techniques and how to make informed material choices. The workshop’s focus will be on form and structure. Students will leave with three different sewn softcover bindings. Some bookbinding experience is helpful but not necessary.
The workshop is taking place at the Middlebury Studio School on Saturday, March 31st from 9:30 a.m. – 12:30 p.m.The cost is $55.00, which includes all materials and handouts.
For more information or to register, contact Barb Nelson at (802) 247-3702 or ewaldewald@aol.com.
*** B.A.G. member Elissa Campbell is teaching the Crossed Structure Binding at Studio Place Arts in Barre, VT on March 24th from 10:00 a.m. – 3:00 p.m.
The Crossed Structure Binding is intriguing in that the sewing is done directly onto back cover straps that integrate into the front cover. This non-adhesive variation on the long stitch was developed by book artist Carmencho Arregui after studying pre-16th century bindings.
In this workshop, you will work on two variations of this binding, one using paper covers and the other using leather. As time allows, you’ll add stitching to the covers to both reinforce the structure and add a decorative touch. You’ll also learn how to create and use an improvised sewing frame.
To register, contact SPA via phone at (802) 479-7069 or email.
Book Arts News
*** The New England Chapter of the Guild of Book Workers is looking for volunteers to help teach simple bookbinding techniques and creative content. Through this event, NEGBW volunteers will be helping Cadette scouts (age 11-14) to earn a Book Artist badge and potentially inspiring future bookbinders.
The event will be held on Sunday April 29, 2018 at Camp Maude Eaton in Andover, MA. There will be two sessions, one from 9:00 a.m. – 12:00 p.m. and from 1:00 p.m. – 3:00 p.m.
If you are interested in volunteering or have any questions, please direct them at Lauren Telepak at negbwprograms@gmail.com.
*** From February 17 – July 8, the Philadelphia Museum of Art is hosting the exhibition Keith Smith at Home. This is a rare opportunity to view the creative work of the well-known author of such a beloved series of bookbinding manuals.
Friendship, love, desire: Keith Smith’s life is an open book. For five decades, the Rochester-based artist has used surprising combinations of materials to chronicle his experiences. In this exhibition, explore an array of Smith’s mixed-media photographs and prints, and – his specialty – handmade artist’s books, most from his own collection.
In his work, Keith Smith irreverently disregards the supposed dividing lines between “fine art” (photography, etching, watercolor), “craft” (sewing, quilting, bookmaking), and “utilitarian technologies” (transparencies, photocopies). Although his subject matter is rooted in his personal life, he also grapples with universal themes such as self-representation, domesticity, and intimacy.
For more information, please visit the PMA’s website.
Book Arts Classes
*** On Saturday, April 28th, the Kate Cheney Chappell 83 Center for Book Arts is hosting a workshop with Erin Fletcher of Herringbone Bindery, Secret Belgian Binding – Two Ways. The workshop will be held in the Multi-Purpose Room in the Wishcamper Center at the University of Southern Maine in Portland.
This workshop will explore the Secret Belgian binding (also known as Criss Cross binding) and ways to modify it. The binding is simple and easy to construct; it opens flat and is perfect for smaller text blocks. Students will complete two versions of the structure; one bound in the traditional sense and the second will offer a bit more secrecy and refinement to the structure.
Registration is available online or alternatively, you can call (207) 780-5900.
*** From June 11 – 15, the North Bennet Street School is offering Miniature Bookbindings with James Reid-Cunningham.
Miniature books present difficult design and structural challenges to the bookbinder. A true miniature is less than three inches tall, and during this course, the student will construct three books of diminishing size: a long stitch binding with decorated boards, a lapped component binding, and an accordion in a wrapper with a tongue and slot enclosure.
The course will contrast the utility of case binding, accordion, and non-adhesive structures for miniature books, with a concentration on flexibility and book action. We will analyze materials and techniques suitable for small format books. The limitations inherent in small-scale books will challenge students to do precisely executed and finely detailed work.
For more information or to register, please visit the NBSS website.
*** Registration for Wells College Book Arts Center‘s Book Arts Summer Institute is now open. The week-long intensive courses include letterpress printing, bookbinding, calligraphy, typecasting, and font design. Week 1 runs from July 15 – 21 and Week 2 runs from July 22 – 28.
This year’s instructors include Jenna Rodriguez, Aimee Lee, and Scott McCarney. Wells College is located in Aurora, NY.
For more information, please visit the Wells College website. Ann will also have postcards from the Summer Institute available at the February meeting.
by Elissa | Feb 9, 2018 | B.A.G. Meetings, bookbinding, Call to artists, Exhibitions, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, February 14, 2018, 6:30 p.m. – 8:00 p.m.
We meet at the Unitarian Universalist Society Church located at 152 Pearl Street in Burlington, VT. We will be in the Sophia Fahs Community Room, a large room located in the basement. Click here for more information on directions/parking.
Program: Mining for Gold – Exploring Tunnel Books
Tunnel books are a visually exciting way of presenting content in book form. Join us over the next few months as we dig deep into the treasure-filled world of tunnel books.
In February, we’ll explore and share ways of constructing tunnel books together. Do you have a favorite tunnel book structure? A particular way of incorporating content in your tunnel books? Come and share it with us! Bring the tunnel books you’ve made (photos are okay, too) and share what worked well or discuss some of the challenges.
In addition to sharing and learning from each other, Elissa Campbell will bring a resource list that includes cool books and websites with tutorials, and Ann Joppe-Mercure will bring a slide show with more exciting examples. Please feel free to come and discover new techniques and ideas for constructing tunnel books, even if you don’t have one to share.
In March, we will have a hands-on tunnel book construction extravaganza based on some of the methods shared in February to create tunnel book models you can adapt to your own designs.
Things to bring (optional):
- Tunnel book(s) you’ve constructed (or photos)
- Models of tunnel book structures you’ve learned
- Paper and pen for taking notes on all the cool new methods you’ll discover!
January Meeting Reflections
It was ‘hygge’ all around at the January meeting, featuring Annette Hansen and her Froebel star tutorial. Annette shared stories of her Danish childhood, where holidays centered around traditional paper crafts. The beautiful paper stars we made together gave everyone a sense of satisfaction, and of cozy togetherness. Thanks, Annette!
The holiday ornament exchange turned out to be great fun. After participants had a chance to appreciate their swapped ornament, the maker identified herself and shared the method and materials. Let’s do it again next year!
You can view images from the meeting on the B.A.G. blog.
B.A.G. News
*** It’s time to renew your annual membership!
The primary mission of the Book Arts Guild of Vermont is to act as both an educational and creative resource in the field of book arts. Our monthly meetings are $5.00 an evening or free with a $35.00 annual membership. Your membership supports the mission of the Book Arts Guild, pays for our rented space, provides opportunities to exhibit and supports honorariums to presenters.
In addition to the benefits you receive (you can check them out here), your paid membership also enables us to cover expenses such our website and email newsletter – key tools for keeping our book arts community in touch and informed. A special membership benefit this year is that you don’t have to pay to submit work to our annual, non-juried book arts exhibition. You’ll also receive a personal thank you from Ann Joppe-Mercure (priceless).
If you have a skill, a passion, a favorite technique or a body of work that others would love to learn about, and then take the leap and volunteer to share it with us as a presenter. If you present at a B.A.G. meeting, you receive free membership for the year. Think about it – we know you have something to share!
If you would like to become a supporting B.A.G. member, click here to download our membership form.
*** Book Arts Guild of Vermont 2018 Show news!
NEW DETAILS BELOW!
Members and friends are invited to submit work for our show at Studio Place Arts in Barre from May 22 – June 30, where we will be exhibiting in the second floor gallery. Here is our show name and description, which leaves it wide open for interpretation:
Beyond Words: Artworks by the Book Arts Guild of Vermont
Books can take on a language of their own, as shown in the multimedia work of this group of artists that use shape, structure, and materials to get their message across.
Important dates:
- Submissions: Work must be submitted by May 1, 2018. No work can be accepted after that date.
- Opening: May 22, 2018
- Closing: June 30, 2018
- Artist’s talk: Date TBD
The second show will take place in June at Frog Hollow Craft Gallery on Church Street. This will be a great opportunity to get exposure for our group in the heart of Burlington.
The show will be called The Art of the Book, which leaves it wide open to interpretation.
Important dates:
- Submissions: Work must be submitted by May 22, 2018. No work can be accepted after that date.
- Opening: June 1, 2018
- Closing: June 30, 2018
- Artist’s talk: Date TBD
B.A.G. Member News
*** B.A.G. member Jane Ploughman is teaching two classes in March:
Collage and Simple Bookmaking
In this workshop, you will make 3 or more books using simple techniques. You will also have time to fill the pages of your books with words, images, color, and all manner of collage material provided!
This workshop is for ages 18+ and all materials will be provided. Jane will be co-teaching these workshops with Lily Hinrichsen.
The workshop is being taught twice, so you can attend either on March 23rd or March 24th. The workshops are being held at ARTSight in Bristol from 10:00 a.m. – 3:00 p.m. and cost $70.00 (or $60.00 if you’ve taken our workshops before).
For more information, contact Lily at lilyhinrichsen@gmail.com.
Handmade Books: Simply Sewn
Learn how to sew beautiful single and multiple-signature book bindings. Learn about some of the tools and techniques and how to make informed material choices. The workshop’s focus will be on form and structure. Students will leave with three different sewn softcover bindings. Some bookbinding experience is helpful but not necessary.
The workshop is taking place at the Middlebury Studio School on Saturday, March 31st from 9:30 a.m. – 12:30 p.m.The cost is $55.00, which includes all materials and handouts.
For more information or to register, contact Barb Nelson at (802) 247-3702 or ewaldewald@aol.com.
*** B.A.G. co-founder Nancy Stone is selling a book press that was formerly a cider press.
The frame is hardwood taking up a 20” x 20” floor space. It has a 33” height to the top of the metal turning/press mechanism.
As a cider press, it has a wooden cylinder to hold the apples but is missing the 2 wooden parts needed for pressing apples down and for the cider to run out. It’s likely that you could make these if you want it for cider.
Nancy loves the press, but is currently downsizing. She’s selling it for $50.00 and an even deliver it if you need that.
For more information or to buy the press (do it!), contact Nancy at (802) 879-0243 or nstonevt@gmail.com.
Book Arts News
*** The exhibit Illuminating Words: Artists’ Books at UVM is being held at the Francis Colburn Gallery in Williams Hall, UVM, now through February 15th. For over 50 years, the Department of Art and Art History and Special Collections have been making, collecting and sharing artists’ books. Drawing on the rich resources in Special Collections, Illuminating Words celebrates book arts at UVM.
In the 1970s, printmakers in the Art Department – faculty and students – were combining images and text to create books that found their way to the shelves in Special Collections. Over the years, Art faculty and Special Collections librarians have worked together to develop an outstanding artists’ book collection that is eclectic, broad, and deep.
Curated by librarian Prudence Doherty, this exhibition features works made by UVM students and faculty as well as impressive selections from the library’s collection.
A gallery tour will be held on Wednesday, February 14th at 12:00 p.m. The exhibit is free and open to the public. For information, please email uvmsc@uvm.edu or call (802) 656-2138.
*** Now through February 25th, Susan Kapuscinski Gaylord will have her Spirit Books on display at the McCoy Gallery at Merrimack College in North Andover, MA.
In the words of the artist:
The Spirit Books connect my experience of the inherent spirituality and mystery of nature with the long-standing tradition of books as testaments of faith and belief.
The McCoy Gallery is located in the Rogers Art Center on Walsh Way. Gallery hours are Monday – Friday 8:30 a.m. to 4:30 p.m..
*** From February 17 – July 8, the Philadelphia Museum of Art is hosting the exhibition Keith Smith at Home. This is a rare opportunity to view the creative work of the well-known author of such a beloved series of bookbinding manuals.
Friendship, love, desire: Keith Smith’s life is an open book. For five decades, the Rochester-based artist has used surprising combinations of materials to chronicle his experiences. In this exhibition, explore an array of Smith’s mixed-media photographs and prints, and – his specialty – handmade artist’s books, most from his own collection.
In his work, Keith Smith irreverently disregards the supposed dividing lines between “fine art” (photography, etching, watercolor), “craft” (sewing, quilting, bookmaking), and “utilitarian technologies” (transparencies, photocopies). Although his subject matter is rooted in his personal life, he also grapples with universal themes such as self-representation, domesticity, and intimacy.
For more information, please visit the PMA’s website.
Book Arts Classes
*** The Eliot School is offering Altered Books with a Purpose with Wendy Wolfe Fine on four Wednesdays, March 7, 14, 21, & 28.
Turn an old or used book into a work of art with a purpose, using imagination and a variety of mixed media techniques. Take a thematic excursion, tell a tale or dramatize an issue through color and visual imagery, creative materials, and 3-D structures.
Use your book’s existing contents if you like, add new materials or use your book to display a collection of valued objects, images or photographs. Learn to assess the condition of the various components of an old book, decide which parts to keep and which to remove and create layouts that communicate your message or story.
For more information about the class, please visit the Eliot School’s website or click here to download the complete catalog.
*** On Saturday, April 28th, the Kate Cheney Chappell 83 Center for Book Arts is hosting a workshop with Erin Fletcher of Herringbone Bindery, Secret Belgian Binding – Two Ways. The workshop will be held in the Multi-Purpose Room in the Wishcamper Center at the University of Southern Maine in Portland.
This workshop will explore the Secret Belgian binding (also known as Criss Cross binding) and ways to modify it. The binding is simple and easy to construct; it opens flat and is perfect for smaller text blocks. Students will complete two versions of the structure; one bound in the traditional sense and the second will offer a bit more secrecy and refinement to the structure.
Registration is available online or alternatively, you can call (207) 780-5900.
*** Registration for Wells College Book Arts Center‘s Book Arts Summer Institute is now open. The week-long intensive courses include letterpress printing, bookbinding, calligraphy, typecasting, and font design. Week 1 runs from July 15 – 21 and Week 2 runs from July 22 – 28.
This year’s instructors include Jenna Rodriguez, Aimee Lee, and Scott McCarney. Wells College is located in Aurora, NY.
For more information, please visit the Wells College website. Ann will also have postcards from the Summer Institute available at the February meeting.
