by Elissa | May 5, 2023 | B.A.G. Meetings, bookbinding, Call to artists, Exhibitions, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, May 10, 2023, 7:00 p.m. – 8:30 p.m.
This month’s meeting will once again be held via Zoom, an online conference program. If you’ve never attended a Zoom meeting before, check out this video – it will go over the basics of how to join a meeting.
Stay safe!
The B.A.G. Board
In continuing with our tradition of choosing a theme for our meetings every year, the B.A.G. Board has selected the theme of Movable Books for 2023.
Movable books are structures with 3-dimensional pages that make a book or card come alive in your hands. These include pop-ups, volvelles, tunnel books, pull-outs, crankies, and animated structures.
Put on your hard hat, because we are going to become Paper Engineers!
We will have a series of guest presenters to familiarize you with the varied structures, and to guide you through techniques that will turn your flat two-dimensional work into exciting pop-up fun!
Program: Pop-ups Shadowbox Book with Kit Davey
We are excited to have Kit Davey as our guest presenter this month. Kit is an Instagram phenomena, posting exciting book work almost every day! Her work is playful, humorous, and she is gracious enough to share her time with us.
Learn how to make this fun five-page pop-up book. When you turn the pages of the book a “box” forms to create a 3-dimensional effect. You can install images to the front or underneath each frame. Once you learn the basic mechanism you can add pages or scale the book up or down.
Tools needed:
- Scissors
- Ruler
- Pencil and eraser
- X-Acto knife and cutting mat
- Bone folder
- Glue, brushes, rag, water container
- Scoring board, if you have one
Ingredients to make the book:
Note: You must cut out the ingredients in advance of the class! There will not be time to cut things out during class.
For the pages:
- 10 pieces single- or double-sided card stock: 2.5” by 6”
- 5 images that can fit inside a 1.5” by 1.5” opening.
- For the covers: 2 pieces of mat board: 2.5” by 3”
- Paper to cover the covers: 2 pieces paper 3.75” by 4.5”
- For the spine: 1 pc. card stock 2.5” by 2.5”
To learn more about Kit’s work, check out her Instagram.
If you’d like to attend the meeting over Zoom, please contact Elissa so she can send you the details.
April Meeting Reflections
They may say that April showers bring May flowers, but our April meeting brought those flowers early!
We were lucky to have skilled presenter Linda Whelihan to guide us as we created three different types of flower pop-up cards. She presented each pop-up in such a way that seemingly complicated arrangements became easy to construct.
I’m not sure which card is my favorite, but I do know that when my daughter asked if she could have them, I quickly hid them away in my studio – sorry Anna, those are mine! Perhaps I’ll surprise her with one on her birthday…
Many thanks to Linda for sharing her talent and creativity with us.
B.A.G. Library Corner
Book artist Carol Barton says “There’s magic in a book that pops up!” She describes how she engineers the magic in her chapter of The Penland Book of Handmade Books. Discussing her inspiration, her methods, and how she got into pop-ups, Barton tells a compelling story that can help inspire our own paper engineering creations.
If you have ideas for books to feature or if you have a B.A.G. library book in your possession from which you’d like to share something, email Sally at salblanch@gmail.com.
You can check out and download the chapter here.
B.A.G. News
*** The Book Arts Guild of Vermont is pleased to announce our annual exhibition, Bookworks: the Art of the Book! The show this year will be held at the S.P.A.C.E. Gallery on Pine Street in Burlington. Members and friends are encouraged to submit up to 3 entries, although not all may be accepted. New this year, entries will be made online, and artists will be notified of acceptance on or before July 26. B.A.G. will cover the entry fee for members.
Here are some important dates:
- Deadline for online submissions: June 18, 2023. No entries will be accepted after this date.
- Exhibit dates: July 7 – August 4, 2023
- Opening reception: First Friday Art Walk, July 7, 5:00 p.m. – 7:00 p.m.
- Artists’ Talk: July 12, 6:30 p.m. – 8:00 p.m. This will take the place of our regular monthly meeting.
- Closing reception: First Friday Art Walk, August 4, 5:00 p.m. – 7:00 p.m.
Click here to access the exhibit entry form.
*** Congratulations to Marcia Vogler for being accepted into the juried exhibition, Paper Made, which will be featured in the summer issue of Fiber Art Now magazine. Selections from the exhibit will be on display at the Brattleboro Museum & Art Center, Brattleboro, VT from October 14, 2023 – February 11, 2024.
*** Elissa Campbell will be teaching The Lidded Pencil Box at CraftStudies on May 21.
If you’ve ever wanted to learn how to make your own decorative boxes, then this class is a great place to start! This decorative lidded box is the perfect size to hold your pens and pencils – or perhaps future boxmaking tools?
During this workshop, you’ll make a box that measures 8” (l) x 3” (w) x 2.25” (h). You’ll learn basic boxmaking techniques, including how to measure and cut materials, wrapping a box with paper, and the best way to apply adhesives. We’ll also talk about how to scale the size of the box to fit differently-sized items.
Not only will this class offer you the foundation and confidence needed to continue making boxes, but it will also provide you with a variety of bookbinding skills. You will receive a detailed handout and resource list for all materials we use.
For more information or to register, please visit the CraftStudies website.
*** Susan Smereka will be teaching the Upcycled Journal on May 23 & 30 at her studio in Burlington, VT. Whether you are new to bookbinding or not, this workshop is appropriate for all skill levels and interests.
You will rebuild an old book and give it new life as a unique journal to inspire you to write and capture your precious ideas, collages and drawings. And they make great gifts too!
You will take apart an old book, and rebind it with blank pages interleaved with text from the original. Build your knowledge and skills around bookbinding as you learn the parts of a book and how to do a long stitch binding with waxed linen thread.
For more information or to register, click here.
*** On May 27 & 28 (Memorial Day Weekend), the statewide Open Studio Weekend is offering a wonderful selection of book and paper arts studios for you to visit.
If you’re up for a tour, you can find members of your tribe in the following locations:
Elissa created a Google Map with all of the locations to help you with your tour.
Maps and directions to studios are available on the VT Crafts Council website.
Book Arts News
*** ArtisTree Gallery is currently accepting submissions for their 11th annual book arts exhibit, UNBOUND Vol. XI. Works will be on display from June 22 – July 15, 2023 at the gallery in South Pomfret, Vermont.
The theme of the show is simple – art using books as a material or a format. Visitors will have an opportunity to examine curious folios, recent grimoires, tomes turned to sculpture and some works having a relation to “books” in concept only.
This exhibition is for artists working in all traditional and non-traditional 2D (wall mounted) and 3D media. All artwork must be original in concept, design and execution, and must strictly adhere to the theme of the show. Note: reproductions can be used in mixed media work. Submissions are open to Vermont and New Hampshire residents who are 18 years of age or older.
The deadline for submission is June 7, 2023. All submissions must be made through their online entry form.
For more information, please read the online exhibit prospectus. You can also contact the gallery at exhibits@artistreevt.org.
*** 23 Sandy Gallery is currently accepting submissions for its upcoming exhibition, Dreams. This exhibition is open to handmade book and paper arts and related works created as either an edition or one-of-a-kind. Artist books, sculptural books, book objects, altered books, zines, and broadsides are all encouraged.
Dreams allow us to experience worlds beyond borders, barriers, and binaries. They are narratives that grow out of our waking experiences into the fantastical, unexpected, and strange. Sometimes vivid, other times elusive, dreams can immerse us in hope and beauty. Their meaning and mechanics are a mystery. In dreams, we can encounter the impossible. This call for entries invites artists to submit book and paper art about the cognitive, sensory, and emotional nature of dreams, your personal dreams, or dreams you hold for others.
The deadline for entries is June 9, 2023. For more information or to view the prospectus, please visit the 23 Sandy Gallery website.
*** Registration for Wells College Book Arts Center‘s Book Arts Summer Institute is now open. The week-long intensive courses include letterpress printing, bookbinding, calligraphy, typecasting, and font design. Week 1 runs from July 9 – 15 and Week 2 runs from July 16 – 22.
This year’s instructors include Tom Balbo, Scott McCarney, Leah Mackin, and Sonja Rossow. Wells College is located in Aurora, NY.
For more information, please visit the Wells College website.
Stay-at-Home Fun
*** The Minnesota Center for Book Arts is offering Zines: Exploring Narrative through Lists! with Hope Amico on May 10, 17, & 24.
Using a list to frame a personal narrative is a playful and accessible writing format. Handwritten and illustrated 8-page zines are a fun and approachable book format. In this virtual workshop, get introduced to these two art forms and begin by brainstorming story ideas – with pen and paper – using prompts as inspiration. Then, draft your story – with pen and paper or on an electronic device. Return the following week to share your work and engage in friendly group feedback.
In the last session, learn the process of laying out your story as a 4.25 x 5.5 inch zine (quarter-size, meaning a quarter of a piece of copy paper) and tips for analog layout, with opportunities to add visual elements.
For more information or to register, please visit the MCBA website.
*** The Center for Book Arts is offering Travel Journals with Susan Joy Share on May 17 & 24.
Create a series of soft-cover travel journals with paper covers for writing, drawing, collage, etc., and several compartments for tucking away collected items. You’ll learn basic folding and sewing techniques as you make pocket-sized books, perfect for walks or hikes, and a larger one for when you are settled in with time to reflect.
Students will learn several variations on pamphlet binding and 3 or 4 ways to score and fold soft-cover books. These journals travel especially well as they are light weight and easy to pack. You’ll have fun making pockets, folders and a collapsible origami box. Paper selections, closures, and decorative cover elements give students an opportunity add their personal touch. Making a travel journal is a great way to prepare for and get excited about a trip.
For more information or to register, please visit the CBA website.
*** The Jaffe Center for Book Arts is offering Microfiction Mini Books with Stephanie Wolff on May 24.
A very short story will be the content of a mini artists’ book. Participants will write a story in six words and create illustrations. Then bind it into a very simple but versatile book structure. The writing is meant to be a fun exercise, but participants are welcome to use existing stories should they choose.
This structure could be used for any kind of content: text or image or both, and can be scaled up in size. To learn more about this writing form, search the internet for “six-word stories” or “six-word memoirs”. A famous example, allegedly by Ernest Hemingway: “For sale: baby shoes. Never worn.”
For more information or to register, please visit the JCBA website.
by Elissa | Apr 9, 2023 | B.A.G. Meetings, bookbinding, Call to artists, Exhibitions, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, April 12, 2023, 7:00 p.m. – 8:30 p.m.
This month’s meeting will once again be held via Zoom, an online conference program. If you’ve never attended a Zoom meeting before, check out this video – it will go over the basics of how to join a meeting.
Stay safe!
The B.A.G. Board
In continuing with our tradition of choosing a theme for our meetings every year, the B.A.G. Board has selected the theme of Movable Books for 2023.
Movable books are structures with 3-dimensional pages that make a book or card come alive in your hands. These include pop-ups, volvelles, tunnel books, pull-outs, crankies, and animated structures.
Put on your hard hat, because we are going to become Paper Engineers!
We will have a series of guest presenters to familiarize you with the varied structures, and to guide you through techniques that will turn your flat two-dimensional work into exciting pop-up fun!
In the movable book world, there is of course the Movable Book Society, which promotes all things movable. A look at their website and references should be all it takes to get you warmed up for the new year. Here are some other resources to get your brain churning:
Websites to drool over:
Books to pore over:
If that’s not enough for you, just google ‘tunnel books’ or ‘pop up books’, and prepare to spend some time in the rabbit hole. Take a look – the possibilities are kind of endless!
Program: Flower Power Pop-ups! with Linda Whelihan
We’ll be celebrating spring during our April meeting! B.A.G. member Linda Whelihan will be teaching you three fun, floral pop-up forms.
Here’s what you’ll need to participate in the project:
- White and colored cardstock (cut in half: 5.5” x 8.5”)
- Scissors
- X-acto knife
- Cutting mat
- PVA or glue stick
- Decorative papers, flower catalogues for inspiration, etc.
You’ll also need to print out this template (it’s a pdf file).
If you’d like to attend the meeting over Zoom, please contact Elissa so she can send you the details.
March Meeting Reflections
It’s always a pleasure when Dorsey Hogg presents to the group. I love how calmly and easily she works. While some of us have made tunnel books, there is always something new to learn, and a trick to pick up. My takeaways from the meeting? It does not have to be complicated, you can just trim a bit where you need to.
Dorsey showed us some of her own work using altered books and book pages to create layered tunnel structures that bring the scenes to life. It has inspired me to think in a new way about ‘layers’ and how to create movement through the perspective that the tunnel provides.
Thanks, Dorsey! You’re the best!
Thanks to everyone who showed up and participated along with us. I’m just loving this year’s theme, aren’t you?
B.A.G. Library Corner
Hi everyone, Elissa here. Sally’s taking a well-deserved month off. But don’t worry, I’ve got your monthly book fix!
I thought that you might be interested in expanding your library to include more reference books on movables. Here are a few cool books that I own, but haven’t been mentioned before:
If you have ideas for books to feature or if you have a B.A.G. library book in your possession from which you’d like to share something, email Sally at salblanch@gmail.com.
B.A.G. News
*** The Book Arts Guild of Vermont is pleased to announce our annual exhibition, Bookworks: the Art of the Book! The show this year will be held at the S.P.A.C.E. Gallery on Pine Street in Burlington. Members and friends are encouraged to submit up to 2 entries. B.A.G. will cover the entry fee for members.
Here are some important dates:
- Deadline for submissions: June 26, 2023. No entries will be accepted after this date.
- Exhibit dates: July 1 – 30, 2023
- Opening reception: First Friday Art Walk, July 7, 5:00 p.m. – 7:00 p.m.
- Artists’ Talk: TBD. This will take the place of our regular monthly meeting.
More details to come. A link to the entry form will be included in next month’s newsletter.
*** Susan Smereka will be teaching Creative Bookmaking with Jane Ploughman on 5 Wednesdays, April 19 – May 17, 2023.
This workshop is ideal for the newbie and for those with some experience. Learn the process of paste paper, Gelli plate printing, and Japanese marbling; Suminagashi. These decorative papers will be incorporated into book structures such as single sheet, a single flag, and an accordion with a hardcover. In your final book projects, you will also work on the content (words, drawings, collages, etc).
Jane Ploughman is a bookmaker and printmaker from New Haven, Vermont with 20 years of experience. Susan Smereka is a printmaker and visual artist with 13 years of experience with bookmaking. With two instructors you are guaranteed plenty of one-on-one instruction.
For more information or to register, click here.
*** Elissa Campbell will be teaching Pop-Up Basics at CraftStudies on April 16.
If you want to add more magic to your cards and artist books, then give pop-ups a try! Also known as paper engineering, pop-ups use cuts and folds to create motion and energy in paper structures.
Through the creation of a series of pop-up cards, students will learn the basics of three-dimensional construction, including box supports, props, and straddles, then bind these cards into a book, which will become a handy reference for future work. In addition, students will receive a detailed handout and resource list for all materials we use. No previous experience is required.
For more information or to register, please visit the CraftStudies website.
Book Arts News
*** 23 Sandy Gallery is currently accepting submissions for its upcoming exhibition, Dreams. This exhibition is open to handmade book and paper arts and related works created as either an edition or one-of-a-kind. Artist books, sculptural books, book objects, altered books, zines, and broadsides are all encouraged.
Dreams allow us to experience worlds beyond borders, barriers, and binaries. They are narratives that grow out of our waking experiences into the fantastical, unexpected, and strange. Sometimes vivid, other times elusive, dreams can immerse us in hope and beauty. Their meaning and mechanics are a mystery. In dreams, we can encounter the impossible. This call for entries invites artists to submit book and paper art about the cognitive, sensory, and emotional nature of dreams, your personal dreams, or dreams you hold for others.
The deadline for entries is June 9, 2023. For more information or to view the prospectus, please visit the 23 Sandy Gallery website.
*** Abecedarian Gallery is currently accepting submissions for its upcoming exhibition, Westward Bound II. Eligible are artists’ book works either created by artists living/working in The American West or artists’ book works with content relevant to The American West.
Virtually every part of the United States except the Eastern Seaboard has been “the West” at some point in American history, linked in popular imagination with the last frontier of American settlement. For purposes of this exhibition, The American West refers to that vast stretch of plains, mountains, and deserts west of the Mississippi and so includes states now considered the mid-west (such as the Dakotas, Kansas, Nebraska, and so forth).
The deadline for entries is June 18, 2023. For more information, please visit the Abecedarian Gallery website.
*** Now through April 21, the North Bennet Street School is hosting Beyond Bookbinding, an exhibition including the work of students, alumni, current and former faculty, and program advisors.
The work answers a question they often get, “What do you do after you study bookbinding?” That answer includes the classic Fine Bindings often seen in bookbinding exhibitions (these works, sometimes known as “Design Bindings” or “Artistic Bindings” are exhibition oriented staples). But Beyond Bookbinding also includes book repair and conservation, historical binding structure models, period-style re-bindings, artists’ books, decorated paper, letterpress printing… and even some stone carved lettering.
The North Bennet Street School is located in Boston, MA. The exhibit is being held in the Windgate Gallery.
*** Now through April 29, the Kate Cheney Chappell 83 Center for Book Arts is hosting Building Books: New England Book Artists Members Exhibition. The exhibition is located in the Great Reading Room, 7th floor, Glickman Family Library at the University of Southern Maine in Portland.
NEBA is a professional organization of book artists and bibliophiles. It celebrates, promotes, and supports the book arts and its makers, fosters public education, and nurtures an understanding and enjoyment of the discipline through exhibitions, workshops, lectures, and related activities.
For more information, please visit the KCCCBA website.
*** The Rochester Public Library is currently accepting submissions for its 12th juried international exhibit, Art of the Book: Artist Books, Altered Books, & Paper Sculpture. The deadline for entries is May 15.
In 2011, the first Art of the Book exhibit was held in honor of the 100th anniversary of the Rochester Public Library. At the time, they wanted to celebrate what has been at the core of libraries for centuries – the book. They marveled over the intricate interpretations of this humble format and were thrilled with the response to the exhibit from the community.
In subsequent years, the exhibit has grown to include entries from all over the world, featuring well-known artists for their exquisite work. Books continue to ensnare the imagination, both for their form and content. Artists manipulate those two components to create breathtaking, mind-bending works of art that tease and cajole people to consider the intricacies of paper, ink, words, and meaning.
For more information or to view the prospectus, please visit the Rochester Public Library’s website.
Stay-at-Home Fun
*** The Center for Book Arts is offering Drum Leaf Binding and its Precedents with Scott McCarney on Thursdays, April 27 – May 11.
In this workshop, participants will learn to make three types of lay-flat books ideal for displaying photographs and prints. The three techniques – a Japanese Album, a Japanese Butterfly book, and a Drum-Leaf binding – have similarly easy and ingenious modes of assembly. All three books join single folded folios in distinct ways using a minimum of glue, limiting the amount of moisture to speed the binding process considerably.
Participants will case their Drum-Leaf books into easily assembled quarter-cloth covers with throw-back spines. Since each page spread is a single folded folio, participants can print their images across the gutter with no interruption, making these techniques very popular with printmakers and photographers. Once completed, these books lie flat when opened, making them easy and comfortable to view.
For more information or to register, please visit the CBA website.
*** The Minnesota Center for Book Arts is offering the Dos-à-Dos Binding with Rosae Reeder on April 29.
In this workshop, you’ll learn how to create books that are bound together – sharing a back cover – and open in opposite directions. First, create a simple single-page dos-à-dos to get familiar with the concept of the structure. Next, make a softcover book with two sections sewn in. Finally, create a hardcover dos-à-dos structure with a sewn open spine.
The stories or imagery in these versatile books can be viewed as one continuous story, or as two parallel stories. Basic binding skills are helpful, but not required.
For more information or to register, please visit the MCBA website.
*** Erin Fletcher of Herringbone Bindery is offering the Tue-Mouche binding on May 23 & 25.
Translated to “flypaper”, the Tue-Mouche was developed by Ben Elbel as a variation to the Dos Rapporté structure (another one of his innovations). The Tue-Mouche is an easy and economical form of bookbinding. The covers are constructed entirely from heavyweight paper, layered to create rigidity and strength, while the flexible spine allows the binding to open without constraints. In this workshop students will learn how to create the Tue-Mouche structure from start to finish.
For more information or to register, please visit Erin’s website.
by Elissa | Nov 4, 2021 | B.A.G. Book Swap, B.A.G. Meetings, bookbinding, Call to artists, Exhibitions, Lecture, MailB.A.G., Member News, Vermont, Workshops
Next Meeting: Wednesday, November 10, 2021, 7:00 p.m. – 8:30 p.m.
This month’s meeting will once again be held via Zoom, an online conference program. If you’ve never attended a Zoom meeting before, check out this video – it will go over the basics of how to join a meeting.
Stay safe!
The B.A.G. Board
Program: Paper Tricks – Books, Cards, and Garlands
We have rebranded our annual November tradition from Book Blitz and Card Tricks to Paper Tricks! Member-led mini demonstrations can include any paper-centric item, including mini books, holiday cards, ornaments, garlands, or any other form you come up with.
While we are unable to be together IRL, we can still celebrate each others’ creativity. Your task – design an item that has a trick or two; maybe a pop-up, French doors, a window, or unusual material or structure.
Here’s where we need YOU.
We are seeking volunteers to share their paper manipulation during our Zoom meeting. You will simply hold up your creation for us to see and demonstrate how you made your paper item. We can post follow up references on Chat if desired.
Contact Marcia to secure a spot in the spotlight. The more members who participate, the richer our meeting will be.
If you plan to attend the meeting, please contact Elissa so she can send you the Zoom meeting details.
October Meeting Reflections
We are all missing IRL meetings and the socializing that we enjoyed during those times. But I really felt the camaraderie in our group at our meeting in October where artists shared work from the NEKAG show.
There was a lot of giving going on in the form of positive feedback, helpful ideas, and general admiration. And what’s not to admire? We had very positive feedback from the gallery, and succeeded in one of our main missions, to further the public knowledge of book arts.
So thank you to all the artists who participated in the show, and special thanks to those who shared their work more intimately at the meeting. It’s always inspiring to me to know where ideas come from, and how they make it into book form. How does that happen for you? What makes you create a book? Ah, these questions deserve discussion.
B.A.G. Library Corner
We’re entering the holiday season once again and beginning to put our gift lists together. And what could make a gift giving prettier than Naomi Shiek’s leafy gift set?
In her book, Fold It and Cut It, Shiek provides templates and instructions for creating intricate hand-cut leaf designs for gift tags, gift wrap, and ribbon. Together, these designs make any gift something special.
If you have ideas for books to feature or if you have a library book in your possession you’d like to share something from, email Sally at salblanch@gmail.com.
You can check out and download the project here.
B.A.G. News
*** We have over 20 participants in the B.A.G. Zine Swap Challenge!
Remember to mail your 10 zines by November 20th to:
Ann Joppe-Mercure
10 Brookwood Drive
South Burlington, VT 05403
Here’s a recap of the details:
- Create your zine using an 8.5″ x 11″ sheet of paper – it should be an 8 page origami structure (one-sheet book).
- The final zine size should be 4.25″ x 2.75″.
- Make 10 copies of your zine and fold them.
- Optional fun – create a box or wrap to contain your zines.
We will mail packets of 10 assorted zines to you in late November, just in time to share them at our December B.A.G. meeting
*** B.A.G. Co-Founder Nancy Stone will selling her book 251 Vermont Vistas from a booth at the Made in Vermont Marketplace put on by Vermont Business Magazine. The book is a collection of original watercolor ‘postcards’ that she painted over several years as she and her husband visited each of Vermont’s 251 towns and cities. To preview the book or to order on-line, visit Nancy’s website.
The Marketplace will take place on Saturday, November 20th from 9:00 a.m. – 6:00 p.m. and on Sunday, November 21 from 10:00 a.m. – 4:00 p.m. at the Double Tree by Hilton Burlington on Williston Road. It will welcome exhibitors who make unique Vermont products, from food to spirits to woodworking to Vermont clothing and more.
The timing of the event, a week before Thanksgiving, enables people to start shopping for holiday gifts early. With all the talk of supply chain shortages, now is the time to buy local for Christmas.
For more information please visit the Made in Vermont Marketplace website.
*** Emma Percy is teaching Zines & Book Arts at River Arts in Morrisville on December 5.
Zines have a recent but rich history as an underground mode of sharing information, art, and new ideas with other like-minded creative folks. This workshop will explore what zines and artist’s books are and what they can be, introductory layout, printing, and bookbinding techniques to get you started, as well as things to consider when beginning a do-it-yourself publishing or bookmaking project.
A zine can be anything from a folded sheet of paper to a beautifully crafted booklet, and with help and inspiration from Emma’s extensive zine library and scrap paper collection, we will all make a few small zines as well as the foundation for a larger artist’s book where you can let your creativity shine!
For more information or to register, visit the River Arts website.
*** This one comes to us from Nancy Stone:
Gwendolyn Evans is seeking someone to help her with technology for creating pages of her own writing that can be put into a handmade book. Due to vision loss, she is unable to do this herself. She has “always wanted” to make a book using her original content that would be bound within covers created from her work with polymer clay.
She can be reached at (802) 879-2706 or at gwendolynvt@gmail.com.
Book Arts News
*** Now through November 16th, the Baker-Berry Library at Dartmouth College in Hanover, NH is hosting The New England Guild of Book Workers 40th Anniversary Exhibition.
This exhibition highlights the creative range and skills of the current members. The work bridges traditional fine binding to innovative design binding where book forms are re-imagined using unconventional materials in new experimental ways.
If you can’t make it to the exhibit, you can view a catalog of the work online.
For more information, please visit the Baker-Berry website.
*** Now through November 20, 23 Sandy Gallery is presenting UNSEEN, and exhibition of book arts featuring 76 works juried by Fulbright recipient and book arts educator Barb Tetenbaum, Jordan Eddy (director of form & concept), and Erin Mickelson (owner of 23 Sandy).
Artists were asked to consider the invisible forces that can shape our lives and surface in unexpected ways – physically, psychologically and philosophically. Work ranges from traditional codexes and interactive and exquisite corpse-style works to reactive sound art books and sculptures.
You can view all of the included work on the 23 Sandy Gallery website.
*** Now through December 6, Abecedarian Artists’ Books is accepting submissions for its upcoming show, Lettered & Bound. The exhibit will be on view at Dayton Memorial Library, Regis University, in Denver, CO in February 2022 and Tallyn’s Reach Public Library in Aurora, CO in March 2022.
Eligible are book works that include calligraphy (the art of beautiful writing) as a primary element. Book works can be unique, editioned, traditionally bound, created using experimental forms (e.g. folded forms), wall mounted (e.g. scrolls) or loose sheets presented in a portfolio or box. Calligraphy is here defined as human mark making that draws upon traditional forms of calligraphy or modern, gestural, or abstract forms.
For more information or to submit work for consideration, please visit the Abecedarian Artists’ Books website.
*** Now through December 11, the Center for Book Arts is hosting CBA 2021 Faculty Fellow Colette Fu‘s exhibition, What the Butterfly Dragon Taught Me, Dimensional Stories in Paper.
The exhibition showcases Fu’s mastery of complex three-dimensional compositions engineered from paper and her own photographs – a practice she has honed over almost two decades.
CBA recorded an artist talk with Fu, where she both discussed the individual stories of each work and spoke to the overall series they are part of – We Are Tiger Dragon People.
You can watch Fu’s talk on YouTube.
Stay-at-Home Fun
*** The Jaffe Center for Book Arts is offering the Sewn Boards Binding with Karen Hanmer on November 13.
This variation on the Sewn Boards Binding is based on Gary Frost’s first prototype. It is held in University of Iowa Library Historical Bookbinding Model Collection. A quick and utilitarian notebook, the outer card folios are glued shut, the spine lined, and a breakaway spine wrapper is added while covering the book in sturdy bookcloth.
Expect a fast-paced workshop; some binding experience and familiarity with basic concepts like folding and paper grain direction will be helpful.
For more information or to register, please email John Cutrone at jcutrone@fau.edu.
*** The Center for Book Arts is offering Intro to Tunnel Books with Maria G. Pisano on November 17 & 18.
In this workshop, students of all experience levels will learn how to make tunnel books. A tunnel book is a wonderful book structure that creates the optical illusion of perspective through accumulated layers.
Traditionally a tunnel book is accompanied by supporting concertinas sides, which make the work collapsible, portable, and easily viewable. The reader is able to hold a tunnel at eye level and marvel at it!
Students will work with their own images to create the book. The images should all be related in theme and subject matter to facilitate a successful outcome.
For more information or to register, please visit the CBA website.
*** The Austin Book Arts Center is offering the Secret Belgian Binding with Kevin Auer on three Mondays, November 29, December 6, and December 13.
Developed by the Belgian artist Anne Goy in 1986 this binding has a similar appearance to a Japanese stab binding. The structure uses a primary and secondary sewing. The sewing creates a distinct thread pattern on the cover and it is a very sturdy binding that allows the book to open completely flat.
In this class we will create a three-piece cover using book board. This board will be covered in paper. The cover pieces will then be sewn together to create the case and the unique sewing pattern. Once the case is completed the textblock will be sewn directly onto the cover using the existing sewing to anchor it in place. We will explore two different sewing methods for connecting the textblock to the case.
For more information or to register, please visit the ABAC website.
*** The Minnesota Center for Book Arts is offering Fuzzy Books with Joanna Manning on two Tuesdays, November 30 and December 7.
Chase away the cold pricklies with some warm, fuzzy, hand-felted artist’s books! In this interactive workshop, get acquainted with needle felting materials and turn wool into a miniature artist’s book of your design.
Craft your own miniature book creation with simple techniques and minimal materials. Learn basic wool felting techniques including how to create and use stencils, fill in shapes, blend colors, and master fine details like thin lines, sharp edges, and dots.
This beginner-friendly workshop doesn’t require any previous knowledge or skills. A materials list will be provided and you’ll walk away with your own unique finished project, plus techniques to continue making more after the workshop.
For more information or to register, please visit the MCBA website.
by Elissa | Mar 4, 2021 | B.A.G. Meetings, bookbinding, Call to artists, Exhibitions, Lecture, MailB.A.G., Vermont, Workshops
Next Meeting: Wednesday, March 10, 2021, 7:00 p.m. – 8:30 p.m.
This month’s meeting will once again be held via Zoom, an online conference program. If you’ve never attended a Zoom meeting before, check out this video – it will go over the basics of how to join a meeting.
Stay safe!
The B.A.G. Board
Text Me!
Text is an important consideration when creating a piece, just as imagery, structure, and materials are. Our members often tell us that they struggle with incorporating text in their work.
We’ve heard you!
Our 2021 series of themed meetings – Text Me! – will focus on how to approach text in the book arts.
We’ll look at how to choose text, methods for adding text to the page, and determining where to put it. We’ll also be visiting Special Collections at both UVM and Dartmouth to look at how other artists approach text in their work.
We hope you’ll join us as we journey into the world of text!
Program: Text Me, Part 2 – Visit to Darmouth’s Rauner Special Collections
For our March meeting, Morgan Swan from the Dartmouth College Library will be joining us to present books from Rauner Special Collections Library, continuing with the theme, text me.
In the past, creating the opportunity for all Book Arts Guild members to visit the library at Dartmouth hasn’t been possible. Through the wonders of Zoom we are able to bring Morgan and some special books to B.A.G.!
We look forward to seeing you at the March 10th.
If you plan to attend the meeting, please contact Elissa so she can send you the Zoom meeting details.
February Meeting Reflections
What a great way to kick off our new initiative, Text Me!, with a presentation from Prudence Doherty, UVM Silver Special Collections Librarian.
My brain is still spinning from the many inspirational works she showed us relating to creative use of text. Just to remind you of a few, there was handwritten text, stitched text, text as part of the illustration, shaped text, typewriting, and woodcut text.
One of my favorite works was Woody Leslie‘s Parsely, which uses text to create, illustrate, and shape the story, while giving the reader both a sense of anxiety and humor. Now, does that bring up any questions you have, or give you ideas of what you might want to explore in our future meetings? Please let us know!
Thanks again to Prudence for her enthusiastic presentation. We are extremely lucky to be able to access her knowledge as well as the Special Collections library. And thanks to all who participated – it was our largest group ever in attendance!
B.A.G. Library Corner
As a further exploration of our text theme, this month’s library selection from the Spring 2013 issue of Bound & Lettered magazine features an inventive way to add words to a piece of work. Pablo Dugaz doesn’t write or print his words – he painstakingly cuts them, using a technique he calls “papercut calligraphy.”
The space between words is cut away with a blade; the remaining letters hold the sheet of paper together and the resulting negative space is the background for his text. Dugaz typically uses his own handwriting instead of traditional calligraphy fonts as the shape of the characters. His work is delicate, intricate, and stunning, and he enjoys seeing how elements such as wind and sunlight interact with his pieces.
You can check out and download the article here.
You can also purchase the full issue of Bound & Lettered here.
B.A.G. News
*** We’re thrilled with how many of you have become B.A.G. members for 2021! We just wanted to remind those of you who haven’t yet sent in your dues, this year’s dues have been reduced to $25.00. In the event that you send in $35.00, the difference will be refunded to you.
Book Arts News
*** On March 5th, the Antiquarian Booksellers’ Association of America is presenting The Intersection of Artists’ and Antiquarian Books, a conversation with Peter Koch and Gerald Cloud as part of the ABAA California Virtual Book Fair.
Peter Koch is perhaps best known as a printer, but he is also a student of classical philosophy, a teacher, a historian of the book, and an unrepentant bibliophile. In this conversation, Koch will discuss the objects that have for nearly 50 years informed his printing and his love of the book as a material object.
Topics will include typography, “fine press” vs. “artist’s book,” vertical reading, and concepts such as the third stream book and materialia lumina – a new vision of the book as a “total work of art.” The presentation will be grounded by images of Koch’s own printing and that of his peers, but also examples of early printed books that have been his lifelong inspiration.
For more information or to register, visit the ABAA website.
*** Focus on Book Arts has announced that they’re holding a free virtual conference from July 15 – 17, so save the date!
This three-day series of online events centered around the theme Where We Live will include featured speakers, a juried exhibit, artist reception, a challenge book, and vendor marketplace.
More information is coming soon. In the meantime, visit the FOBA website to get the basic details.
*** On March 25th, the Minnesota Center for Book Arts is hosting a virtual screening of The Re-creation of a Masterpiece: La Prose du Transsibérien, a documentary by Rosylyn Rhee, followed by an artist talk and Q&A.
Originally produced in 1913 by painter Sonia Delaunay and poet Blaise Cendrars, La Prose du Transsibérien pushed boundaries of book structure, painted imagery, and poetic expression. Having researched the book’s production since 2012, Kitty Maryatt debuted a new edition in 2018, which faithfully incorporates techniques used in the original.
Using letterpress printing and pochoir (stenciling) to reproduce her edition of La Prose, Maryatt develops insight into the creative and conceptual challenges faced by the original painter and poet, while attempting to discover why they did not complete their planned edition.
For more information or to register, visit the MCBA website.
*** The Kalamazoo Book Arts Center (KBAC) announced a call to artists for the non-juried exhibition The Illustrated Accordion, which will be held in the KBAC Gallery, April 9 – June 18. The exhibit will be both in-person and online.
Open to all emerging and established artists, this 13th annual exhibition focuses on books created in the accordion form. All media, variations, and interpretations of this style of book will be accepted and included in the exhibition.
The deadline for submission is March 26. For more information, check out the prospectus.
*** 23 Sandy Gallery has a call to artists for their upcoming juried show Unseen. The exhibition will be at form & concept in Santa Fe from August 11 – November 20.
When imperceptible phenomena burst into view, revolutionary change may follow. We learned this in 2020, as an invisible but deadly virus spread across the world, an urgent racial justice movement illuminated dark societal realities, and humanity’s long-simmering crimes against the environment unleashed fires and floods.
Unseen forces can shape our lives and surface in unexpected ways, often altering our behaviors and worldviews if and when we are made aware of them. This call for entries invites artists to submit work exploring the idea of the unseen – physically, psychologically, philosophically – and encourages artists to consider the theme through concept, structure, and material.
Deadline for submissions is June 3. For more information, check out the prospectus.
Stay-at-Home Fun
*** The Printing Museum is offering Paper Marbling with Tony Vela on March 11. A recording of the program will be made available to all registrants, so you can watch the program at your convenience if you can’t attend live.
They’ll start by going over preparation of materials, including the carrageenan bath, getting pigments to the right state ready for marbling, and treatment of the paper. Then they’ll demonstrate how to marble classic traditional patterns, as well as modern styles. Feel free to ask questions along the way in this interactive demonstration.
For more information or to register, visit the Printing Museum website.
*** BookArtsLA is offering Traditional Case Binding with Anne Covell on March 21. In this course, students will learn to create a flat back case binding, or what is commonly known as a hardbound book.
Fundamentals of text block preparation and sewing, endband decoration, case construction, and casing in will all be covered. Additionally, students will learn several different case bindings styles including full-cloth, quarter-cloth, and half-cloth bindings with corner triangles to round out their experience.
Discussion will center on materials and best practices in a bindery setting, and students can expect to leave this course with a greater understanding of skills and mechanics required to create a case bound book.
For more information or to register, visit the BookArtsLA website.
*** The Minnesota Center for Book Arts is offering Single Signature Sampler with Amanda D’Amico on March 25.
Inspired by needlework samplers, this virtual workshop explores several decorative sewing patterns for single signature books. Building on a simple pamphlet stitch, learn several stitches and execute them on a single, multi-signature book.
The result is a decorative and functional book that serves as both a reference for sewing and a specimen of achievement in and of itself. In addition to tools participants source themselves, the instructor will send a basic materials kit prior to the workshop, and will discuss alternate materials during work time.
For more information or to register, visit the MCBA website.
*** The Center for Book Arts is offering How to Conceptualize and Create an Artist Book with Maria Veronica San Martin on the following Mondays (4 sessions total): March 22, 29, April 5 & 12.
During this intensive project based remote course, students will learn “how to think and create an artist book” by examining their concept, aesthetic, and techniques. The course will start with a brief exploration of what an artist book is, followed by demonstrations of an accordion book structure (dos-a-dos); the technique of monoprints on plexiglass, zinc or copper (a form of printmaking that produces a unique print) for images and/or text, and the final creation and construction of a flag book.
Students will be able to create their own artist book in four sessions with a final critique. No prerequisites needed, but ideally participants should have some book arts knowledge or experience in order to level the class.
For more information or to register, please visit the CBA website.
*** The San Francisco Center for the Book is offering Image Transfers with Rea de Guzman on March 22 & 24.
Students will learn how to transfer laser prints onto various surfaces such as canvas, paper, and wood. The instructor will demonstrate how to prepare laser prints using matte and gel medium, and how to layer surfaces with acrylic paint onto prepared surfaces.
Emphasis will be placed on continuous experimentation and combination of techniques. Students will leave with the ability to continue working with these processes, which they can incorporate in future art projects outside of class.
For more information or to register, visit the SFCB website.
by Elissa | Feb 5, 2021 | B.A.G. Meetings, bookbinding, Call to artists, MailB.A.G., Vermont, Workshops
Next Meeting: Wednesday, February 10, 2021, 7:00 p.m. – 8:30 p.m.
This month’s meeting will once again be held via Zoom, an online conference program. If you’ve never attended a Zoom meeting before, check out this video – it will go over the basics of how to join a meeting.
Stay safe!
The B.A.G. Board
Text Me!
Text is an important consideration when creating a piece, just as imagery, structure, and materials are. Our members often tell us that they struggle with incorporating text in their work.
We’ve heard you!
Our 2021 series of themed meetings – Text Me! – will focus on how to approach text in the book arts.
We’ll look at how to choose text, methods for adding text to the page, and determining where to put it. We’ll also be visiting Special Collections at both UVM and Dartmouth to look at how other artists approach text in their work.
We hope you’ll join us as we journey into the world of text!
Program: Text Me, Part 1 – Visit to UVM’s Silver Special Collections
Prudence Doherty from UVM Special Collections has graciously offered to present to us again as we kick off our series of meetings focusing on text in the book arts.
She has selected examples from the collection that illustrate the many creative and different ways artists have used text in their books. We are sure this will give us many ideas to use in our own books.
If you plan to attend the meeting, please contact Elissa so she can send you the Zoom meeting details.
January Meeting Reflections
What a great way to spend an evening with you all. I just loved seeing the mail art exchanged for the Winter Mail Art Swap, and sharing the wonderful artwork that was sent to me. It’s kind of addictive, and I hope you will join me in continuing to send cool stuff to friends and relatives just for fun.
And thanks to Debra Kraemer, we all know how to make a Mennonite Foldnote, from Creative Correspondence (2003) by Michael and Judy Jacobs, so we can send a note and envelope all in one! Brilliant and more fun than a plain ole white envelope. I’ve been making mine with used 2020 calendar pages (not that I had written anything on most of the pages).
Thanks for spending the evening with us, and we hope to see you again at the next meeting.
B.A.G. Library Corner
This month, we’re starting a new section to feature a part of the B.A.G. library! As the pandemic wears on, we’re looking for new inspiration and a new way to connect with the library resources as we remain physically distant from it. In the coming months, if you have ideas for books to feature or if you have a library book in your possession you’d like to share something from, email Sally at salblanch@gmail.com.
In connection with the February meeting’s theme of text, this month’s library selection comes from The Decorated Page by Gwen Diehn. A guest writer, Ann Turkle, takes us through some ideas for including writing within a book or art journal project. Some of her suggestions include list making, making collections of observations, micro-journal entries, and more.
You can check out and download the article here.
B.A.G. News
*** Support the Book Arts Guild of Vermont by becoming a member!
Big News!
Our 2021 dues have been reduced from $35.00 to $25.00 for one year’s membership since we are saving on meeting rental space.
The Book Arts Guild of Vermont is supported by its members and you have kept us going for fifteen years. Our organization is solely run by volunteers and we do what we do because we love the book arts and we love B.A.G.. We continue to be inspired by our community, and the enthusiasm and talents that you bring to our meetings.
Membership dues are our main source of income and we hope that you will show that you value what we have to offer – quality programming, future exhibits, and more – by becoming a member. You get so much value out of your $25.00 and attending just one meeting can give you your full money’s worth.
Just to give you an idea of where membership dues go, here’s a breakdown of B.A.G.’s annual expenses:
- Zoom subscription: $149.90 per year
- Rent: $50.00 per month when we can return to in-person attendance
- Presenter honorarium: $35.00 per meeting
- Website and email newsletter: $100.00 per year
- Presenter reimbursement for supplies: Varies
We hope that you will renew your membership to help us with our annual expenses. You can download our membership form and send it in with your payment by check of $25.00 made out to the Book Arts Guild of Vermont:
Book Arts Guild of Vermont
c/o Ann Joppe-Mercure
10 Brookwood Dr
South Burlington, VT 05403
Thank you so much for your continued support of the guild. We wouldn’t be here without you.
Book Arts News
*** The Kalamazoo Book Arts Center (KBAC) announced a call to artists for the non-juried exhibition The Illustrated Accordion, which will be held in the KBAC Gallery, April 9 – June 18. The exhibit will be both in-person and online.
Open to all emerging and established artists, this 13th annual exhibition focuses on books created in the accordion form. All media, variations, and interpretations of this style of book will be accepted and included in the exhibition.
The deadline for submission is March 26. For more information, check out the prospectus.
*** 23 Sandy Gallery has a call to artists for their upcoming juried show Unseen. The exhibition will be at form & concept in Santa Fe from August 11 – November 20.
When imperceptible phenomena burst into view, revolutionary change may follow. We learned this in 2020, as an invisible but deadly virus spread across the world, an urgent racial justice movement illuminated dark societal realities, and humanity’s long-simmering crimes against the environment unleashed fires and floods.
Unseen forces can shape our lives and surface in unexpected ways, often altering our behaviors and worldviews if and when we are made aware of them. This call for entries invites artists to submit work exploring the idea of the unseen – physically, psychologically, philosophically – and encourages artists to consider the theme through concept, structure, and material.
Deadline for submissions is June 3. For more information, check out the prospectus.
*** The Artery Art Gallery in Davis, CA has a call to artists for CONTENT: An Artist Book Exhibition, which will take place April 2 – May 3.
Artists Books typically defy classification, definition, and expectations. They are vessels and containers for an artist’s vision. To understand what an artists book is you have to forget your definition of a book. Whatever way your intent has led you to make an artist book, that’s the kind of book we are looking for.
Deadline to enter is February 28. For more information, check out the prospectus.
*** The University of South Dakota University Libraries is seeking entries for their sixth international biennial altered book exhibition, Bound and Unbound VI: Altered Book Exhibition, scheduled for display August 23, 2021 – January 3, 2022.
Bound and Unbound VI features an exhibit of altered books, which are a mixed media artwork that changes a book from its original form by altering its state or meaning. Books from any source utilizing any medium are eligible. All work must be original and executed within the last three years.
Deadline for entries is March 5. For more information, check out the prospectus.
*** Dedicated to ancient, modern and contemporary movable books, the POP-APP, International Conference will take place virtually from February 16 – 19. Sessions will be in both Italian and English, with slides available in English.
Thirty Italian and foreign speakers from the academic world and national institutions working in the field of bibliographical description and conservation will discuss the themes of the conference. Enhancement/use of such books will be explored by highlighting their didactic-educational potential, digital experimentations, the achievements of contemporary pop up designers and – on a historical level – their relationship with pre-cinema.
For more information or to register, please visit the POP-APP website (it’s in Italian, so give Google Translate a try).
*** From February 26 – 28, the 2021 Contemporary Artists’ Books Conference (CABC) will take place virtually, free to attendees. The conference will be presented as part of Printed Matter’s Virtual Art Book Fair.
The conference will focus on The Temperature of Art Book Criticism and Scholarship. As the scale of participation in and range of approaches to artists’ books and publishing have blossomed in recent years, now is a key time to develop new critical tools for assessing artists’ books and their broader impact on the cultural and artistic practice. Artists’ book criticism in the 21st century must contend not only with the book as an artistic medium, but also art books’ engagement with a range of cultural histories and publishing traditions.
Across 7 panels representing artists, scholars, writers from across the globe and from a wide range of backgrounds, the conference will explore these questions and look to progress the conversations on what artist book criticism and discourse can be. The subjects covered will include the roles of institutions, how artist books are functioning in times of crisis, perspectives on insider vs. outsider makers and marginalized communities, and the book in the face of oppression and censorship.
For more information or to register, visit the CABC website.
Stay-at-Home Fun
*** The Minnesota Center for Book Arts is offering Intermediate: Building Narrative in Artist’s Books with Radha Pandey on the following Saturdays (6 sessions total): March 6, 13, 20, 27, April 3, &10. This virtual workshop will focus on the juxtaposition of text and image, page layout, and pacing to create a narrative artist’s book.
Participants should have an idea of what they would like to work on. This can be something in progress that is stuck or an idea they would like to turn into a book but are not sure how to start. Depending on ideas and related discussions, book structures and writing exercises will be taught and assigned.
In addition, methods of low-tech image-making – hand-printing linoleum blocks, gelatin printing, pochoir, trace monotypes, and papercutting – will be demonstrated as needed.
Participants should have some binding experience.
For more information or to register visit the MCBA website.
*** The Center for Book Arts is offering Bookbinding for Teachers: Simple Bookmaking for ages 7+ with Stephanie Krause on February 18.
In this two-hour course, participants will learn how to make a few simple books that are kid-approved, low-mess, and high-impact, along with tips to teach in the classroom. This workshop is designed for teachers of 7 to 12-year-olds, with methods and techniques that may be modified to accommodate other age groups. We’ll be looking at non-adhesive bindings created by folding and stitching.
Using simple materials, the instructor will go over single-sheet origami pamphlets (how to make, modify, and connect them); simple pamphlet stitch with a wraparound-style paper cover; and beaded pamphlet stitch with a pocketed paper cover.
For more information or to register, please visit the CBA website.
*** The San Francisco Center for the Book is offering Roll-Up: Pop-Up Books (Level 1) with Shawn Sheehy on March 5 – 7.
You have explored the pop-up how-to books. You’re ready to make your own pop-up project. You are stymied by the question: “How do I adapt these classic, foundational structures to make MY OWN structures?”
This workshop will help you think through that problem by exploring three different structures at three levels: foundational, transitional, and transformational. To add to the fun, you will employ an innovative roll-up binding approach (think scroll rather than codex) for the pop-up folios. In the end you will have a tidy bound collection of study models that will propel you to the next step of pop-up invention. All are welcome!
For more information or to register, visit the SFCB website.
