by Elissa | Jul 8, 2026 | B.A.G. Meetings, bookbinding, Exhibitions, MailB.A.G., Member News, Vermont
Next Meeting: Wednesday, July 8, 2026, 6:30 p.m. – 8:00 p.m.
We meet at the Unitarian Universalist Society Church located at 152 Pearl Street in Burlington, VT. We will be in the Sophia Fahs Community Room, a large room located in the basement. Click here for more information on directions/parking.
We look forward to seeing you!
The B.A.G. Board
Announcing Our Theme for 2026!
In 2026, we’re returning to our tradition of choosing an annual theme for our meetings. The B.A.G. Board is happy to announce our theme for this year, Interaction.
Cornell University said it well in Wake the Form: Artists’ Books in Context: “An important characteristic of artists’ books is their interactivity. The artist often creates an experience for the reader that encourages performance, either in constructing or staging the piece, or in rehearsing parts of the text. A book can become a miniature stage set, unfolding to reveal sequences that can be extended, figures added, scenes reorganized.”
With artists’ books, the reader is invited to participate in the work – intimacy between the viewer and the book distinguishes our art form from other types of art.
Throughout the year, we’ll look at the ways one can interact with a book, whether it’s through form (structure, materials used), content (text, imagery), or a combination of both.
Get ready because it will be an exciting year!
Program: Fishbone Binding with Elissa Campbell
At July’s B.A.G. meeting, Elissa Campbell will teach you how to make the Fishbone Binding, a fascinating structure developed by Hedi Kyle.
You’ll also have the opportunity to create a cover for your text block. All materials will be provided to those attending the meeting in person.
If you wish, you can also bring your own papers using the measurements provided below.
For those at home, here are the tools and materials you’ll need to participate in making the project:
- Metal ruler
- Scissors
- X-Acto knife
- Cutting mat
- Awl
- Pencil
- Needle
- Linen thread (or embroidery thread if that’s all you have): 21”
- 1 piece of cover weight paper: 7.75” x 13.5” (grain short)
- 1 piece of cover weight paper: 1” x 1” (optional – this can be used for a button)
- 1 piece of text weight paper: 11.25” x 21.75” (grain short)
- Note: If you don’t have a piece of paper 21.75” long, there’s a workaround!
- Piece together two pieces measuring 11.25” x 10” and 11.25” x 12.25” (both grain short) by overlapping them by 0.5”.
- Attach the pieces with a glue stick and you’ll be all set.
If you’d like to attend the meeting over Zoom, please contact Elissa and she’ll send you the details.
June Meeting Reflections
Slow stitching and happy sewers!
At last month’s B.A.G. meeting, Vera Ryersbach led us into the bliss of the running stitch, complete with a bit of history and an informative zine.
After her lovely intro we were off and “running”. We used 8” x 6” heavyweight paper that Vera will collect and bind into a book. The calming effect of stitching was felt by all. Vera encouraged our creativity with the endless variations of the running stitch and the possible additions of paint or collage.
Thanks Vera! We’re going slow and it feels good.
B.A.G. Library Corner
Elissa here, tapping in for Sally!
When I think of the theme of interaction, I can’t help but think of the Jacob’s Ladder structure. I find the flip-flappiness and click-clackiness of it very satisfying.
Did you know that there’s also a way to create this structure in box form? The lid opens in both directions and offers you the opportunity to both conceal and reveal as you interact with it.
In Roger Green’s book, A Comprehensive Guide to Box Making for Bookbinders, Artists and Amateurs, you can construct your very own four-section Magic Box.
And it really is as magical as it sounds.
You can check out and download the selection here.
If you have ideas for books to feature or if you have a B.A.G. library book in your possession from which you’d like to share something, email Sally at salblanch@gmail.com.
B.A.G. News
*** The Book Arts Guild of Vermont Retrospective is still up! You still have through the end of July to see it for yourself.
There are plans in the works for book arts related events during the month of July that will pique interest in the show. One may be an event in which a limited number of interested community members would be given the opportunity to have a private viewing of books that were not included in the show – an exclusive look behind the curtain!
If you’re unable to make it to the exhibit in person, never fear! Elissa took pictures of all the pieces in the exhibition! You can check out the full exhibition here.
*** Congratulations to Karen Krieger for winning Best in Show at the Morgan Conservatory’s 14th Annual Juried Exhibition, A Hand of One’s Own. The exhibition highlighted paper as a creative medium and active substrate and featured 60 artworks from talented artists across Ohio and representing 30 states nationwide.
Ranging from fashion, sculptural works, book forms, ephemera, and other traditional methods, the show embodied the capabilities of the artistic hand and how paper has no limits.
Book Arts News
*** Helen Hiebert‘’s paper-loving community, The Paper Year, is open for enrollment now through July 12.
Each month, you’ll receive project instructions designed to spark ideas that keep you creating. You’ll explore creative paper techniques, including origami, pop-ups, paper weaving, book arts, paper cutting and more.
When you join, you’ll gain access to all past projects in The Paper Year Library.
For more information, please visit Helen’s website.
*** The American Bookbinders Museum is presenting a virtual lecture, Buried Alive! Books Unearthed in Our Time, with Michael Burke on July 18. This lecture tells the story of three ancient books that were buried underground, lost for centuries and then found again.
The Nag Hammadi Codices were discovered in Egypt in 1945 a clay pot. These books, written in the Coptic language, contain the infamous Gnostic Gospels. Within a short time some had been smuggled and sold, and sent all over the world to various libraries. They have now been reunited and live in the library at Cairo. Michael will tell the story of their discovery, which involves murder, cannibalism and international scholarly squabbling.
St. Cuthbert’s Gospel was made by the monks of Lindisfarne in 692, buried with Cuthbert when he died, and discovered in his coffin in the year 1104 in exceptionally good condition. It is the earliest known decorated European binding, and was acquired for the nation in 2005 for £9 million. It is now on permanent exhibition in the treasures room of the British Library. You’ll learn about St Cuthbert’s extraordinary life, the monks of Lindisfarne, why they had to move on to new houses over the years, and how the book was made and decorated.
The Fadden More Psalter is one of the earliest surviving British manuscripts. It was found in a peat bog in Tipperary in 2005, an appalling mess of squashed and crumpled parchment and leather. You’ll learn the story of how it took over four years of painstaking work to unpick the damaged pages, removing 1,300 years of soil, moss and seed pods, before the book could be studied by the scholars.
For more information or to register, please visit the ABA website.
*** Every graduating class from the full-time Bookbinding Department at North Bennet Street School completes a design binding, in their own unique style, of an assigned text. This is referred to as the set book.
Since graduating from NBBS in 2012, Erin Fletcher of Herringbone Bindery has been conducting annual interviews of each student about their binding, discussing the concept and the process.
The text selected for 2026 was Slaughterhouse-Five, or, The Children’s Crusade: A Duty-Dance with Death by Kurt Vonnegut, Jr. Erin’s interviews of this year’s graduating class can be read on her website.
Stay-at-Home Fun
*** The Center for Book Arts is offering Camera-less Eco-Photography: From Plant to Print for Book Artists with Iviva Olenick on July 16 & 23.
Learn how to use household materials and plants to make camera-less eco-photographs in this two-part workshop. Transform food waste (purple cabbage leaves, turmeric spice, water from soaking black rice, spinach leaves) into photographic emulsions to make anthotypes, or plant-based sun-prints, similar to cyanotypes.
Learn how to take plant cuttings and use them to make a safe developer for printing plants on B&W photo paper, known as phytograms. Add embroidery to your phytograms, crafting unique, mixed media artworks, and begin to plan new book arts projects incorporating these techniques.
For more information or to register, please visit the CBA website.
*** The Frederick Book Arts Center is offering Pop-Up Mini Creatures with Shawn Sheehy on July 22.
Pop-ups are all about the “wow” factor. Building pop-ups in miniature maximizes the “wow” factor, as dramatic structures emerge from tiny spaces. In this workshop, you’ll build three miniature pop-up cards featuring charming woodland creatures.
Using just card stock, glue and a handful of simple tools, you will build three miniature pop-up cards that feature a snail, a snake, and a robin (plus a sneaky little worm).
All levels are welcome.
For more information or to register, please visit the FBAC website.
*** Erin Fletcher of Herringbone Bindery is teaching the Box with Telescoping Lid on August 4, 6, & 11.
In contrast to the clamshell box, this style of enclosure has a completely separate lid that slides off the base. In this workshop, students will construct an inner tray set within a frame for the object to rest. A ribbon will be added for easy retrieval of the object.
Students will be able to customize the inner tray to fit an object from their own library. Your object should be no larger than 145 x 100 x 20mm (h x w x d).
For more information or to register, please visit the Erin’s website.
*** The Minnesota Center for Book Arts is offering Make Your Own Binding Tools with Rachel Payne on Tuesdays August 4, 11, & 18.
Many bindery tools are specialized, making them difficult to find or expensive to purchase. In this virtual workshop, you’ll make a few tools and discuss how to make more.
Through live demonstration and guided discussion, you will discuss the construction of tools such as a laying press, press boards (wood and plexi), bone folders, and box corner jigs. You will make a punching cradle, corner trimming jigs, faux brass edged boards, bent needles, and soft weights.
There will be ample time for questions, troubleshooting, and discussion of alternative materials and methods. By the end of the workshop, you’ll understand how to construct your own bindery tools and adapt designs to suit your workspace and needs.
For more information or to register, please visit the MCBA website.
by Elissa | Jan 7, 2024 | B.A.G. Meetings, bookbinding, Call to artists, Exhibitions, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, January 10, 2024, 7:00 p.m. – 8:30 p.m.
This month’s meeting will be held IN PERSON!
We meet at the Unitarian Universalist Society Church located at 152 Pearl Street in Burlington, VT. We will be in the Sophia Fahs Community Room, a large room located in the basement. Click here for more information on directions/parking.
We are offering a Zoom option for those unable to attend in person. If you’d like to attend the meeting over Zoom, please contact Elissa and she’ll send you the link.
We hope to see you there!
The B.A.G. Board
In continuing with our tradition of choosing a theme for our meetings every year, the B.A.G. Board has selected the theme of It’s a Wrap! Classic Covers, Clever Closures, and Fabulous Finishes for 2024. We’ll focus on ways for you to amp up the presentation of your work.
The presentation of your work can absolutely make a difference in how your audience perceives it. Adding careful details and thoughtful treatments requires extra effort, but can bring extra appeal and personal satisfaction.
This year, we’ll explore many ways of finishing or adding to your work with covers, containers, and other detailed elements. We will discuss methods for creating elements that work with the structure and content of your book and give it extra polish.
Get ready, because it will be an exciting year!
Program: Diagonal Pocket Folder with Penne Tompkins
To kick off our 2024 theme of It’s a Wrap, B.A.G. member Penne Tompkins will demonstrate one of her favorite things to fold – the Hedi Kyle Diagonal Pocket Fold structure. It’s a simple and elegant form that can be used as an enclosure or wrap.
This structure is so simple, one only needs a piece of paper, however as we will be adding a small folio a few other bits are needed. A bone folder can be handy, but one’s thumbnail is okay too.
Tools and materials:
- Paper: One sheet of text weight or slightly heavier paper; magazine covers work well as the glossy finish holds a nice crease (I have a collection of The New Yorker covers that I use frequently). Gift wrapping paper is another good recycle option. In the finished product, only one side is visible so a decorative sheet with one plain side makes a lovely finished piece.
- Size: the ideal ratio for this shape is 3:4 although other ratios will work so long as the width to height ratio is close to 3:4.
- Using a letter size sheet of copy paper, you would trim it to be 8.25″ x 11″
- For a larger overall size, 9″ x 12″ or 12″ x 16″ will work
- For the folio insert:
- 3 sheets of text weight paper measuring 3.5″ h x 5″ w
- Punching tool (awl)
- Needle
- Thread
We are offering a Zoom option for those unable to attend in person. If you’d like to attend the meeting over Zoom, please contact Elissa and she’ll send you the link.
December Meeting Reflections
Our December B.A.G. meeting was full of card tricks and camaraderie. It was our second hybrid meeting and we continue to learn how to make this work for everyone. Some who met in person marveled at how long it had been and how great it was to be together again in real life.
Several members shared clever movable/pop-up card ideas. More of us are learning how to present through Zoom. For those who don’t know, the people meeting live at the church view the demonstrations on a screen so they are seeing the same thing that everyone at home sees on their computer or other device.
Still to learn is how to improve audio communication between the live meeting and the virtual meeting. As time goes on we will determine what seems best for Book Arts Guild of Vermont.
In the meantime we look forward to It’s a Wrap!, the first meeting for this year’s theme of containers, enclosures, and finishing touches. We look forward to seeing you then! And Happy New Year!
B.A.G. Library Corner
A new year is like a blank page to make your own, and in her book The Decorated Page, Gwen Diehn shows us how to customize a blank book for whatever ideas we have in mind. Try removing, adding, or dividing pages; changing the spine; or lamination. What other ideas do you have for your blank page?
You can check out and download the selection here.
If you have ideas for books to feature or if you have a B.A.G. library book in your possession from which you’d like to share something, email Sally at salblanch@gmail.com.
B.A.G. News
*** Support the Book Arts Guild of Vermont by becoming a member!
The Book Arts Guild of Vermont is supported by its members and you have kept us going for more than fifteen years. Our organization is solely run by volunteers and we do what we do because we love the book arts and we love B.A.G.. We continue to be inspired by our community, and the enthusiasm and talents that you bring to our meetings.
Membership dues are our main source of income and we hope that you will show that you value what we have to offer – quality programming, future exhibits, and more – by becoming a member. You get so much value out of your $35.00 and attending just one meeting can give you your full money’s worth.
Just to give you an idea of where membership dues go, here’s a breakdown of B.A.G.’s annual expenses:
- Zoom subscription: $159.90 per year
- Vimeo subscription: $84.00 per year
- Rent: $50.00 per month when we can return to in-person attendance
- Presenter honorarium: $35.00 per meeting
- Website and email newsletter: $100.00 per year
- Presenter reimbursement for supplies: Varies
We hope that you will renew your membership to help us with our annual expenses. You can download our membership form and send it in with your payment by check of $35.00 made out to the Book Arts Guild of Vermont:
Book Arts Guild of Vermont
c/o Ann Joppe-Mercure
10 Brookwood Dr
South Burlington, VT 05403
You can also pay your dues using Venmo – our account is BAGofVT, listed under businesses.
Thank you so much for your continued support of the guild. We wouldn’t be here without you.
*** Elissa Campbell will be teaching the Peek-a-Book Journal at CraftStudies in White River Junction on Sunday, January 21.
Create a journal with a double-needle Coptic binding, an intricate stitch that is visible on the spine of the book. Not only is the Coptic binding beautiful, but it also allows books to remain flat when opened. The book covers will include a cut-out window, which offers many opportunities for personalization – photos, pressed flowers, theater tickets, you name it!
All materials and tools will be provided.
For more information or to register, please visit the CraftStudies website.
Book Arts News
*** Helen Hiebert‘s membership program, The Paper Year, is open for enrollment now through January 9. Not only will you get to work on a new paper project each month, but you’ll also get access to all past projects from previous years (going back to 2021!). If you’re interested in learning more, visit Helen’s website.
Helen is also holding her annual Weaving Through Winter during the month for February. From February 1 – 28, you’ll be creating a weaving each day as you explore a variety of papers and weaving techniques. Helen describes the experience as a Daily Practice/Challenge/Adventure/Meditation.
For more information or to register, please visit Helen’s website.
*** Registration is open now through April 15 for the Paper and Book Intensive, an annual working sabbatical in the book arts, papermaking, and conservation for seasoned practitioners and motivated beginners.
For more than thirty years, participants have gathered together from around the world for two weeks of daily workshops to promote unusual levels of exchange, knowledge and inspiration. This year’s instructors include Ben Blount, Jeff Peachey, Mary Sullivan, and Erin Sweeney.
For more information or to apply, please visit the PBI website.
*** Save the date! The Focus on Book Arts conference is taking place June 26 – 30, 2024 at Western Oregon University in Monmouth, OR. Registration will open in March.
Offering a diverse and exciting series of hands-on workshops – along with a Trade Show, Artists’ Fair, Keynote Speaker, Faculty-Staff Exhibit, and several evening receptions – the FOBA conference will offer a variety of enjoyable, interactive, in-person opportunities for networking and learning new skills in book arts.
For more information about this year’s workshops, check out the FOBA website.
*** Abecedarian Gallery is accepting submissions for Printed Page IV, an exhibition to be held at Spark Gallery in Denver’s Art District from March 28 – April 21, 2024.
This is a national juried exhibition, open to artists at least 18 years of age. Eligible are any hand-crafted book-works (editioned or unique) that utilize a form of traditional hand printed media as primary element. The deadline for submissions is February 12, 2024.
For more information, please visit the Abecedarian Gallery’s website.
*** Artists using books as a medium are invited to enter Books Undone 2: The Art of Altered Books. They anticipate a diverse exhibition of book forms that stretch the idea of the altered book. With books as a medium, artists may deconstruct, paint, stitch, photograph, bend, roll, collage, knit, digitally rework, gouge, or use other methods to create their works.
The exhibition will take place at the Gallery at the Pennsylvania College of Technology in Williamsport, PA and the juror is Scott McCarney.
Entries will be accepted from February 1 – 29, 2024. The exhibition dates are May 30 – July 21, 2024, with a public reception on June 2.
For more information, please visit the Gallery at Penn College website.
Stay-at-Home Fun
*** The Center for Book Arts is offering the Drum Leaf Binding and its Precedents with Scott McCarney on 3 Tuesdays, January 23, 30, and February 6.
Drum leaf binding and its various precedents all create a lay-flat structure ideal for displaying photographs and prints. This workshop will explore three techniques – a Japanese Album, a Japanese Butterfly book, and a Drum-Leaf binding – which all have similarly easy and ingenious modes of assembly.
After learning these structures, participants will then case their Drum-Leaf books into easily assembled quarter-cloth covers with throw-back spines. Since each page spread is a single folded folio, participants can print their images across the gutter with no interruption, making these techniques very popular with printmakers and photographers. Once completed, these books lie flat when opened, making them easy and comfortable to view. No previous bookbinding experience required!
Fun Fact: Drum leaf binding is a structure developed by artist and bookbinder Timothy Ely. He was inspired by his studio of vellum binding in England, where he observed how vellum was drummed to boards to minimize pulling.
For more information or to register, please visit the CBA website.
*** The Minnesota Center for Book Arts is offering the Illuminated Tunnel Book with Elaine Chu on January 31.
The tunnel book is a paper book structure based on an accordion fold. A set of paper panels – which can be decorated in infinite ways including collage, cut paper, found images, rubber stamps, and drawings – are layered to create a sense of depth, drama, and perspective.
LED lights may be added to increase the sense of depth and drama. Instruction for this virtual workshop will include examples and step-by-step instructions for creating the tunnel book structure.
For more information or to register, please visit the MCBA website.
by Elissa | Aug 4, 2022 | B.A.G. Meetings, bookbinding, Call to artists, Exhibitions, Lecture, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, August 10, 2022, 7:00 p.m. – 8:30 p.m.
This month’s meeting will once again be held via Zoom, an online conference program. If you’ve never attended a Zoom meeting before, check out this video – it will go over the basics of how to join a meeting.
Stay safe!
The B.A.G. Board
In continuing with our tradition of choosing a theme for our meetings every year, the B.A.G. Board has selected the theme of Woven for 2022.
Weaving is one of the oldest surviving crafts in history, and is an integral part of all of our lives. We wear woven clothing, we sit on woven seats, we use and admire woven baskets.
In the paper and book world, there are many examples of paper weaving, woven book covers, and woven structures. Here are a few resources to get your brain churning:
The possibilities are kind of endless!
During the meetings this year, guest presenters will guide you through techniques to get you started on your woven explorations. The simplest methods can produce exciting results and we can’t wait to see what you come up with!
Program: Crossed Structure Binding – Linked Variation, Part 2 with Elissa Campbell
The Crossed Structure binding is intriguing in that the sewing is done directly onto back cover straps that integrate into the front cover. This non-adhesive variation on the long stitch was developed by book artist Carmencho Arregui after studying pre-16th century bindings.
In August’s meeting, Elissa Campbell will teach you how to complete the book you started in June. If you didn’t attend June’s meeting, you can watch the recording and catch up. As time allows, you’ll add stitching to the covers to both reinforce the structure and add a decorative touch.
Here’s a reminder of what’s needed to complete the book:
Supplies:
- 4 pieces of text weight paper: 4.75″ x 6.25″
- 2 pieces cover material (leather, heavy fabric, vinyl): 8″ x 4.75″
- 3 pieces sewing thread in the following lengths: 62″, 6″, 25″
- 1 piece cover weight paper: 4.75″ x 8″
- 1 piece cover weight paper: 1.5″ x 4.75″
- 1 piece cover weight paper: 1″ x 2″
Tools:
- Bone folder
- Scissors
- X-Acto knife
- Metal ruler
- Awl
- Cutting mat
- Bookbinding or tapestry needle
- Japanese screw punch or other leather punch (optional)
If you plan to attend the meeting, please contact Elissa so she can send you the Zoom meeting details.
July Meeting Reflections
I have followed paper artist extraordinaire Helen Hiebert for a very long time, and so was very excited to weave a house with her. She has a lovely way of making her techniques available and easy to follow for all participants. And the house project did not disappoint!
Judging by the houses that were held up at the end, and the ones that have been posted on Instagram, it seems that everyone enjoyed the project as well.
Thanks so much to Helen for her time and expertise, and thanks to all who showed up! We continue to have a strong attendance!
B.A.G. Library Corner
Building off the beautiful paper weavings we’ve made in our previous meetings, we look this month to a quick and fun tutorial in Clare Youngs’ Creative Book Art. With minimal supplies and just a few basic steps, Youngs walks us through how to create our own interesting geometric designs.
If you have ideas for books to feature or if you have a B.A.G. library book in your possession from which you’d like to share something, email Sally at salblanch@gmail.com.
You can check out and download the selection here.
B.A.G. News
*** Vermont book artists and the Book Arts Guild of Vermont are well represented at Art of the Book at the Rochester Public Library this year. This international juried show runs from June 27 through November 1.
Dorsey Hogg took 1st place in the altered book category with her work titled Words are Unruly, Carolyn Shattuck‘s work Quilters received an honorable mention in the book sculpture category, and Marcia Vogler received an honorable mention for Bird Totem in the artist’s book category. Congratulations!
Book Arts News
*** B.A.G. member Laura Lacroix shared a post from Colossal that features a book on weaving that opens to reveal a fully functional loom. The book by Cai Wei Qun includes a history of the craft, techniques and tricks, and an entire loom tucked between its covers. Check it out!
*** The New England Art Book Fair will be taking place September 2 & 3 at SPACE Gallery in Portland, ME. The annual NEABF invites artists, booksellers and small presses to participate in a 2-day celebration of independent publishing across the arts.
For more information, visit the NEABF website.
*** If you’re a fan of the French Paper Company, then you’ll be happy to hear that they’re offering a discount on all text weight paper until the end of August. Just add the paper of your dreams to your cart and 10% will automatically be deducted from your order – no code needed
Stay-at-Home Fun
*** The Jaffe Center for Book Arts is offering the Drum Leaf Binding Sampler with Karen Hanmer on August 13.
The Drum Leaf binding is the perfect structure for printmakers, photographers, or anyone who desires to present visual narratives with no sewing thread to interrupt the flow of imagery. Because a Drum Leaf is made of single-sided folios, not signatures, the complexities of imposition are not necessary when laying out text.
This workshop highlights the versatility of the Drum Leaf structure by presenting several variations on the familiar quarter cloth with breakaway spine. The workshop book is a sampler: one book will incorporate multiple techniques:
- One-piece Spine Wrapper of parchment or stiff handmade paper
- Hugging Spine: in this variation the spine wrapper does not break away from the spine. Rather when the book is opened the wrapper goes concave, conforming to the spine, providing support without restricting opening
- Dimensional Panels: this variation resembles a Bradel or Simplified binding: the decorative paper is wrapped around a thin board before being attached to the book.
All versions open flat, are perfect for edition work, and can be constructed quickly in a sparsely equipped home studio.
For more information or to register, please email John Cutrone at jcutrone@fau.edu.
*** The Minnesota Center for Book Arts is also offering a workshop with Karen Hanmer – the Sewn Boards Binding on August 24.
The sewn boards binding is Gary Frost’s elegant, modern adaptation of an ancient method of board attachment. Stiffened outer signatures sewn along with the text block function as the book’s covers.
The book opens flat. It can be dressed up or down with a variety of spine treatments, board-covering materials, and edge decoration techniques. It can be constructed quickly, lends itself to edition work, and can be made in a sparsely equipped home studio.
In this workshop, instruction will include working with common bookbinding tools, materials, techniques, and principles such as grain direction, mark-up for sewing, tidy application of adhesive, and measuring one component of the book to fit another.
For more information or to register, please visit the MCBA website.
*** The Center for Book Arts is offering Bookmaking and Printmaking from Home with Maria Veronica San Martín from August 30 – September 2.
Want to make a special one-of-a-kind book to gift to someone (or yourself) this summer? This course will show you how to conceptualize and make your own artist book that is the perfect fit for you!
The course begins with a contextual lesson on the book as an artistic medium – helping provide students with inspiration for their own work.
Then the class transitions to art-making – including learning the do’s and don’t of accordion book structure, the technique of monoprints on plexiglass, and the creation and construction of a flag book.
By the end of the course, each student will have created their own artist book and the class will engage in a final critique and discussion of all the work produced!
For more information or to register please visit the CBA website.
by Elissa | Jul 6, 2022 | B.A.G. Meetings, bookbinding, Call to artists, Exhibitions, Lecture, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, July 13, 2022, 7:00 p.m. – 8:30 p.m.
This month’s meeting will once again be held via Zoom, an online conference program. If you’ve never attended a Zoom meeting before, check out this video – it will go over the basics of how to join a meeting.
Stay safe!
The B.A.G. Board
In continuing with our tradition of choosing a theme for our meetings every year, the B.A.G. Board has selected the theme of Woven for 2022.
Weaving is one of the oldest surviving crafts in history, and is an integral part of all of our lives. We wear woven clothing, we sit on woven seats, we use and admire woven baskets.
In the paper and book world, there are many examples of paper weaving, woven book covers, and woven structures. Here are a few resources to get your brain churning:
The possibilities are kind of endless!
During the meetings this year, guest presenters will guide you through techniques to get you started on your woven explorations. The simplest methods can produce exciting results and we can’t wait to see what you come up with!
Program: Weave a House with Helen Hiebert
Paper artist extraordinaire Helen Hiebert learned to weave paper strips in grade school, but it wasn’t until she was in her 20’s that she decided to make some deviations! She started out by cutting curved strips, and then she came up with a way of cutting windows to expose various parts of the paper that would otherwise be hidden. She hopes you’ll discover some new tricks as you make a woven paper house with her.
Supplies:
- 2 sheets of text weight (not too thin) 8-1/2” x 11” paper that look good together, one decorative, one plain
- Cutting mat
- X-Acto knife
- Ruler
- Glue stick or PVA glue + 1/8” – 1/4” glue brush
- Small (5” x 5”) piece of thin, flexible plastic – like a piece of a yogurt or laundry container, or a flexible kitchen cutting mat (this is optional and will be used for cutting windows in the weaving
If you plan to attend the meeting, please contact Elissa so she can send you the Zoom meeting details.
June Meeting Reflections
We haven’t done a real hands-on meeting for a while, and so I was super excited to learn a new structure. Luckily, Elissa is a seasoned professional instructor and led us through the steps for the Crossed Structure Binding, making it doable and fun.
We didn’t get to the weaving part yet, but I’m looking forward to finishing it at the August meeting. In the meantime, I’m going to fancify my cover with some extra weaving or embroidery on it.
Thanks, Elissa, for the extra clear instructions that made the meeting fly by, and thanks to everyone who showed up for it.
B.A.G. Library Corner
We all know summer is busy, and it can be tough to find the space to create. But that means these summer months are a great time for using up scraps to create mini journals!
Find inspiration to use in your own stash from Tina Walker’s journals, showcased in the Somerset Studio November/December 2017 issue. Walker’s theme of “let there be love” is some added inspiration for these times.
If you have ideas for books to feature or if you have a B.A.G. library book in your possession from which you’d like to share something, email Sally at salblanch@gmail.com.
You can check out and download the selection here.
B.A.G. News
*** The Book Arts Guild of Vermont’s annual member show is open now at Grand Isle Art Works through July 31. Our opening reception will be on July 6 from 3:00 p.m. – 7:00 p.m. Ann Joppe-Mercure will be leading a free zine-making workshop during the reception.
B.A.G. member Susan Smereka is teaching an Upcycled Journal Making workshop on July 17, from 11:00 a.m. – 4:00 p.m. For more information or to register, visit the GIAW website.
*** Artistree Gallery is hosting another show in conjunction with the UNBOUND: VOL X exhibit (see below) – Cover to Cover: Book Lab Explorations.
Book Lab is a group of nine Vermont-based women who specialize in book arts. They meet regularly to critique one another’s work, collaborate on projects, and provide support as they explore the many ways a book can be art.
Book Lab members exhibiting work include B.A.G. members Rebecca Boardman, Elissa Campbell, Dorsey Hogg, Marilyn Gillis, Debra Kraemer, Ann Joppe-Mercure, Vera Ryerbach, Penne Tompkins, and Marcia Vogler. Each artist is exhibiting her own work, along with collaborative pieces they have co-created.
For more information, visit the Artistree website.
*** Vermont book artists and the Book Arts Guild of Vermont are well represented at Art of the Book at the Rochester Public Library this year. This international juried show runs from June 27 through November 1.
Dorsey Hogg took 1st place in the altered book category with her work titled Words are Unruly, Carolyn Shattuck‘s work Quilters received an honorable mention in the book sculpture category, and Marcia Vogler received an honorable mention for Bird Totem in the artist’s book category. Congratulations!
Book Arts News
*** Now through July 16, Artistree Gallery is hosting their 10th annual juried exhibit, UNBOUND: VOL X. This exhibit includes work by artists from the northeast looking to explore “the book” as concept, object, and format.
The broad theme of the exhibit encompasses all of the possibilities of what we may think or may not think a “book” is. Is it story? An entry to another world? An exploration? What does it indicate? This show looks to explore this idea of “the book” and all the ways artists use that format as a stepping-off point or as material to explore new ideas.
For more information, please visit the Artistree website.
*** North Country Studio Workshops in Bennington, VT is offering their next five-day intensive from January 24 -29, 2023 for artists and craftspeople in an atmosphere of discovery, energy, collaboration, and inspiration. There is a book artsy workshop that still has openings and may be of interest to you – The Artful Box with Mary Uthuppuru. Here’s the workshop description:
Construct a modified clamshell box. A box can enhance its contents or become an art piece of its own. Learn how to build a specific structure using a variety of decorative and assembly techniques. You will be encouraged to experiment and create components of the project drawing from personal inspiration. No special skills are required, just patience with a few techniques that require accuracy.
Registration is open now and historically, these workshops fill up fast. If you know that you want to take the workshop, don’t wait to enroll.
*** The Are You Book Enough theme for June was Weave, which worked out well with our theme for this year.
Whether you participated in last month’s challenge or not, it’s still worth checking out the submissions for some woven inspiration.
Check out hashtags #areyoubookenough and #areyoubookenough_weave to see the wonderful work that was created. The approaches are so varied!
Stay-at-Home Fun
*** The Jaffe Center for Book Arts is offering the Rough & Tumble Ergonomic Notebook with Karen Hanmer on July 16 & 17.
More traditionally called a “limp paper case,” this binding has its origins in the limp parchment cases of antiquity. This update is flexible enough to read on the beach, yet sturdy enough to throw in a backpack. The rounded, breakaway spine feels great in the hand, keeps its shape with repeated use, and ensures the book will open fully. The folded “yapp” fore edge protects the pages at the open edge of the book.
Sewing on tapes keeps the text block square and organized while it is being constructed, and later fortifies the attachment of the text block to the case. The hooked endsheets allow complete opening at the title page.
Best of all, the book can be made in a sparsely-equipped home studio. You’ll have so much fun making and using this book you’ll forget you are learning foundational bookbinding skills. This workshop is appropriate for intermediate binders, beginners who are ready for a fast-paced workout, and anyone who wants to add another quick and sturdy binding to their repertoire.
For more information or to register, please email John Cutrone at jcutrone@fau.edu.
*** The San Francisco Center for the Book is offering The Magic of Sewing Cards with Rosae Reeder on July 22 & 27.
The sewing card is a wonderful aid in learning how to master a simple to difficult sewing. Practicing the mechanics of any sewing on a piece of two-dimensional card is tantamount to working on an actual book.
Learn how to prepare and make sewing cards for a few different types of book structures in the first session. Take what you have learned and apply it to making an actual book in the second session. Students will choose which book to make once we have completed several types of sewing cards.
For more information or to register please visit the SFCB website.
*** The Minnesota Center for Book Arts is offering Pop-Up Curious? Explore Dimension! with Shawn Sheehy on July 26.
Do you look at pop-up books and wonder how they are engineered? Do you make greeting cards and harbor the desire to make your cards more spectacular? Do you make artist’s books and yearn to introduce dimension and animation? Even if you are simply compelled to read this description, you might be POP-UP CURIOUS.
This class—with a focus on dimension—will explore the fundamentals of paper engineering that address pop-ups. You’ll build a series of simple models using the tools, techniques, and materials of the trade. You’ll examine trade pop-up books that show how the structures have been used. When finished, you’ll bind your models into a simple case. This quick beginner class is an entertaining gateway into more advanced study. All are welcome!
For more information or to register, please visit the MCBA website.
by Elissa | Apr 6, 2020 | B.A.G. Meetings, bookbinding, Call to artists, Exhibitions, MailB.A.G., Vermont, Workshops
We hope that you’re managing to hang in there during these crazy times. Please let us know how you’re doing and what you’re up to – we can share your messages with other members to help us stay connected.
In order to secure the health of our members and the community, the B.A.G. Board has decided to cancel the April meeting. As of now, we don’t know if there will be a May meeting.
We’ll be watching how things progress over the coming weeks and determine when it’s safe to resume our meetings. We’ll stay in touch with updates.
Stay safe and sane!
The B.A.G. Board
Looking for book artsy things to do while stuck at home?
*** From April 15 – May 20, Helen Hiebert is teaching an online class, Flexible Book Structures. Join Helen in creating a series of flexible book structures that fold and unfold, collapse and expand, and feature innovative attachments and connections.
You’ll create six book objects, the equivalent of a weeklong workshop during this 6-week class. A new lesson will be in the classroom each Wednesday, and you can work from the comfort of your own home or studio at any time throughout the week. Hop into the online classroom anytime to ask questions and share your projects and ideas in a supportive and creative on-line community.
For more information or to register, visit Helen’s website.
*** The Center for Book Arts also has a selection of online classes throughout the month of April. These classes are offered with a suggested donation, which will be used to pay the instructor and to cover the class expenses.
Here are two that might be of interest:
April 14, 10:00 a.m. – 12:00 p.m.: During the Quarantine Book class with Johanna Maierski, you will learn how to make your own handmade quarantine book using found materials.
Students are encouraged to use found materials in their home: invoices they don’t want to pay, scrap paper, love letters, old leaves from their Monstera plants, fabric, plastic foil, yarn, needles, hammers, clips, etc.
The class will also serve as a space for seeking advice on bookmaking techniques and learning the different kind of zines formations to produce their own quarantine book. The class also includes a discussion of the materials gathered by the class, to collaboratively find a solution for binding for each individual project.
For more information or to register, click here.
April 14 & 21, 6:00 p.m. – 8:00 p.m.: In Artist Books & The Everyday with Ben Denzer, students will conceive and create their own artist books using the everyday materials they are currently quarantined with.
In the first session, Ben will introduce a working definition of the term “Artist Book,” share a survey of historical examples, and detail basic bookmaking techniques. A discussion will follow, along with each student describing their initial ideas and available materials.
Between sessions, Ben will be available for one-on-one conversations to give feedback and construction advice.
In the second session, each student will share their completed artist book in a group critique.
For more information or to register, click here.
*** The Guild of Book Workers‘ Board of Directors has generously decided to make all videos on the Guild of Book Workers’ Vimeo page available to rent, FREE of charge for the next month. This offer is open to everyone, regardless of membership status.
Enter the code GBW4FREE during checkout to reduce the cost of the rental to $0.00. Rentals are available as streaming content for 7 days. This code will expire on April 17, 2020.
If you have any difficulty using this promo code, please contact GBW President Bexx Caswell-Olson.Technical questions relating to the Vimeo website should be directed to Vimeo.
*** Check out the monthly Are You Book Enough challenge on Instagram. The rules are simple – create a book based on the monthly theme and post it on Instagram using the assigned tags. This month’s theme is Machine and you’ve got the whole month to work on something!
The project has been going on for over 3 years and even if you’re not going to participate, there are wonderful books to look at if you search for #areyoubookenough.
B.A.G. News
*** Announcement: Spring/Summer member exhibit, Page Turners: Artist’s Books by the Book Arts Guild of Vermont
Our spring/summer exhibit will take place in June at ArtHound Gallery in Essex, Vermont. The theme, Page Turners, is open-ended, allowing for unlimited interpretation. All members are invited and encouraged to contribute new or old work.
This new gallery offers a beautiful space for the exhibit, surrounded by work from artisans all over Vermont. All work must be FOR SALE.
Here are some important dates:
- Entry due date: May 27, 2020. No entries will be accepted after this date. Artists are encouraged to bring work and appropriate paperwork to the May 13th B.A.G. meeting.
- Exhibit dates: June 6 – 30, 2020
- Opening reception: June 6, 2020. Times to be determined.
Now is a great time to get to work on a piece! Don’t you have more time on your hands?
