by Elissa | Jul 6, 2018 | B.A.G. Meetings, bookbinding, Exhibitions, MailB.A.G., Vermont, Workshops
Next Meeting: Wednesday, July 11, 2018, 6:30 p.m. – 8:00 p.m.
We meet at the Unitarian Universalist Society Church located at 152 Pearl Street in Burlington, VT. We will be in the Sophia Fahs Community Room, a large room located in the basement. Click here for more information on directions/parking.
Program: Gallery Talk meets Show and Tell – Prepare to be Inspired!
Pats on the back and hugs all around – the Book Arts Guild just concluded two amazing exhibitions of members’ work. Both shows (at Studio Place Arts in Barre and at Frog Hollow Craft Gallery in Burlington) feature pieces that intrigued and delighted viewers.
Please join us in July as we explore together the wonderful pieces that appeared in both shows. Contributing artists are invited to talk about the pieces that were displayed, sharing their inspirations, their aspirations and their processes.
Expect to take home new ideas and an invigorated appreciation of the creative process.
Things to bring:
- Curiosity
- A sense of adventure!
June Meeting Reflections
In June, Jill Abilock took us on a two-hour hands-on adventure into the world of Coptic bindings, a stitch dating back to the 2nd century AD.
She guided us through the steps of a method that is her own personal twist on both the binding and cover attachment: her method requires punching fewer holes in the cover, has no thread lines on the inside of the cover that might mar the first or last pages of the book, and delightfully incorporates embellishments as an intrinsic part of the binding.
Jill brought in samples of her own work, which were both elegant and inventive, incorporating unusual materials like wire, fancy paper clips and beads. She provided upcycled materials cut to size from discarded library books for everyone to use to create their own mini artist journal, and templates to take home should they want to make another one.
Thanks to everyone who came to the meeting and even more to Jill for sharing her talents!
You can view images from the meeting on the B.A.G. blog.
B.A.G. News
*** We’re so sad that both B.A.G. exhibits are over now, but we can always dream about next year!
All pieces that were shown in both the Frog Hollow and SPA exhibits will be at the July meeting for pickup…unless you sold them, in which case – good for you!
* If you are unable to pick up your work at the meeting, please contact Marcia to make alternative arrangements.
For those of you who missed our exhibits, don’t worry! You can view images of all of the pieces in both the SPA exhibit and the Frog Hollow exhibit on the B.A.G. blog.
Book Arts News
*** ArtisTree Gallery‘s 8th annual juried exhibit, UNBOUND: VOL VIII, will open on July 27th and run through August 25, 2018. This exhibit is opening in conjunction with the kick off of the 10th annual Bookstock Literary Festival in Woodstock, VT.
The broad theme of UNBOUND: VOL VIII encompasses all of the possibilities of what we may think or may not think a “book” is. Is it story? An entry to another world? An exploration? What does it indicate? This juried show looks to explore this idea of “the book” and all the ways artists use that format as a stepping-off point or as material to explore new ideas.
An opening reception will be held on Friday July 27th, from 5:30 p.m. – 7:30 p.m.
For more information, please send an email to gallery@artistreevt.org or visit the ArtisTree Gallery’s website.
*** Now through July 22nd, Susan Kapuscinski Gaylord has fourteen of her Spirit Books on exhibition in the Hunnewell Building Visitors center at the Arnold Arboretum of Harvard University.
The Spirit Books connect my experience of the inherent spirituality and mystery of nature with the long-standing tradition of books as testaments of faith and belief. I gather twigs, branches, vines, and roots and use them to cradle stitched wordless books made of handmade papers from around the world.
The Arnold Arboretum is located at 125 Arborway in Boston, MA (Google map). For more information, please visit The Harvard Gazette’s website.
*** From June 11 – October 1, 2018, the John J. Burns Library at Boston College is hosting the exhibit Dreams of Art & Glory: Book Arts by the Roycrofters.
Roycroft, a reformist community of craftspeople and artists, was created by Elbert Hubbard in 1895, in the village of East Aurora, NY. The artisans who worked there were known as Roycrofters. When Hubbard was unable to find a publisher for his book Little Journeys, he set up a private press to print the book himself, founding Roycroft Press.
His championing of the Arts and Crafts philosophy of work attracted many craftspeople to East Aurora, and he formed a community of printers, furniture makers, metalsmiths, leathersmiths, and bookbinders.
The exhibition focuses on the printing and bookbindings executed by the Roycrofters, and includes an array spanning the modest *Little Journeys* pamphlet series, to beautifully printed and hand-decorated text-blocks, as well as books bound in stunning modelled leather bindings.
The John J. Burns Library is located at 140 Commonwealth Avenue in Chestnut Hill, MA.
*** Now through October 31st, artist Crystal Cawley has work on display in the Hat and Fragrance Textile Gallery at the Shelburne Museum in Shelburne, VT.
Cawley merges materials and ideas ranging from collections of old greeting cards and puzzle pieces to discarded library books and worn household textiles, drawing our attention to objects that might otherwise be overlooked. Visitors will encounter more than two dozen works combining the artist’s interests in the form and history of clothing and the possibilities of paper and fabric sculpture with traditional handiwork like embroidery, spinning, and letterpress printing.
For more information, please visit the Shelburne Museum’s website.
Book Arts Classes
*** The second annual Artist Book Intensive will be held at 26 Split Rock Cove in South Thomaston, ME from August 3 – 5, 2018. The event is sponsored by Midcoast Book Arts.
What is an Artist Book? Do artist books require words? Or images? What about structure as a part of the content? Yes, yes, and yes. Because artists’ books are works of art that use the form of the book. They may be published in small editions, though they are often produced as one-of-a-kind objects. And their subject matter is as varied as any other art form.
Three book making structures and two decorative techniques for book covers and/or content in your books will be taught. All materials will be provided, along with a notebook containing the instructional information covered in the workshops and additional resources.
For more information, please visit the Artist Book Intensive website.
*** Maine Media Workshops + College is offering Pop-Ups for Miniature Books with Shawn Sheehy from August 12 to 18, 2018.
By definition, a miniature book cannot be more than three inches in length, width, or depth. Working within this small format, students will learn how to bring drama and excitement to their pop-up book by inserting impossibly large images into a small package. Students will use cardstock and simple hand tools to build and bind, using a pop-up specific technique, a variety of structures that move above, beyond, and behind the page. Students will have time to experiment with their own ideas and recieve engineering advice from the instructor.
No experience is necessary, but previous experience in fiber arts and/or paper craft will speed your progress. This content readily accommodates beginners and advanced makers alike. You will leave the class with a completed popup book and a good understanding of the basics of popup engineering. Once you’ve tackled the skills in small format, you’ll be able to scale up for future projects!
For more information or to register, please visit the Maine Media website.
*** The Women’s Studio Workshop is currently running its Summer Art Institute with workshops focusing on printmaking, papermaking, and book arts. They offer you time to focus on your work, become energized and inspired, learn new skills, and meet a new community of like-minded artists.
Here’s a sampling of what’s coming up:
Unfolding Practice with Arzu Mistry will take place from August 6 – August 10. This workshop is based on the artist book Unfolding Practice: Reflections on Learning and Teaching, created by Arzu Mistry and Todd Elkin.
This workshop is for artists from a variety of disciplines, who are interested in sharing and developing processes of reflective practice, and to take a deep dive together into methods of using accordion books as sites for multi-disciplinary reflection, inquiry and art practice. Using a range of book forms and screen-printing techniques, you will document, reflect, plan, and think expansively about your practice as artists.
We’ve Got the Blues: Indigo Dyeing for Paper & Cloth with Mary Hark will take place from August 20 – August 24.
Participants will be immersed in studio production, making use of this powerful and historic color on handmade paper and a variety of textiles. Experienced dyers are encouraged to bring works-in-progress and ideas for new projects. Beginners will be introduced to the process of papermaking with fibers that are appropriate for this immersion dye process – such as Asian fibers, flax, abaca, and linen cloth – as well as shibori resist dye techniques.
Each participant will be supported and encouraged as they use these processes and materials to expand their creative practice with the breadth of possibility offered by the indigo vat. Studio work will be complemented by discussion of the historic and contemporary use of indigo; informal critiques of works-in-progress; and technical information for papermaking and dyeing in home studios and classrooms.
Participants will leave with a deeper understanding of what this color can mean, a portfolio of beautiful samples of indigo blue on cloth and handmade paper, completed work, and the information necessary to continue on this path.
For more information about the workshops or to register, please visit the Women’s Studio Workshop website.
by Elissa | Jun 10, 2018 | B.A.G. Meetings, bookbinding, Call to artists, Exhibitions, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, June 13, 2018, 6:30 p.m. – 8:00 p.m.
We meet at the Unitarian Universalist Society Church located at 152 Pearl Street in Burlington, VT. We will be in the Sophia Fahs Community Room, a large room located in the basement. Click here for more information on directions/parking.
Program: The Coptic-Bound Upcycled Artist Journal with Jill Abilock
Join us in June as Jill Abilock leads us in creating Coptic-bound artists journals from upcycled library books. Making journals from upcycled books is an excellent way of overcoming “blank page” syndrome, since the pages already have writing on them! (To use the book, you simply gesso, color wash or collage over the pages). Coptic-bound books also make excellent artist journals because they lay flat when open.
Jill has invented a method for attaching covers and sewing pages that is so simple and elegant, you might find yourself looking for more old books to cut up turn into artist journals!
Jill will bring book covers and pages from hard-cover books discarded by libraries that she has cut into the perfect size for making portable, Coptic-bound art journals. She will also provide punching templates, thread and beads for sewing the art journals.
Please bring the following tools:
- Scissors (to trim your thread)
- Awl, pin vise or needle tool
- Old phone book, cutting mat or punching pad
- Bone folder
- 4 curved bookbinders or upholstery needles (if you have them – if not, there will be needles available to borrow)
Request to more experienced members: Not everyone has specialized tools, like an awl, curved needles, or a bone folder. If you happen to have extra, it would be wonderful if you could bring them in to share with a neighbor who doesn’t. Thanks!
May Meeting Reflections
Did we learn a lot about how to price your work? I think so, and much more! Let’s review:
- Keep track of your time ( most important) and materials.
- Decide on a rate per hour to pay yourself
- Consider your learning time and skill level
- Consider size and number ( if editioned)
- Use the commission calculator: (YOUR PRICE) ÷ (100%- commission %) = Z ( Gallery Price)
Voila! And don’t forget to package your work safely and nicely, and take some good photos for posterity.
We all need a pep talk now and then to reinforce our own self-worth, and in extension, the value of our work. Congratulations, everyone, because I felt a definite surge in self esteem and power building throughout the meeting. Thanks to everyone for sharing their experience, knowledge, and energy.
You can view images from the meeting on the B.A.G. blog.
B.A.G. News
*** Both Book Arts Guild of Vermont exhibits are now open…
…and they look fabulous! We are so very proud of and impressed by the work that our members create. Our membership has so much talent!
Beyond Words: Artworks by the Book Arts Guild of Vermont is in the second floor gallery at Studio Place Arts in Barre and will be open until June 30. SPA has given us a digital image that you can use to help promote the show. Click here to download an image of the flyer that you can share on social networks.
You can view images of all of the pieces in the SPA exhibit on the B.A.G. blog.
The Art of the Book is at Frog Hollow Craft Gallery on Church Street in Burlington and is also open until June 30.
You can view images of all of the pieces in the Frog Hollow exhibit on the B.A.G. blog.
Book Arts News
*** Now through July 22nd, Susan Kapuscinski Gaylord has fourteen of her Spirit Books on exhibition in the Hunnewell Building Visitors center at the Arnold Arboretum of Harvard University.
The Spirit Books connect my experience of the inherent spirituality and mystery of nature with the long-standing tradition of books as testaments of faith and belief. I gather twigs, branches, vines, and roots and use them to cradle stitched wordless books made of handmade papers from around the world.
The Arnold Arboretum is located at 125 Arborway in Boston, MA (Google map). For more information, please visit The Harvard Gazette’s website.
*** From June 11 – October 1, 2018, the John J. Burns Library at Boston College is hosting the exhibit Dreams of Art & Glory: Book Arts by the Roycrofters.
Roycroft, a reformist community of craftspeople and artists, was created by Elbert Hubbard in 1895, in the village of East Aurora, NY. The artisans who worked there were known as Roycrofters. When Hubbard was unable to find a publisher for his book Little Journeys, he set up a private press to print the book himself, founding Roycroft Press.
His championing of the Arts and Crafts philosophy of work attracted many craftspeople to East Aurora, and he formed a community of printers, furniture makers, metalsmiths, leathersmiths, and bookbinders.
The exhibition focuses on the printing and bookbindings executed by the Roycrofters, and includes an array spanning the modest *Little Journeys* pamphlet series, to beautifully printed and hand-decorated text-blocks, as well as books bound in stunning modelled leather bindings.
The John J. Burns Library is located at 140 Commonwealth Avenue in Chestnut Hill, MA.
*** ArtisTree Gallery is accepting submissions for their 8th annual juried exhibit, UNBOUND: VOL VIII. The theme of the show is simple – an exploration of what a book can be…art using books as a material or a format. The exhibit will be presented in conjunction with the Bookstock Literary Festival in Woodstock, VT.
This call for submissions is open to all 2D, 3D, installation, assemblage, film and video artists who are working in New England or New York who are 18 years of age or older. All artwork must be original in concept, design and execution. Note: Reproductions, if used as mixed media, will be considered.
This year the exhibit will be juried by book artist Valerie Carrigan. The deadline for submission is June 29, 2018. All submissions must be made through their online entry form.
For more information, please read the online exhibit prospectus.
You can also contact Gallery Director Adrian Tans at gallery@artistreevt.org.
*** For those of you interested in building your collection of bookbinding equipment, this one’s for you.
There are two used bookbinding presses available for purchase in the Burlington area. As you can see in the picture, both are finishing presses. Compared to the prices for the presses if they were new (check out Talas), you’ll find that these prices are very reasonable.
For more information, please contact Zoe Papas at zoe@zoeink.net.
Book Arts Classes
*** The second annual Artist Book Intensive will be held at 26 Split Rock Cove in South Thomaston, ME from August 3 – 5, 2018. The event is sponsored by Midcoast Book Arts.
What is an Artist Book? Do artist books require words? Or images? What about structure as a part of the content? Yes, yes, and yes. Because artists’ books are works of art that use the form of the book. They may be published in small editions, though they are often produced as one-of-a-kind objects. And their subject matter is as varied as any other art form.
Three book making structures and two decorative techniques for book covers and/or content in your books will be taught. All materials will be provided, along with a notebook containing the instructional information covered in the workshops and additional resources.
For more information, please visit the Artist Book Intensive website.
*** Maine Media Workshops + College is offering Pop-Ups for Miniature Books with Shawn Sheehy from August 12 to 18, 2018.
By definition, a miniature book cannot be more than three inches in length, width, or depth. Working within this small format, students will learn how to bring drama and excitement to their pop-up book by inserting impossibly large images into a small package. Students will use cardstock and simple hand tools to build and bind, using a pop-up specific technique, a variety of structures that move above, beyond, and behind the page. Students will have time to experiment with their own ideas and recieve engineering advice from the instructor.
No experience is necessary, but previous experience in fiber arts and/or paper craft will speed your progress. This content readily accommodates beginners and advanced makers alike. You will leave the class with a completed popup book and a good understanding of the basics of popup engineering. Once you’ve tackled the skills in small format, you’ll be able to scale up for future projects!
For more information or to register, please visit the Maine Media website.
*** The Women’s Studio Workshop is currently running its Summer Art Institute with workshops focusing on printmaking, papermaking, and book arts. They offer you time to focus on your work, become energized and inspired, learn new skills, and meet a new community of like-minded artists.
Here’s a sampling of what’s coming up:
The Moving Book: Drawing & Basic Pop-Up Design with Claire Joyce will take place from July 30 – August 3.
You will delve into the many possibilities of building up your drawings into the pop-up form, from exploding abstract forms to small animated narratives. The condensing and expanding motion of pop-up mechanisms can enhance the drawn image and create a magical handheld experience for the viewer.
Beginning with sketching, basic folds, and structures, participants will create several small single fold projects with a focus on hand-drawn elements. You will build toward combining these techniques into a bound three-page (or more!) pop-up book. Claire will bring some of the pop-up books from her own collection for inspiration and discussion.
Unfolding Practice with Arzu Mistry will take place from August 6 – August 10. This workshop is based on the artist book Unfolding Practice: Reflections on Learning and Teaching, created by Arzu Mistry and Todd Elkin.
This workshop is for artists from a variety of disciplines, who are interested in sharing and developing processes of reflective practice, and to take a deep dive together into methods of using accordion books as sites for multi-disciplinary reflection, inquiry and art practice. Using a range of book forms and screen-printing techniques, you will document, reflect, plan, and think expansively about your practice as artists.
Parallel Universes: Handmade Paper and Photography with Tatana Kellner will take place from July 9 – July 13.
Person holding cameraArtists will rediscover the excitement of working in the photographic darkroom and the pleasures of making paper by hand. You’ll combine these two tactile processes to create painterly photographic prints on handmade paper.
The first two days will be spent making paper from various fibers, suitable for photographic purposes. You’ll explore making standard and shaped paper, embedding, and pulp painting all in preparation for the darkroom.
Working with traditional photographic negatives (up to 4” x 5”) or making new digital negatives, you’ll spend the rest of the week learning to size and coat the paper before proceeding to print in the darkroom. No previous experience is necessary.
For more information about the workshops or to register, please visit the Women’s Studio Workshop website.
by Elissa | Jun 2, 2018 | bookbinding, Exhibitions, Vermont
“Measuring Up” by Marcia Vogler
“Bygone Opportunities” by Rebecca Boardman
“Bygone Opportunities” by Rebecca Boardman
“Bygone Opportunities” by Rebecca Boardman
“Show the Way” by Marcia Vogler
“The Green Rules” by Ann Joppe Mercure
“We Remember” by Ann Joppe Mercure
“Purple Handbound Journal” by Marianna Holzer
“Book of Love: Handbound Blank Journal” by Marianna Holzer
“Post-Literate” by Nina Gaby
“Wear Your Story: Home” by Maryann Riker
“Urban Calligraphy #22” by Marilyn Gillis
“Urban Calligraphy #24” by Marilyn Gillis
“Hidcote” by Hope Baker-Carr
“Hidcote” by Hope Baker-Carr
“Ebony & Ovary” by Debra Kraemer
“Fine Art” by Elissa Campbell
“And the Story Goes On…” by Dorsey Hogg
“Fishbone Book” by Marilyn Gillis
“Vibrations: Drum Trio” by Nancy Stone
“Homage to Mondrian – 3 Variations” by Vera Ryersbach
‘to reveal’ by Jane Ploughman
“Urban Calligraphy #21” by Marilyn Gillis
“Urban Calligraphy #23” by Marilyn Gillis
“Children’s Counting Book” by Vera Ryersbach
“Mapped and Remapped” by Rebecca Boardman
“Mapped and Remapped” by Rebecca Boardman
“What Privilege Owes” by Marilyn Gillis
“Vibrations: Guitar Trio” by Nancy Stone
“Found Words, Found Worlds” by Sally Blanchard-O’Brien
“From Memory’s Unreliable Files” by Nina Gaby
“Fragments” by Debra Kraemer
“Urban Calligraphy #1” by Marilyn Gillis
“Urban Calligraphy #2” by Marilyn Gillis
“Urban Calligraphy #3” by Marilyn Gillis
“Words Can Be Unruly” by Dorsey Hogg
by Elissa | Oct 5, 2017 | B.A.G. Meetings, bookbinding, Exhibitions, Lecture, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, October 11, 2017, 6:00 p.m. – 8:00 p.m.
The October meeting will be held at UVM’s Special Collections in the basement of Bailey Howe Library. Click here to download a pdf of the directions to Special Collections.
Please note that in October we will not be meeting as usual at the Unitarian Church in Burlington. In addition, the meeting will start 1/2 hour earlier than our normal meeting time, at 6:00 p.m.
Program: Field Trip to UVM Special Collections
At this month’s meeting, University of Vermont Librarian Prudence Doherty will guide us through some of the amazing artists’ books held in the Special Collections department.
Not everyone knows that we have one of the finest collections of artists’ books in the nation, right here in Burlington. Join us in a hands-on exploration that will stimulate your imagination and spark your creativity!
* Please bring a pencil, not a pen, if you plan to take notes.
September Meeting Reflections
Our very special guest, Carolyn Shattuck, presented us with a fascinating evening full of insight and inspiration. She spoke clearly about her need to express her life and experiences through the making of artist books. Why I Make Books gave us a glimpse into not only her process, but her motivation and ability to express deep emotions.
Thank you, Carolyn, for sharing all of it with us. Also, thanks to all who attended.
You can view images from the meeting on the B.A.G. blog.
B.A.G. News
Book Arts Guild of Vermont 2018 Show news!
We will have 2 shows in 2018! The first will be at Studio Place Arts in Barre from May 22 – June 30, where we will be exhibiting in the second floor gallery. The exhibit will be in conjunction with the exhibit in the main gallery, Talk to Me / Tell Me / Word.
Spoken, written, and signed language is distinctively human. There are currently 6909 living languages, though half are in danger of extinction and are expected to disappear in this century.
What do the connected sounds and symbols of words suggest for the visual arts? We’re thinking of diverse languages and letterforms (real or invented), new communication technologies, censorship, graffiti, collage, and urgent written/spoken messages. We will be creating a Tower of Babel in the center of the gallery, and welcome proposals for this structure in whole or part.
The second show will take place in June at Frog Hollow Vermont Craft Gallery on Church Street. This will be a great opportunity to get exposure for our group in the heart of Burlington.
*** B.A.G. member Elissa Campbell is teaching the Peek-a-Boo Journal at Studio Place Arts in Barre, VT on October 28th from 12:30 p.m. – 5:30 p.m.
In this workshop, participants will create a journal with a double-needle coptic binding, an intricate stitch that will be visible on the spine of the book. Not only is the coptic binding beautiful, but it also allows books to remain flat when opened. The book covers will include a cut-out window, which offers many opportunities for personalization – photos, pressed flowers, theater tickets – if it’s flat, you can use it.
To register, contact SPA via phone at (802) 479-7069 or email.
*** If you missed the visit to the Book Arts Workshop at Dartmouth College a few months ago, here’s your second chance. Debra Kraemer has kindly set up another visit for the BAG members for November 18, 2017. More details to come, so save the date!
We will be visiting Rauner Special Collections Library to see a selection of handmade books from their and the Sherman Art Library collections.
Book Arts News
*** On Tuesday, October 10th, Peter and Donna Thomas (a.k.a. the Wandering Book Artists) will stop by the North Bennet Street School to share their one-of-a-kind artist books.
In honor of the 40th anniversary of making their first book, Peter and Donna are traveling across the country visiting exhibits that commemorate their work.
You can read more about their adventures on their blog.
*** Clemente Orozco, director of Impronta Casa Editora, an independent book publisher and cultural venue in Guadalajara, Mexico, specializing in hand-printed books, will be giving a public lecture at Dartmouth College called Arts of the Book and Book Artists in Mexico: A Panoramic View.
Orozco, a Dartmouth graduate of the class of 1985, has had a long career as an artist. In addition to overseeing design and production at Impronta, Clemente illustrates many of the books and has many years of experience as a printer, book designer, and artist in both the United States and Mexico.
The lecture will take place in the Current Periodicals Room at Baker Library on Wednesday, October 18th from 4:00 p.m. – 5:00 p.m. with a reception to follow.
On October 20th, from 2:00 p.m. – 6:00 p.m., Clemente will be printing at the Book Arts Workshop (in Baker Library, right around the corner from the Orozco murals).
Dartmouth College is located in Hanover, NH.
*** On October 20, 2017, the Kate Cheney Chappell 83 Center for Book Arts will host Fresh Cuttings, a lecture with Béatrice Coron. The artist will discuss her exploration of storytelling in artist books, installations, and public art.
Coron’s cut designs are made of paper, glass or metal and range in size from small to monumental. Her work is held in collections such as the Metropolitan Museum of Art, the National Museum of Women in the Arts, and the Library of Congress.
The Kate Cheney Chappell 83 Center for Book Arts is located in Portland, Maine. The lecture will be held from 4:00 p.m. – 6:00 p.m. in the University Events Room on the 7th floor of the Glickman Family Library.
For more information, please contact Rebecca Goodale at (207) 228-8014 or goodale@maine.edu.
*** From November 3 – December 22, the North Bennet Street School will host Heroic Works, the third International Bookbinding Exhibition from Designer Bookbinders in the United Kingdom. The exhibit includes 28 prizewinning bindings and 9 works by binders from the United States.
184 binders from 31 countries participated in the competition by binding a book of their own choosing on the theme of myths, heroes, and legends. These works reflect a remarkable range of styles, materials, and approaches to great classics of world literature, as well as modern texts.
The exhibit is free and open to the public on weekdays from 9:00 a.m. – 5:00 p.m. The North Bennet Street School is located in Boston, MA.
Book Arts Classes
*** On Saturday, October 21st, the Kate Cheney Chappell 83 Center for Book Arts is hosting a workshop with Béatrice Coron, Cutting Edges. The workshop will be held in the Multi-Purpose Room in the Wishcamper Center at the University of Southern Maine in Portland.
During this intensive class of serious fun, participants will discover the incredible variety of applications of this art form from fine arts to public art commissions. Through different exercises students will learn how to adapt reference images into papercuts and produce works as different as black and white scenes, color collage, pop-ups, wearables, and stencils.
Cutting different papers and experimenting with scale, we will keep an open mind to adapt them to other materials and explore new territories. Tips, tricks and resources will be provided. No experience necessary.
For more information, please contact Rebecca Goodale at (207) 228-8014 or goodale@maine.edu.
*** The Eliot School is offering Bookbinding Sketchbooks with Johanna Finnegan-Topitzer on Sunday, October 29th from 10:00 a.m. – 2:00 p.m.
Make a custom blank book for sketching, writing or collecting images or photographs. Cut, fold and bind pages using the “sewn on tape” binding method. This yields a board-bound book in which the spine is uncovered, revealing the folded edge of the folios connected by decorative stitching over French tape.
For more information about the class, please visit the Eliot School’s website or click here to download the complete catalog.
*** On November 18 & 19, the North Bennet Street School is offering Italian Tacketed Stationery Bindings with Katherine Beaty.
During this workshop, you will explore the structure of early Italian tacketed stationery bindings based on the Medici family account book collection at Harvard Business School’s Baker Library. From the 14th through the 19th centuries, tacketed stationery books were used for day, letter, and account books. These books were designed for daily use and had to live up to the task.
In this 2-day workshop, you will construct the most common style of tacketed stationery binding: a limp vellum binding with laced overbands and a fore-edge flap. The textblock will be sewn over split thongs, which will lace through the front cover and be secured under the overbands. The cover will be reinforced with stiff leather overbands, secured to the cover with decorative alum tawed lacings. During this workshop, you will discuss terminology, binding variations, and examine images from the Medici collection.
Participants should have previous bookbinding experience, and be comfortable using paper, parchment, and leather.
For more information or to register, please visit the NBSS website.
by Elissa | Sep 9, 2017 | B.A.G. Meetings, bookbinding, Exhibitions, Lecture, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, September 13, 2017, 6:30 p.m. – 8:30 p.m.
We meet at the Unitarian Universalist Society Church located at 152 Pearl Street in Burlington, VT. We will be in the Sophia Fahs Community Room, a large room located in the basement. Click here for more information on directions/parking.
Program: Why I Make Books – Artist Talk with Carolyn Shattuck
Resilience
Please join us for the opportunity to meet celebrated book artist Carolyn Shattuck, who will speak about how she has progressed over 20 years of bookmaking. Carolyn will share her process with us and show many of her amazing books, from origami books and flexagons to pop-ups and a Women’s Project.
Born in Montreal, Canada, Carolyn originally trained as a nurse and worked in psychiatry. She began her art career when she moved to the United States in 1971. After a short stay in the U.S., Carolyn’s husband was drafted into the Vietnam War, and she and her husband moved to Okinawa, Japan, where they lived for three years. During those years, Carolyn became influenced by the history and beauty of Japanese prints. After returning to the United States, Carolyn earned an M.F.A. in painting at Bard College.
In the late 1990s, Carolyn organized an exhibition with three artists called, A Country of Souls: Reflections on Early New England Gravesites. The purpose of the traveling show was to develop an awareness of the mystery of death and dying issues. The intriguing folk art of the Puritans that Carolyn discovered while visiting New England cemeteries has generated a lifelong vocabulary that is threaded throughout her work in book arts. Many University Collections, as well as The Smithsonian Museum, have collected her books.
Carolyn currently lives in Vermont, where she teaches and makes books that relate to social and environmental issues.
August Meeting Reflections
Our Coptic Book Extravaganza brought out a lot of friends and members to share in Amy Burns‘ riff on coptic sewing. Luckily there was no beer served with the beer coasters she provided as covers – it was hard enough keeping us under control without the addition of alcohol! Amy was patient with us all anyway, and calmly and cheerfully led us through the sewing procedure. Success was had by all!
As part of the Extravaganza, Jill Abilock gave us an overview of her work with coptic bindings, and showed us how versatile and creative they can be.
Thanks, Amy and Jill for your preparation and presentation, and thanks to all who participated in the evening.
You can view images from the meeting on the B.A.G. blog.
B.A.G. News
Book Arts Guild of Vermont 2018 Show news!
We will have 2 shows in 2018! The first will be at Studio Place Arts in Barre from May 22 – June 30, where we will be exhibiting in the second floor gallery. The exhibit will be in conjunction with the exhibit in the main gallery, Talk to Me / Tell Me / Word.
Spoken, written, and signed language is distinctively human. There are currently 6909 living languages, though half are in danger of extinction and are expected to disappear in this century.
What do the connected sounds and symbols of words suggest for the visual arts? We’re thinking of diverse languages and letterforms (real or invented), new communication technologies, censorship, graffiti, collage, and urgent written/spoken messages. We will be creating a Tower of Babel in the center of the gallery, and welcome proposals for this structure in whole or part.
The second show will take place in June at Frog Hollow Vermont Craft Gallery on Church Street. This will be a great opportunity to get exposure for our group in the heart of Burlington.
*** Congratulations to Nina Gaby, 1st prize winner, and Marcia Vogler, 2nd prize winner in this year’s juried exhibit UNBOUND: VOL VII at the ArtisTree Gallery in South Pomfret, VT. The winning entries were chosen from over 300 submissions.
You can read about the exhibit in this review in Seven Days.
*** If you missed the visit to the Book Arts Workshop at Dartmouth College a few months ago, here’s your second chance. Debra Kraemer has kindly set up another visit for the BAG members for November 18, 2017. More details to come, but put the date in your calendar.
We will be visiting the Book Arts Workshop, the Preservation Studio, and the Special Collections department in the library.
*** B.A.G. member Elissa Campbell has two classes coming up at Studio Place Arts in Barre, VT:
The Paste Paper Photo Album
Saturdays 9/23/17 & 9/30/17
12:30 p.m. – 4:00 p.m.
In this workshop, you will learn how to create an elegant hard-cover photo album using bookcloth and paste paper that you’ll make yourself! This is a wonderful keepsake that can hold 4″ x 6″ photos from your recent vacation or family holiday gathering. Different methods will be demonstrated to guide you as you create your own paste papers with vibrant colors. We’ll use methyl cellulose in a paste recipe that’s easy to recreate on your own.
Peek-a-Boo Journal
Saturday 10/28/17
12:30 p.m. – 5:30 p.m.
In this workshop, participants will create a journal with a double-needle coptic binding, an intricate stitch that will be visible on the spine of the book. Not only is the coptic binding beautiful, but it also allows books to remain flat when opened. The book covers will include a cut-out window, which offers many opportunities for personalization – photos, pressed flowers, theater tickets – if it’s flat, you can use it.
To register, contact SPA via phone at (802) 479-7069 or email.
Book Arts News
*** On Sunday, September 10th, the Shelburne Museum will be screening Pressing On: A Letterpress Film.
The modern world was born on a printing press. Once essential to communication, the 500-year-old process is now in danger of being lost as its caretakers age. From self-proclaimed basement hoarders to the famed Hatch Show Print, Pressing On: The Letterpress Film explores the question: why has letterpress survived in a digital age?
The screening will take place from 2:00 p.m. – 4:00 p.m. in the Pizzagalli Center for Art and Education Auditorium and will be followed by a printing demonstration.
The Shelburne Museum is located in Shelburne, VT.
*** Susan Kapuscinski Gaylord is holding an Open Studio event on September 16th from 10:00 a.m. – 4:00 p.m. Susan is the author of Handmade Books For A Healthy Planet and Multicultural Books to Make and Share.
Featured work will include Susan’s Spirit Books and her series Words for Our Time. Her studio is located at 311 High Street in Newburyport, MA.
For more information, please visit Susan’s website.
*** Clemente Orozco, director of Impronta Casa Editora, an independent book publisher and cultural venue in Guadalajara, Mexico, specializing in hand-printed books, will be giving a public lecture at Dartmouth College called Arts of the Book and Book Artists in Mexico: A Panoramic View.
Orozco, a Dartmouth graduate of the class of 1985, has had a long career as an artist. In addition to overseeing design and production at Impronta, Clemente illustrates many of the books and has many years of experience as a printer, book designer, and artist in both the United States and Mexico.
The lecture will take place in the Current Periodicals Room at Baker Library on Wednesday, October 18th from 4:00 p.m. – 5:00 p.m. with a reception to follow.
On October 20th, from 2:00 p.m. – 6:00 p.m., Clemente will be printing at the Book Arts Workshop (in Baker Library, right around the corner from the Orozco murals).
Dartmouth College is located in Hanover, NH.
*** On October 20, 2017, the Kate Cheney Chappell 83 Center for Book Arts will host Fresh Cuttings, a lecture with Béatrice Coron. The artist will discuss her exploration of storytelling in artist books, installations, and public art.
Coron’s cut designs are made of paper, glass or metal and range in size from small to monumental. Her work is held in collections such as the Metropolitan Museum of Art, the National Museum of Women in the Arts, and the Library of Congress.
The Kate Cheney Chappell 83 Center for Book Arts is located in Portland, Maine. The lecture will be held from 4:00 p.m. – 6:00 p.m. in the University Events Room on the 7th floor of the Glickman Family Library.
For more information, please contact Rebecca Goodale at (207) 228-8014 or goodale@maine.edu.
Book Arts Classes
*** On September 16 & 17, the North Bennet Street School is offering Italian Paper Bindings with Bill Hanscom.
Explore the history and use of inexpensive paper-covered book structures beginning at the advent of the printed book in Europe and continuing through the industrial revolution of the nineteenth century. Participants will create four models of bindings commonly used in the Italian region including a plain wrapper, laminated case wrapper, basic long-stitch, and paper case.
Models will incorporate decorated and handmade papers, as well as historically-employed sewing techniques and end-sheet constructions. Structural variations and decoration will be examined through images and historical examples from the instructor’s collection.
For more information or to register, please visit the NBSS website.
*** The North Bennet Street School is also offering Edge Decoration with Erin Fletcher from September 30 – October 1, 2017.
Explore a variety of ways to decorate the edges of a text block. Decorating an edge is more than just applying pigment, students learn how to properly trim and sand edges in addition to preparing pigments such as acrylic, gouache and powdered graphite. We will also explore striped edges, simple gilding and gauffering (tooled impressions).
For more information or to register, please visit the NBSS website.
*** From October 1 -7, 2017, Snow Farm in Williamsburg, MA is offering Fiber Techniques for Book Artists with Natalie Stopka.
Add fiber arts techniques to bookmaking and bring a world of color, pattern, and texture to your work! Learn to prepare and fix natural dyes to fabric and paper for accessible, sustainable color. Use these fibers to create a bound book exploring the synergy of fiber arts, book arts, embroidery, and needle weaving. Bring materials to test in the dye pot or incorporate into your binding. All levels welcome.
For more information or to register, please visit Snow Farm’s website.
*** On Saturday, October 21st, the Kate Cheney Chappell 83 Center for Book Arts is hosting a workshop with Béatrice Coron, Cutting Edges. The workshop will be held in the Multi-Purpose Room in the Wishcamper Center at the University of Southern Maine in Portland.
During this intensive class of serious fun, participants will discover the incredible variety of applications of this art form from fine arts to public art commissions. Through different exercises students will learn how to adapt reference images into papercuts and produce works as different as black and white scenes, color collage, pop-ups, wearables, and stencils.
Cutting different papers and experimenting with scale, we will keep an open mind to adapt them to other materials and explore new territories. Tips, tricks and resources will be provided. No experience necessary.
For more information, please contact Rebecca Goodale at (207) 228-8014 or goodale@maine.edu.
