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VT Book Arts Guild “MailB.A.G.” April 2018

April 7, 2018

Next Meeting: Wednesday, April 11, 2018, 6:30 p.m. – 8:00 p.m.

We meet at the Unitarian Universalist Society Church located at 152 Pearl Street in Burlington, VT. We will be in the Sophia Fahs Community Room, a large room located in the basement. Click here for more information on directions/parking.


Program: Digging Deeper: A Hands-On Exploration of Tunnel Book Structures

Tunnel bookJoin us as we plumb the depths of tunnel book structures in a member-led mini workshop format similar to our ever-popular November program, Card Tricks and Book Blitz.

Bring a tunnel book you’ve made, or a model of a tunnel book structure you’ve put together, along with materials that will allow approximately six people to make a model of your structure. If you can, bring written instructions for making the model – strictly optional and extra credit, but always appreciated!

Each person who brings a book or model will have some time to share and explain what they’ve made to the group, then we’ll spend time individually exploring and creating the structures.

Please feel free to join in the fun even if you don’t have time to prepare a model tunnel book or materials. We use a similar meeting format every November and there is always enough to go around.

Warning: Tunnel book structures are addictive, and B.A.G. cannot be held responsible for other projects that may not get done once you discover the many techniques available for making these magical books!

Things to bring:

  • A tunnel book you’ve made, or a model of a tunnel book structure (optional)
  • Materials for 6 people to make a model of your structure (optional)
  • Plain card stock for making models of structures (in case you need more materials to make models of the structures that interest you)
  • Glue
  • Scissors
  • X-Acto knife
  • Cutting mat
  • Ruler
  • Pencil
  • Bone folder
  • Awl or needle tool

The focus of our April meeting will be presenting content in a tunnel book format. However, if you are more interested in exploring one or two structures more thoroughly (rather than making several models) during the March meeting, you can bring in the following optional materials to experiment with adding visual content to those structures:

  • Decorative punches
  • Stamps and ink
  • Pens, pencils, markers
  • Decorative papers
  • Collage materials such as magazine images

B.A.G. News

Book Arts Guild of Vermont exhibit***  Book Arts Guild of Vermont 2018 exhibit entry forms now available!

B.A.G.’s two (!) exhibits are right around the corner. Your work never fails to amaze and impress us and we’re looking forward to seeing what new pieces you’ve cooked up.

Here’s the scoop on the exhibits to refresh your memory:

Beyond Words: Artworks by the Book Arts Guild of Vermont will be held at Studio Place Arts in Barre from May 22 – June 30, where we will be exhibiting in the second floor gallery. Here’s the description for the exhibit:

Books can take on a language of their own, as shown in the multimedia work of this group of artists that use shape, structure, and materials to get their message across.

Important dates:

  • Entry deadline: May 9, 2018. Click here to download the entry form.
  • Opening: May 22, 2018
  • Closing: June 30, 2018
  • Artist’s talk: Date TBD

The Art of the Book will be held at Frog Hollow Craft Gallery on Church Street from June 1 – June 30. This will be a great opportunity to get exposure for our group in the heart of Burlington. Since the theme of the show is wide open to interpretation, you are free to submit the work of your choice.

Important dates:

  • Entry deadline: May 22, 2018. Click here to download the entry form.
  • Opening: June 1, 2018
  • Closing: June 30, 2018
  • Artist’s talk: Date TBD

We’re looking forward to seeing your submissions!


Book Arts News

Book Arts Bazzar poster*** The University of Southern Maine‘s 6th annual Book Arts Bazaar will be held on Sunday, April 8th from 10:00 a.m. – 3:00 p.m. at the Wishcamper Center on the school’s Portland campus.

This festival with book artists, papermakers, bookbinders, printmakers, educators, and writers is dedicated to all things related to the book. The free event is sponsored by USM’s Kate Cheney Chappell ’83 Center for Book Arts.

Also at USM is the exhibition Borderland: Contemporary Icelandic Book Artists and Bookbinders, open now through April 30th at the UNUM Great Reading Room, 7th floor, Glickman Family Library.

Both events are free and open to the public. For more information, please contact Rebecca Goodale.

Wood letterpress type***  The Museum of Printing in Haverill, MA is having a letterpress sale on April 7th from 10:00 a.m. – 4:00 p.m.

  • Among the goodies for sale:
  • Tabletop presses: 5×8 Victor, 5×8 Curtis & Mitchell, 4×6 Young America
  • A large selection of borders & ornaments, newly packaged in handy boxes
  • Type cabinets, wood and steel, complete with drawers
  • Lots and lots of type
  • Furniture and reglet cabinets
  • Slug cutters, book staplers, quoins with lock-up keys, a Southworth Perforator, and lots of other good stuff.

The Museum is dedicated to preserving the rich history of the graphic arts, printing and typesetting technology, and printing craftsmanship.

Calligraphic Initials by Ray Nash*** The Darmouth Book Arts Workshop is hosting the 2018 Stephen Harvard Memorial Lecture, In Defense of the Roman Letter, on Thursday April 19th, from 4:30 p.m. – 6:30 p.m. The event is free and open to the public and a reception will follow.

The talk will be given by John Nash, a calligrapher, stone lettercarver, and a Fellow of the Society of Scribes and Illuminators. The Roman letter survived because it did its job supremely well. Its precarious endurance as the basis of Western writing and printing will be the subject of Nash’s talk.

The lecture is being held in conjunction with the exhibit, Will Carter and the Dartmouth Typeface. In the early 1960s, Carter was commissioned to carve a series of dedicatory inscriptions in teak panels for the newly built Hopkins Center. Those letters were adapted and expanded into a family of type fonts that became known as the Dartmouth typeface. He was invited to return to Dartmouth in 1969 as an artist-in-residence and further refined the capital letters as a titling font.

The exhibition is the chonology of events and the story of the people behind those events and is open now through June 1st in the Main Hall of Dartmouth’s Baker Library.

For more information, please contact Book Arts Workshop Letterpress Instructor Won K. Chung at won.k.chung@dartmouth.edu.

Girl Scout Book Artist Cadette badge

*** The New England Chapter of the Guild of Book Workers is looking for volunteers to help teach simple bookbinding techniques and creative content. Through this event, NEGBW volunteers will be helping Cadette scouts (age 11-14) to earn a Book Artist badge and potentially inspiring future bookbinders.

The event will be held on Sunday April 29, 2018 at Camp Maude Eaton in Andover, MA. There will be two sessions, one from 9:00 a.m. – 12:00 p.m. and from 1:00 p.m. – 3:00 p.m.

If you are interested in volunteering or have any questions, please direct them at Lauren Telepak at negbwprograms@gmail.com.


Book Arts Classes

*** On Saturday, April 28th, the Kate Cheney Chappell 83 Center for Book Arts is hosting a workshop with Erin Fletcher of Herringbone Bindery, Secret Belgian Binding – Two Ways. The workshop will be held in the Multi-Purpose Room in the Wishcamper Center at the University of Southern Maine in Portland.

This workshop will explore the Secret Belgian binding (also known as Criss Cross binding) and ways to modify it. The binding is simple and easy to construct; it opens flat and is perfect for smaller text blocks. Students will complete two versions of the structure; one bound in the traditional sense and the second will offer a bit more secrecy and refinement to the structure.

Registration is available online or alternatively, you can call (207) 780-5900.

*** The Eliot School is offering Art Towards Kindness with Elisa Hamilton on Sunday, May 6th from 10:00 a.m. – 4:00 p.m.

We each hold the tremendous capacity to create positive change within our communities and in our world. Sometimes that cycle of positivity can begin with the smallest offering. Create a series of meaningful art objects that you can use to ignite kindness in your own life and in the lives of others.

Make a variety of handmade paper objects with paper-craft and fine art techniques, including paper bunting utilizing handmade stencils, accordion thank you notes utilizing wax resist mixed-media drawing, handmade wrapping paper utilizing custom-made stamps and hand-constructed boxes utilizing ink drawing. These simple art-making techniques can hold tremendous impact when given to others, especially as an unexpected gesture of kindness.

For more information about the class, please visit the Eliot School’s website or click here to download the complete catalog.

*** From June 11 – 15, the North Bennet Street School is offering Miniature Bookbindings with James Reid-Cunningham.

Miniature books present difficult design and structural challenges to the bookbinder. A true miniature is less than three inches tall, and during this course, the student will construct three books of diminishing size: a long stitch binding with decorated boards, a lapped component binding, and an accordion in a wrapper with a tongue and slot enclosure.

The course will contrast the utility of case binding, accordion, and non-adhesive structures for miniature books, with a concentration on flexibility and book action. We will analyze materials and techniques suitable for small format books. The limitations inherent in small-scale books will challenge students to do precisely executed and finely detailed work.

For more information or to register, please visit the NBSS website.

*** The North Bennet Street School is also offering Traditional Ethiopian Bookbinding with Bill Hanscom on June 16 & 17. This two-day workshop will begin with a presentation detailing the traditional methods and materials of the Ethiopian scribe and bookbinder. Students will then construct two historical models.

The first model will be a basic binding with bare wooden boards demonstrating the fundamentals of the unsupported link stitch, board attachment and repair, and the construction of a l?bas (a protective cloth over-cover). The second will be a full leather binding with inlays of patterned cloth and traditional endbands of interwoven leather strips.

Basic tooling techniques as well as common designs and motifs will be discussed and demonstrated. Students will be given the opportunity to decorate their bindings as time allows.

For more information or to register, please visit the NBSS website.


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